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Full text of "Sanborn, Vail"

r 



ILLUSTRATED CATALOGUE 



OF 



Artists' Materials 



and 



Sign Writers' 
Supplies 




SANBORN, VAIL & CO. 

SAN FRANCISCO, CAL. 



Important Notice 




I O NOT mutilate this catalogue ; it is prefer- 
able to give the name and size or the article 
desired. Care in writing the order will save 
unnecessary correspondence and time in ruling orders. 

Orders from persons not known to us must he 
accompanied hy satisfactory references or a remittance 
covering the amount of the purchase. 

iA' hen desiring the goods sent C. O. D. a remit- 
tance of half of the amount of the order must always 
he sent m ith order, which will he deducted from the 
invoice. 

Remittances can he made hy Bank Draft, Express 
or Post Office Money Order made payable to us. 
^^hen neither of these can he procured United States 
Bank Notes or Postage Stamps can he sent hy regis- 
tered letter. 

Prices do not include postage or express charges. 
It is necessary, therefore, to add this to your remit- 
tance. 

Ail goods will he packed with the utmost care and 
no allowances will be made for breakage. All claims 
must he made within five days after receipt of goods. 

All goods shipped at purchaser s risk. 

Packing cases will he charged at cost. 

Prices are subject to change without notice. 




9 



ARTISTS - MATERIALS 



Colors and Materials for Painting on China and Glass 

A. LACROIX'S CHINA COLORS 

Pbepaked Moist i>- Tubes, Ready foe Use. 




BLACKS. 

Per Tube 

Raven Black $0 22 

Ivory Black. 18 

BLUES. 

Two Fire Blue 22 

Dark Blue 18 

Common Blue 18 

Deep Blue 22 

Deep Ultramarine... 30 

Light Sky Blue 22 

Sky Blue 22 

Victoria Blue 18 

Old Blue for imitat- 
ing Old Dutch Tiles. 
English Faience, 

etc IS 

Delft Blue IS 

Blue No. 29 18 

Cornflower Blue 22" 

Old Rouen Blue 18 

BROWXS. 

Black Brown 22 

Chestnut Brown 22 

Otter Brown 22 

Vandyke Brown 22 

Gillyflower Brown 22 

Brown No. 3 •. . 22 

Brown No. 4 or 17. . 22 

Brown M or 108 22 

Dark Brown 22 

Deep Red Brown.... 22 

Light Brown 22 

Sepia 22 

Yellow Brown 22 

CARMINES. 

Light Carmine A.... 22. 

Light Carmine No. 1 22 

Carmine No. 2 25 

Deep Carmine No. 3. 30 



Painting Colors 

CARNATIONS. 

Per Tube 

Carnation No. 1 $0 22 

Carnation No. 2 22 

Carnation, deep 22 

PllX 
Flux 18 



GREENS. 

Grass Green No. 5 . . . 22 

Brown Green No. 6 . . 22 

Dark Green No. 7 22 

Green No. 36 T 22 

Apple Green 18 

Deep Blue Green 30 

Chrome Green 3B... 22 

Deep Chrome Green. . 22 

Deep or Russian Green 22 

Emerald-stone Green. 22 

Sap Green 22 

Bronze Green 30 

Duck Green 30 

Moss Green V." 22 

Moss Green J., yellow- 
ish 22 

Night Green 30 

Olive Green 22 



GREYS. 

Grey No. 1, light 22 

Grey No. 2 22 

Pearl Grey No. 6 22 

Neutral Grey 22 

Warm Grey 22 

OCHRES. 

Dark Ochre 22 

Yellow Ochre 22 



PURPLES. 

Per Tube 

Purple No. 2 $0 45 

Crimson Lake 37 

Crimson Purple 65 

Deep Purple 55 

Ruby Purple 75 

REDS. 

Capucine Red 22 

Laky Red 25 

Orange Red 25' 

Bright Red 25 

Bengal Rose 22 

Japan Rose 30 

Chinese Rose 22 



Relief, for Gold 18 



WHITES. 



Chinese White 22 

Permanent White 18 



VIOLETS. 

Deep Violet of Gojd. . 45 

Light Violet of Gold. 37 

Violet of Iron ' 22 

Grey Violet of Iron.. 22 



YELLOWS. 

Ivory Yellow 22 

Jonquil Yellow 18 

Yellow for mixing. . . 18 

Orange Yellow 18 

Permanent Yellow. . . 18 

Silver Yellow 18 



ARTISTS" MATERIALS 



A. LACROIXS CHINA COLORS— Continued 



Per Tube 

tial Blue JO 25 

Indian Blue 30 

Lavender Blue 18 

Marine Blue 30 

Reddish Brown 22 

Shammy Brown 18 

Carmelite 18 

Celadon 22 

Light Coffee 18 



Grounding Colors in Tubes 

Per Tube 
Chromium Water- 
Green JO 18 

Copper Water-Green. 18 

Grounding Green.... 22 

Steel Grey 22 

Turtle-dove Grey. ... 22 

Isabella 18 • 

Fusible Lilac 22 

Maize 22 



Per Tube 

Mauve JO 37 

Coral Red 18 

Rose Pompadour 37 

Salmon 22 

Turquois Blue 30 

Turquois Green 30 

Chinese Yellow 18 

Gold Bud 22 

Very Fusible Rose. . . 22 



LACROIX'S NEW CHINA COLORS 



Per Tube 

Relief White.." JO 22 

Coalport Green, light 25 
Coalport Green, dark 25 

Albert's Yellow 37 

Kgg Yellow 30 

Brunswick Black. ... 45 

Air Blue 25 

Grey for Flesh 25 

.Flame Red 25 

Shading Green 30 



IN LONG TUBES 

Per Tube 
R o v a 1 Copenhagen 

Grey JO 30 

Royal Copenhagen 

Warm 30 

Canary Yellow , 25 

Blue Green, light 37 

Blue Green, dark 37 

Rose 37 

Grey for Flowers. ... 25 

Pompadour Red No. 23 25 

Outlining Black 25 



Per Tube 

Sevres Blue JO 30 

Superior English 

Pink 25 

Maroon 75 

Pansy 45 

Peach Blossom 37 

Rose Leaf Green.... 25 

Old Holland Blue 22 

Dubarry Pink 30 

Best Orange 22 

Gold Grey 37 



FAVOR, RUHL & CO.'S LIQUID LUSTRE COLORS 

TO DECORATE CHINA, EARTHENWARE AND GLASS 



IX 1/6-OUKCE VIALS 



Per % Per 

Vial Vial 

Light Grey JO 25 

Medium Grey 25 

Blue Grey 45 

Pearl Grev 25 

Yellow 20 

Light Orange 20 

Orange 20 

Chamois 20 

Brown 25 

Rose 50 

Iridescent Rose JO 40 70 

Red 35 60 

White 20 

Blue Green 40 

Olive Green 30 

Blue 30 

Dark Blue 40 70 

Light Blue 30 

Purple 40 70 




Per % Per 

Vial Vial 

Violet JO 40 JO 70 

Gold Lustre 40 75 

Covering for Gold 

Lustre (to produce 

Deep Violet) 25 

Platinum 80 1 50 

Black 40 75 

Light Green 20 

Dark Green 40 

Light Green Bronze 30 

Dark Green Bronze 50 

Steel Blue 40 70 

Copper Bronze 65 1 25 

Ruby No. 2 75 1 50 

Yellow Brown 20 

Chatoyant 40 75 

Silver 80 1 50 

Mother of Pearl 30 

Opal 30 



ARTISTS' MATERIALS 



ROYAL DRESDEN CHINA COLORS 

For Painting on China, Earthenware, Etc 




PREPARED MOIST IN TUBES, READY FOR USE 



Egg Yellow 
Lemon " 
Canary " 
Relief " 
Ivory 
Albert " 



No. Per Tube 

WHITE. 

1. Relief White. (Aufsetzweiss) ...$0 25 

YELLOWS. 

.(Eigelb) 25 

.(Citronengelb) .. 25 

.(Canariengelb) .. 25 

.(Aufsetzgelb) 25 

. (Elfenbeingelb).. . 25 

.(Albertgelb) 40 

Yellow Ochre. (Ochregelb) 25 

GREEKS. 

Yellow Green . (Gelbgriin) 30 

Blue Green 

light (Blaugriin, hell) . . 40 

Blue Green . ( Blaungriin, 

dark dunkel) 40 

Dark Green. (Dunkelgriin) ... 30 

(Shattirgriin) ... 30 

(Olivengriin) .... 30 

(Grasgriin) 30 

( Tiirkisgriin ) .... 60 

" . (Schwarzgriin) .. 30 

" . (Braungriin) .... 30 
BLUES. 

Blue.(Luftblau) 35 

" . (Dunkelblau) .... 45 

. iCarminblau) .... 65 

. (Tiirkisblau) 60 

.(Hellblau) 30 

. (Randerblau) .... 25 

.(Delfterblau) 25 

BLACKS. 
Brunswick (Braunschweig- 
Black schwarz) 70 

Outlining 

Black . . i . . (Schriftschwarz) . 30 



2. 

3. 

4. 

5. 
35. 
41. 
45. 

6. 

7. 



9. 
10. 
11. 
25. 
39. 
42. 
52. 

12. 
13. 

14. 

irv. 

26. 
16. 
66. 

Si. 

32. 



Shading 

Olive 

Grass 

Turquois 

Black 

Brown 



Air 

Dark 

Carmine 

Turquoise 

Light 

Banding 

Delft 



No. Per Tube 

PINKS AND PURPLES. 

17. Rose Purple. (Rosenpurpur) ..$0 45 

18. Carmine " . . (Carminpurpur) . . 70 

19. Deep " . . (Dunkelpurpur) . . 75 
54. Ruby " . . (Rubinpurpur) ... 75 

57. Maroon (Marron) 75 

55.' Violet of Iron. (Eisenviolet) 25 

20. Deep Violet. ..(Violet, dunkel).. 75 

21. Blue " . . (Blauviolet) 40 

38. Rose (Rosa) 40 



22. 



REDS. 

Yellow Red . . . ( Gelbroth) . . . 
Pompadour 

Red (Pompadour) . 

Sup. Pompa- (Pompadour I. 

dour Red... qual.) 

Brown Red. . . (Braunroth) . . 
Flesh Red (Fleischfarbe) 



53. Carmine (Carmin) 



25 



25 



25 
25 
50 



BROWNS. 

36. Chocolate (Chocoladen- 

Brown braun) 30 

27. Finishing (Ausarbeitungs- 

Brown .... braun) 30 

28. Sepia Brown. (Sepiabraun) .... 25 

29. Yellow " .(Gelbbraun) 25. 

30. Dark " .(Dunkelbraun) .. 25 
43. Chestnut " . (Kastanienbraun). 30 

GREYS. 

33. Grey for 

Flowers . . . (GraufiirBlumen) 30 

37. Grey for Flesh(Grau fur Fleisch) 30 



FLUX. 

40. Flux (Fluss) 



25 



ARTISTS' MATERIALS 



FRY'S VITRIFIABLE COLORS IN POWDER, ETC. 




BLACK. 

Per Vial 
German Black $0 20 

in. i as. 

Aztec Blue 

Sevres Blue 

Band ins Blue 

Copenhagen Blue. . . 

Air Blue 

Baby Blue 

Celestial Turquoise. 

BROWNS. 

Yellow Brown 

Finishing Brown... 

Dark Brown 

Shading Brown .... 

Auburn Brown 

Meissen Brown 

GREENS. 

Moss Green 

Olive Green 

Royal Green 

Russian Green 

Persian Green 

Yellow Green 



Per Vial 
Sevres Green $0 20 



60 
20 

2r, 
30 
25 
20 



20 

20 
20 
25 
25 
25 

20 
20 
20 
25 
25 
25 



Sap Green. 

Apple Green 

Grey Green 

Sea Green 

Deep Blue Green. 
Empire Green. . . . 
Shading Green. . . 

Dark Green 

Brown Green 

New Green 

Black Green 



VIOLETS. 



Royal Purple. 
Violet No. 1. . 
Violet No. 2.. 



GREYS. 

Gold Grey 

Silver Grey 

Royal Copenhagen 

Grey 

Warm Grey 

Pearl Grey 

Grey for Flesh 



20 

20 
20 
20 
30 
25 
25 
20 
20 
25 
20 



40 
25 
30 



30 
20 



25 
30 



PINKS VXD PIHPLES. 

Per Vial 

Roman Purple $0 60 

Ruby 75 

Rose 25 

Peach Blossom 20 

Palma-Rosa Salmon . . 20 

REDS. 

Yellow Red 

Pompadour 

Violet of Iron. . . . 

Blood Red 

Carnation 



YELLOWS. 

Egg Yellow 

Albert Yellow 

Lemon Yellow 

Primrose Yellow. . . 

Trenton Ivory 

Oriental Ivory 

Imperial Ivory. . . . 

Grey Yellow 

Mixing Yellow 



GLAZE. 

Ivory Glaze 



25 
20 
25 
25 
20 

25 

25 

25 , 

15 

15 

20 

20 

20 

20 

20 



Samples of above colors each 5c. Complete set samples, $2.25. 
Any of the above colors can be used for dry dusting if desired. 



Colors Specially Prepared for Miniature and Figure Painting 



Per Vial 
Flesh No. 1 ( blond )..$0 25 
Flesh No. 2 (bru- 
nette) 25 

Pompadour No. 1 . . . 20 
Pompadour No. 2 

(fluxed) 20 



Per Vial 

Reflected Light $0 20 

Cool Shadow 35 

Tender Shadow 30 

Warm Shadow 35 



Per Vial 
Finishing Brown No. 

1 $0 20 

Finishing Brown No. 

2 (fluxed) 20 

Samples, each 05 



Paste, Enamels, Etc. 



Per Vial 
Fry's White Enamel. $0 20 

English Enamel 20 

Dresden Relief White 
(Aufsetzweiss) ... 20 



Per Vial 

Pink Enamel $0 25 

Coral Enamel 25 

Turquoise Enamel... 25 
Cobalt Enamel 25 



Per Vial 

Dresden Flux $0 25 

Hancock's Paste for 

Raised Gold 20 

Hancock's Hard En- 
amel 25 



ARTISTS' MATERIALS 



FRY'S VITRIFIABLE COLORS IN POWDER, ETC.— Continued 
Matt or Gouache Colors 



Per Vial 

Ivory Vellum $0 20 

Old Ivory 

Light Yellow 

Golden Yellow 

Orange Yellow 

Pale Green 

Yellow Green 

Empire Green 

Meadow Green 



Per Vial 
Bronze Green $0 20 



Per Vial 
Indian Red JO 20 



20 


Olive Green 


20 


20 


Light Turquoise Blue 


20 


20 


Dark Turquoise Blue 


20 


?0 




ill 


20 




40 


20 




25 


20 


Rose 


20 


20 


Cardinal Red 


20 



Pompadour . . . 
Yellow Brown. 
Golden Brown. 
Bronze Brown. 

Soft Grey 

Black 

White 



20 

20 
20 
20 
20 
20 
20 



Samples each 5c. Complete set samples, $1.00 



Per Vial 

Grey $0 25 

Pearl Grey 25 

Blue Grey 45 

Yellow 20 

Orange 20 

Shammy 20 

Brown 25 

Yellow Brown 20 

Rose 50 

Light Green 20 

Dark Green 40 

Blue Green 40 

Olive Green 30 

Blue 30 

Mother of Pearl 30 

Opal 30 

White 20 

Covering for Gold 
Lustre (to produce 

Deep Violet) 25 

Gold Lustre 75 



Fry's Liquid Lustres 



Dark Blue 
Steel Blue. 
Light Blue 
Chatoyant 
Copper . . . 




Per Vial 

Platinum $J 50 

Iridescent Rose 70 

Purple '. 75 

Violet 70 

Ruby 1 50 

Black 75 

Silver 1 DO 

HALF VIALS. 

Gold Lustre 40 

Steel Blue 40 

Chatoyant 40 

Copper 65 

Platinum 75 

Iridescent Rose 40 

Purple 40 

Violet 40 

Dark Blue 40 

Ruby 75 

Black 40 

Silver .• 75 



Oils and Mediums 

Each Each 

Fry's Medium 1 oz., $0 20 pint, $2 50 

Fry's Special Tinting Oil 1 oz., 20 pint, 2 00 

Fry's Enamel Medium 1 oz., 20 pint, 2 00 

Fry's Oil for Raised Paste 1 oz., 20 pint, 2 00 

English Grounding Oil 1 oz., 20 pint, 2 00 



ARTISTS' MATERIALS 



M. M. MASON'S OVERGLAZE COLORS FOR PORCELAIN 

IN POWDER 
CAREFULLY SELECTED AND FINELY GROUND 




YELLOWS. 

Per Vial 

Ivory $0 25 

T«-enton Ivory 20 

Lemon Yellow 25 

Albert Yellow 25 

Egg Yellow 25 

Neutral Yellow 25 

BROWNS. 

Yellow Brown 20 

Dark Yellow Brown. . 20 

Vandyke Brown 20 

Paris Brown 25 

Hair Brown 25 

Finishing Brown.... 25 

BEDS. 

Yellow Red 25 

Carnation 20 

Pompadour 20 

Blood Red 25 

Brown Pink 25 

Salmon 20 



«REE>S. 

Per Vial 

Apple Green $0 20 

Celadon 25 

Grey Green 20 

Sevres Green 25 

Moss Green 20 

Yellow Green 25 

Olive Green 25 

Brown Green 20 

Shading Green 25 

Myrtle Green 20 

Royal Green 20 

Empire Green 25 

Grounding Green.... 20 

Dark Green 20 

Black Green "20 

Russian Green 25 

Blue Green 40 

Dark Blue Green' 30 

Chinese Green 25 

BLUES. 

Copenhagen Blue.... 25 

Turquoise Blue 40 



Per Vial 

Persian Blue $0 30 

Banding Blue 25 

Royal Blue 75 

GREYS. 

Copenhagen Grey .... 30 

French Grey 45 

Pearl Grey 25 

Warm Grey 25 

Slate Grey 25 

PINKS, PURPLES AND 
VIOLETS. 

Peach Blossom 20 

Rose 25 

Rose for grounds.... . 25 

Hancock's Carmine. . 25 

Ruby 80 

Best English Maroon 75 

Violet 40 

BLACKS. 

Black (best for paint- 
ing and outlining) 20 
Hard Black 25 



Transparent Glazes for Underglaze Effects 



Per Vial 

Azure Glaze $0 40 Green Glaze 

Grey Blue Glaze 40 Turquoise Glaze. 



Per Vial 

. . $0 25 
30 



Matt Colors for Ground-laying 



Per Vial 

Matt Old Ivory $0 25 Matt Deep Red 

Matt Bronze Green 25 Matt Wcdgewood Blue. 

Matt Bleachy Blue per vial $0 25 



Por Vial 

.. $0 25 

30 



ARTISTS' MATERIALS 



M. M. MASON'S OVERGLAZE COLORS FOR PORCELAIN— Continued 



Relief Enamels, Fluxes, Paste, Etc. 



Per Vial 
Best White Enamel.. $0 20 
Turquois Enamel.... 25 
Pink Enamel 25 



Per Vial 

Red Enamel $0 30 

Best English Enamel 20 
Aufsetzweiss (in pow- 
der) 25 



Per Vial 

Soft Flux $0 20 

Dresden Flux. .' 25 

Hancock's Paste for 
Raised Gold. . . 20 



Mason's Oils and Mediums 



Per Bottle 
Painting Medium, 1- 

oz. bottles $0 20 

Painting Medium, 8- 

oz. bottles 1 50 



Per Bottle 
Enamel Medium, 1-oz. 

bottles $0 20 

Best English Ground- 
ing Oil, 1-oz. bottles 20 



Per Bottle 
Lavender Oil, 1-oz. 
bottles $0 20 



Mason's Liquid Lustre Colors 



IN 1/6-OUNCE VIALS 



Per Yzi Per 

Vial Vial 

' Grey $0 25 

Pearl Grey 25 

Blue Grey 45 

Yellow 20 

Orange 20 

Chamois 20 

Brown 25 

Yellow Brown 20 

Iridescent Rose $0 40 70 

Silver 70 1 40 

Ivory 25 

Opal 30 

Rose ' 50 

New Blue 50 

Olive Green 30 

Blue Green 40 




Per % Per 

Vial Vial 

Purple ?0 40 ?0 70 

Violet 40 70 

Gold 75 

Platinum 45 80 

Black 75 

Light Green 20 

Dark Green 40 

New Green 50 

Steel Blue 70 

Copper' 65 I 25 

Ruby 75 1 50 

Chatoyant 75 

White 20 

Covering for Gold 

Lustre (to produce 

deep Violet) 25 

Mother of Pearl 30 



ARTISTS' MATERIALS 



BISCHOFFS VITRIFIABLE COLORS FOR CHINA PAINTING 



Dry, in Powder 




BROWNS. 

Per Vial 

Yellow Brown $0 20 

Vandyke Brown 20 

Purple Brown 30 

Brown Pink 25 

Dark Brown 25 

Finishing Brown.... 30 

Hair Brown 25 

BLUES. 

££vres Blue 20 

Deck's Blue 20 

Robin's Egg Blue 20 

Royal Copenhagen .. . 35 

Handing Blue 25 

BUCKS. 

Black 30 

Purple Black 35 

GREEKS. 

Moss Green, A 20 

Moss Green, C 20 

Deep Blue Green 25 

Saxony Green 20 

Russian Green 20 

Night Green 20 

Dark Green 25 

Sap Green 25 

Verdigris 25 

Brown Green 20 

Olive Green 20 



Per Vial 

Shading Green $0 35 

Yellow Green 30 

Celadon 30 

GREYS. 

Gold Grey 30 

White Rose 20 

(Grey for flowers) 

Neutral Grey 20 

Ashes of Roses 50 

PINKS AND PURPLES. 

Old Rose 35 

Rose '. 35 

Peach Blossom 25 

Deep Purple 40 

Ruby 75 

American Beauty.... 65 

Magenta 50 

REDS. 

Flesh 25 

Carnation 20 

'Flame Red 25 

Poppy Red 30 

Carmine Flesh 30 

Pompadour 20 

Blood Red 25 

Dragon's Blood 50 

Violet of Irou 20 



VIOLETS. 

Per Vial 

Violet $0 35 

Pansy 35 

YELLOWS. 

Albert Yellow 30 

Dark Yellow 35 

Lemon Yellow 25 

Ivory Yellow 20 

Orange Yellow 30 

GLAZES. 

Ivory 20 

Warm Grey 20 

Salmon Pink 20 

Transparent 20 

Lavender 20 



For Raised Gold... 
For Mending China. 



20 
20 



ENAMELS. 

White 20 

Turquoise Blue 20 

Turquoise Green 20 

Pink JO 

Light Blue 20 

"> Dark Blue 29 

Lettuce Green 2S 

Yellow 20 



10 



ARTISTS' MATERIALS 



AULICH'S CHINA COLORS 
Dry, in Powder 



Per Vial 

Rosa $0 50 

American Beauty 65 

Crimson Turple 85 

Blue Violet 40 

Deep Violet 50 

Lilac 60 

Dark Blue 40 

Turquoise Blue 60 

Apple Green 20 

Blue Green 40 

Turquoise Green 50 

Water Green 25 



— 


Per Vial 




Per Vial 






30 
40 




$0 35 


Dark Green . . . 




Vandyke Brown 


. . . . 35 


Black Green . . . 


d for 


40 


Auburn Brown . 
Meissen Brown . 


"5 


Olive Green, goo 


. . . . 25 


Beleek 




40 


Poppy Red 


30 






30 


Pompadour 

Ivory Glaze 


50 


Grey, for White Roses 


30 


. . . . 20 






40 




20 


Lemon Yellow . 




25 


Flux, Soft 


... 25 


Albert Yellow . 




40 


Superior Black . 


. . . . 50 


Yellow Brown . 




25 


Aulieh's Medium, 


for 


Sepia Brown . . 




25 


painting and tinting 25 



SPECIALTIES OF THE OSGOOD ART SCHOOL 

Standard Pink $0 40 Standard Grounding Oil JO 25 

Standard Jacque Rose 1 00 Tar Oil 30 

Finely Prepared Tinting Oil 40 



FRY'S CHINA PAINTERS' OUTFIT 
Beginners' China Painting 1 Outfits 




Camel Hair Painting Brushes, aud 1 Red Sable Liner, 



OUTFIT "A."— 
Polished Wood 
Box, 3%xS%x 
1% inches, con- 
taining 12 vials 
Fry's China 
Colors. 1 bottle 
Fry's Medium, 1 
Palette Knife, 
3 Camel Hair 
Painting 
Brushes, and 1 
Red Sable 
Liner, each com- 
plete $3.50 

OUTFIT "B."— 
Polished Wood 
Box. 3%xl0y 8 x 
1% inches, con- 
taining 15 vials 
Fry's China 
Colors (includ- 
ing Ruby ) , 1 
bottle Fry's 
Medium, 1 Pal- 
ette Knife, 5 
each complete $4.50 



ARTISTS' MATERIALS 



CAMPANA'S HIGH GRADE POWDER COLORS FOR 
CHINA PAINTING 

IN VIALS. 



B 


CAMPANA 

RELIABLE 

COLORS 

ROSE 


WW 



BLACKS. 

Per Vial 

Best Black $0 13 

Purple Black 15 

Hair Black 20 



FLUX. 



Hard 

Soft 

BLUES. 

Sevres Blue 

Turquoise Blue . . . 

Banding Blue 

Baby Blue 

Copenhagen Blue. 

Black Blue 

Air Blue 

Royal Blue 

Aztec Blue 



BROWNS. 
Auburn Brown 

Hair Brown 

Yellow Brown 
Chestnut Brown . . 
Meissen Brown . . . 
Finishing Brown, 

No. 2 

Finishing Brown . . 

GREYS. 

Pearl Grey 

Royal Copenhagen 

Grey 

Warm Grey 

Ashes of Roses. . . . 



13 
13 

13 

13 
13 
13 
13 
13 
20 
30 
30 

13 
13 
13 
13 
13 

13 

20 

13 

13 
13 
20 



GREENS. 

Per Vial 
Yellow Green $0 13 



Water Green, light. 

Olive Green 

Brown Green 

Shading Green . . . 
Peacock Green .... 

Darkest Green 

Sultan Green, rich. 

Grey Green 

Deep Blue Green. , 
Empire Green 

Myrtle Green 

Moss Green 

Royal Green 

Apple Green 

New Green 

Persian Green 
Russian Green 



13 
13 
13 
13 

13 
13 
13 
13 
13 
13 
13 
13 
13 
13 
13 
13 
13 

PINKS AND PURPLES. 

Rose Salmon 15 

Best Rose 15 

Peach Blossom 20 

American Beauty ... 30 

Royal Purple 30 

Ruby Purple, No. 2.. 3.~. 

Crimson Purple 45 

Ruby Purple, brilliant 45 

REDS. 

Pompadour Red, light 13 

Pompadour Red, dark 13 

Blood Red, No. 2.... 13 

Blood Red 20 



Per Vial 
Yellow Red, No. 2... SO 13 

Carnation 13 

Yellow Red 20 

Poppy Red 20 

VIOLETS. 



Violet of Iron, No. 2. 


13 


Violet of Iron 


211 




?0 


Dark Violet, No. 2 . . . 


13 


Deep Violet of Gold.. 


35 


FLESH COLORS. 




Flesh, soft tint 


20' 


Flesh, shadow 


20. 


Flesh, dark shadow.. 


20 




20 


Flesh, transparent . . . 


20 


YELLOWS. 






13 


Trenton Ivory 


13 


Ivory Yellow 


13 


Neutral Yellow 


13 


Primrose Yellow .... 


1.3 


Albert Yellow 


13 


Deep Yellow 


13 


Egg Yellow 


13 


Lemon Yellow, rich . . 


13 


GLAZES (For Dustii 


2). 




13 


Green 


13 


Pink 


13 


Blue 


13 


Lavender 


15 



Note. — Colors marked No. 2 are one shade lighter than colors bearing the same name. 



Campana's Liquid Lustre Colors 



Per Bottle 
Orange $0.10 



Yellow 
Light Green 
Yellow Brown . . 

Opal 

Brown 

Mother of Pearl. 



10 
10 
10 
1G 
20 
20 



Yellow Pearl . 
Olive Green . . 
Br ilia nt Green 
Dark Green . . 
Blue Green . . 
Black 



Per Bottle 
$0 25 



30 

40 
40 



Rose 

Dark Blue 

Iridescent (strong). 

Violet 

Purple 

Ruby 



Per Bottle 

SO 45 



50 



60 
1 10 



Campana's Mediums 

Per Bottle 

Medium for Mixing Colors $0 18 

Diluting Medium 25 



12 



ARTISTS' MATERIALS 



SLEEPER'S MACHINE SPREAD CRUCIBLE ROMAN GOLD 

FOR CHINA DECORATING. 

(The Gold in the Dust-proof Package) 



A Sign 
of Quality 



A Mark 
of Economy 




__ _ l: -_~ »» - 

■iihiihiii mm 

The dust, air and moisture proof pack- The gold is ready for instant use by 
age, that protects the gold from all detri- simply cutting the celluloid cover and re- 
mental conditions. moving the glass slab. No other move- 
ment or change required. 

Per Box Per Doz. 

Sleeper's Crucible Roman Gold $0 65 $7 20 

Sleeper's Crucible Unfluxed Gold 65 7 20 

Sleeper's Crucible White Gold 65 7 20 

Sleeper's Crucible Green Gold 65 7 20 

Sleeper's Velvet Gold 

Same quality as the Crucible Gold, but less quantity and not 
in the patent dust-proof package 

Per Box 
Velvet Gold (Roman or Unfluxed) $0 50 

Sleeper's Monogram Gold 

Same quality as the Crucible Gold, but larger quantity and "lot 
in the patent dust-proof package 

Ter Box 
Roman or Unfluxed $1 25 



ARTISTS' MATERIALS 



PREPARED GOLDS 



Marsching's Superior Matt or Burnished Gold in Paste Form 
The Old Reliable 

Per Roi 

Roman Gold, No. l $0 65 

Roman Cold. No. J 1 30 

Roman Gold, No. 3 1 !ci 

Vnfiuxed Gold 65 



Per Box 

Green Gold ?0 65 

Green Gold Bronze 65 

Red Gold 65 

Roman Gold for Glass 65 



VARIOUS GOLDS AND SILVER 
Per Box 



y's Gold i Roman and Vnfluxed) $1 (mi 
Hasburg's Phoenix Gold (Roman ami 

Unfluxed) 65 

Try's Gold I Roman and UnHuxed) . . 1 00 



Per Box 

Mason's Roman Gold $1 00 

Sherratt'a Gold, large 1 00 

Shenatt's Gold, small 75 



MARSCHING'S BURNISHED SILVER 

Id Paste Form on Glass Slab Tor Box $0 50 



MONOGRAM BRIGHT GOLD 
Ground Ready for Use 

All your Waste of Gold is Saved by using Monogram Bright Oold, 

direct from the bottle, packed in a box which provides 

a stand for the bottle. 

• Unequalled in richness and lustre, made for 
decorators of china, who desire to produce work 
of superior quality. The bottle is especially 
designed with an opening large enough to allow 
for the use of any size china painter's brush. 

Each 

Monogram Bright Gold (liquid) '?0 50 

Monogram Bright Silver (liquid) 75 

Monogram Bright Platinum (liquid! 75 

.Monogram Roman Gold (liquid) 1 00 




GOLD, SILVER AND PLATINUM 
IN LIQUID FORM 

MARSCHING'S SUPERIOR LIQUID BRIGHT GOLD 

Each 
In packages containing one vial of Liquid Brighl 

Gold, and one vial of essence for thinning '"0 To 

Marsching's Liquid Burnish Gold 7S 

Marsching's Liquid Bright Silver 85 

Marsching's Liquid Bright Platinum 35 

Fry's Liquid Bright Gold CO 

Mason's Liquid Bright Gold ■. 50 

Campana's Liquid Bright Gold, large 15 

Campana's Liquid Bright Gold, small 45 



14 ARTISTS' MATERIALS 

FAVOR, EUHL & CO.'S WHITES, ENAMELS AND FLUXES 

IN POWDER FORM 

WHITE ENAMELS FLUX. ETC. 

Soft White Enamel Per Vial $0 15 General Flux Per V lal $0 15 

Medium White Enamel ■ 15 Soft Flux 15 

Hard White Enamel 15 French Flux 20 

French White Enamel 15 Paste for Relief Gold lo 

Best English Enamel White 20 Paste for Rough Gold Grounds 15 

Dresden Enamel White 25 Paste' for Raised Bright Gold 25 

Permanent White 20 

Chinese White 25 



PASTE, ALLOYS, ETC. 

Lacroix Paste for Raised Gold for China Per Vial $0 20 

Laeroix Paste for Raised Gold for Glass 

Lacroix Relief White (Aufsetzweiss) for Gold 

Lacroix Relief White ( Aufsetzweiss ) dry in powder for gold 

Dresden Relief White, for Gold (Aufsetzweiss) 

Dresden Relief White, for Gold (Aufsetzweiss) dry in powder 

<3old Flux 

Gold Alloy 



" 


25 


Tube 


22 


Vial 


25 


Tube 


25 


Vial 


25 


" 


50 


u 


50 



GOLD, SILVER AND PLATINUM IN POWDER FORM 

FOR DECORATING CHINA, EARTHENWARE AND GLASS 

Burnish Gold Grey, ready prepared and fluxed PerDwt. $1 20 

Burnish Gold Black, ready prepared and fluxed " " 1 20 

TJnfluxed Gold (Chemically pure Brown Gold) for working over color. . . " " 2 00 

Burnish Silver, ready prepared and fluxed. . . f " " 30 

Burnish Silver, Unfluxed " " 50 

Burnish Platinum, 'ready prepared and fluxed " " 3 00 



FAVOR, RUHL & CO.'S PASTE FOR RAISED GOLD 

In Jars, ready for use Per Jar $0 35 



LACROIX 'S CEMENT Per Vial 

For Mending China ." JO 25 

For Mending Glass 25 



ASBESTOS CORD 

For tying cemented articles to fire in kiln Per Ball ?2 50 

In rolls of 6 yards Each 10 



FRY'S TRACING WAX 

For fastening tracings (can be molded with the fingers) Per Box JO 10 

FAVOR, RUHL & CO.'S ERASING FLUD3 

For etching Glass or China, also for removing Gold and Color that has been 

fired; half-ounce bottles Per Bottle $0 35 



GRAPHITE PAPER 

For China Painters: A fine Transfer Paper, produces faint lines on China; 

sheets 15x20 Per Sheet fO 19 

Special price by the ream 



DRESDEN TRACING PAPER 

For China Painters ; in sheets 19x24 Per Sheet $0 25 



BURNISHING SAND 

Burnish Sand (for Matting Gold) I er Bottle $0 10 

Burnish Sand (for Matting Gold), pound bottle Per Pound 50 



ARTISTS' MATERIALS 



CHINA MARKING PENCILS 



FAVOR RUHL 



PENCIL. 



is 



W"Mn 



admmW 



Each Per Doz. 
Encased In paper, not wood, therefore easy to sharpen. The hest 

pencil for marking on China $0 12 .?1 25 

Conte Lithographic Pencils. Nos. 1. 2, 3. in wood 09 90 



EARTHENWARE STILTS 

Double Pointed. For Stacking China in the Kiln. 

* Ter Doz. 

Nos. 1. 2. 3, 4 $0 15 

Nos. 5 and 6 20 

Nob. 7 and 8 30 

Nos. 9 and 10 35 

Nos. 11 and 12 40 

PLATTEN 

For Stacking China in the Kiln. 
Sheets 10x10 inches Each $0 50 



WHITE CHINA TILES FOR DECORATION 

GLAZED 

Each 

3x 6 Inches $0 12 

6x 6 Inches 25 

8x 8 Inches 55 

10x10 inches 1 20 



GROUND GLASS SLABS AND GLASS MULLERS 




Slabs 

Each 

4x 4 Inches .$0 10 

6x 6 inches 2. i 

8x 8 inches 40 

10x10 inches 75 



Mullers 

Each 

% Inch diameter $0 15 

% inch diameter 20 

1 inch diameter 25 

1% inch diameter 30 

1% Inch diameter 15 



16 



AKT13T5' MATERIALS 



POCKET AGATE BURNISHERS OR TRACERS 



In Nicke; Plated Holder each, ?0 30 



FRENCH AGATE BURNISHERS 

EXTRA FINE QUALITY 




No. 49 

N». 2. Crook Shape, large ." each, $1 00 

No. 39. Crook Shape each, 70 

No. 40. Crook Shape each, 60 

No. 43. Crook Shape, small •. each, 50 

No. 46. Round Shape, small each, 45 

No. 49. Round Shape each, 45 

Agate Tracers, Polished Wood Handle .' . . . % each, 30 

All Ebony, Double Pointed, 6% inches each, 10 



STEEL COLOR ERASING PIN 



Polished Wood Handle each, 



20 



ARTISTS" MATERIALS 



17 



GLASS BRUSHES 
FORMATTING (SCOURING) ROMAN GOLD 




wmmm 

Each 

No. 1 — '■_■ inch diameter, 8 inches long $o 25 

No. 2 — : U inch diameter. 8 Inches long 50 

No. 3 — l inch diameter, s inches long 70 

No. 1A — 14 Inch diameter, t Inches long L5 

No. -A — ''i inch diameter, I ng 25 

No. 3A — 1 inch diameter -i inches long 40 

FINE STEEL COLOR ERASERS 




1% Inch, Dust Knife and Eraser. Polished Wood Handle Each $0 50 



CURVED STEEL COLOR ERASER WITH PIN 




Polished Wood Handle 



KERAMIC GAUGE 



^r 



For banding and centering plates, 
vases, etc Each $0 50 



Each JO 50 

IMPROVED PLATE SPACER AND 
DIVIDER 

The spacer is 
made of stiff 
cardboard, the 
circles and 
lines b e i n. g 
printed iu vn- 
r i u s colors. 
Directions fur- 
nished with 
e :i c h spacer. 

Kncli $0 25 

Divider 

(paper) 10 




Lead Points for Use in Keramic Gauge 



- LS,C.HAR?TMUTH.VIENNA.N°5 



No. 102. Round Wood Boxes, containing 6 leads Each, $0 35 



18 



ARTISTS" MATERIALS 



CHINA PAINTERS' PALETTE KNIVES 

"Petite" Steel Palette Knives 




Finest Quality Tempered Steel. Ehony Handles. 
2%, 3, or 3%-inch blade Each $0 27> 



Steel Palette Knives 

German Shape. 




Each Each 

2%-ineh blade, Cocoa Handles $0 30 3%-inch blade, Cocoa Handles $0 4.". 

3 -inch blade, Cocoa Handles 40 

Horn Palette Knives 

Each 
Xo. O. ■■Petite." for working gold..$0 10 

4 inches long 10 

■^5=— 5 . inches icing.. 12 

I (i inches long 15 

rVi: inches long 25 

9 inches long 30 

3%-inch blade, Black Horn Handles (riveted) S'. 

IMPROVED CHINA DECO- SELF-CENTERING 

RATORS' BANDING WHEEL BANDING WHEEL 






Nos. 1-2 

Polished metal disk, with Indented lines for centering plates, cups, etc. 
Light running, on solid cast-iron stand. 

No. 1. fi -inch diameter of disk Each $6 00 

No. -. 8 14-inch diameter of disk " 8 00 

Self-Centering, aluminum " IS 00 

SgNjg © i£> © i/S i... 
< <£,<&<£) *® &f$ IMPORTED CHINA PALETTES 

' feC:>0e ' 0C> ^ A Each 

- ; -"' China Palette, size 7xiy 2 inches. 

_ with 21 recesses, slant, and cover $0 fm 

liiliilBIWIHIiiWIIIII;.. ~ China "Mixing" Palette, with 30 

recesses, 6%s9% inches BO 




ARTISTS' MATERIALS 



19 



THE CHINA PAINTERS' "IDEAL" PALETTES 

IX TIX BOX, WITH OOVBB 

TO PREVENT THE DUST FROM TOUCHING COLORS AXD GOLD 




No. 1. 0x13 inches, 
for colors, with 
brush tray, 

Each Jl 23 

Xo. 2. 0x7 inches, 
for fold, w i t li 
brush tray. 

Each W 



NEW INDESTRUCTIBLE CHINA PAINTERS' PALETTE NO. 4 

> The above name states Just 
what this Palette is. INDE- 
STRUCTIBLE. 

This Palette will at once 
recommend itself to all China 
painters by its easily remov- 
able slab. The hinged parti- 
tion on the right side of the 
palette can be pressed down, 
the slab raised with the edge 
of the guard and removed 
without a loss or smearing of 
any one of the colors that may 
be on it. 

There is no sliding out of 
the glass and smearing the 
colors as in the old style pal- 
ettes. 

Size 9x13, with space for color and brushes 
Opal Glass Slabs, No. 4 Palette 




NEW "ECLIPSE" CHINA PAINTERS' PALETTE 

Same style as the No. 4 Indestructible with spaces on the side to hold vials of 

China color and brushes Each 51 50 



20 



ARTISTS' MATERIALS 



NEW BOXES FOR CHINA MATERIALS 




These boxes are made iu five sizes and arranged to hold colors put up in vials such as 
Laeroix's, Fry's. Mason's, etc., as well as Dresden or Lacroix Tubes. 



No. 


1 


Xo. 


o 


Xo. 


3 


Xo. 


4 


Xo. 


l 1 



Xo. 4 



Each 

VD — e^Kll^xiya inches, 18 divisions $1 73 

VD— S%xl0 xl% inches, 32 divisions 2 00 

VD— SHxl2%xl% iuches, 40 divisions 2 50 

VD— 9y 2 xl3%x2 inches, 44 divisions (without palette) 3*00 

VD — 7 xll x2% inches* 18 divisions. Contains special size "Ideal" 

Talette 3 00 

VD — 9%xl3%x2 inches, 44 divisions. Containing "Ideal" Palette, with 
ring in center for convenience in placing in, and taking out of 
l»x 4 25 



*This box is only furnished with palette. 



Xo. 1%. Fitted Complete. Containing IS vials Mineral Color, Ground Glass 
Slab 3%x7% iuches, Bottle Medium, Bottle Grounding Oil. Steel 
Palette Knife 2V4 inch, Horn Talette Knife 4 inch. Glass Muller, 
One China Marking Pencil. Brushes, Special Ideal China Talette, 
One Eox Marsching's Gold Each $10 00 



GROUND GLASS SLABS 
For Nos. 1, 2 and 3 VD Boxes 



.Each $n 25 



ARTISTS' MATERIALS 



21 



OILS AND MEDIUMS FOR CHINA PAINTING 



Lacrolx's Medium (for Dry Colors). 

Lacrolx's Rectified Turpentine 

•Lacroix's Rectified Pal Oil of Turpen- 
tine 

•Domestic Fat OH of Turpentine 

Laeroix's Rectified Oil of Lavender. 

Lacrolx's Rectified Oil of Cloves 

Superior Dresden Thick Oil, besl quality 

Dresden Thick Oil. second Quality... 

Dresden "Medium" (for Drj Colors). 

Extra Prepared Balsam Copaiba 

(i spirits of Tar 

Oil of Tar 

Aniseed Oil 

Best English Grounding Oil, to dust dry 
colors on 

Tinting Oil, to thin colors for light 
grounds 

Essence for thinning Liquid Bright Gold, 

l'o gramme bottles 25 

♦All orders for Fat Oil of Turpentine will be filled 

with the Lacroix make, unless the Domestic is speci- 
fied. 




Per Bottle 


1 07.. 


1 ., OK. 


bot. 


bot 


$0 a t 


SO 15 


12 


08 


35 


20 


25 


13 


3(1 


15 


30 


20 


50 


25 


30 


20 


30 


20 


•jr. 


13 


20 


10 


25 


15 


60 


30 


25 


15 


30 


20 



Per Bot. 

,, r r?<5i? Cooler's Tinting Oil $0 25 

■■<"*' Cooley's Lavender Oil 25 

SIZE OP 1-OZ. BOTTLE. 



'STUDENTS" CHINA PAINTERS' OUTFIT 

Contains 




12 Viitls Oampana's Powder Colors 
consisting of Black, Blue, Grey. Vio- 
let, Yellow, Browns, Greens, Reds. 

Camel Hair Quill Brushes. Square 
Sbader. each; Small and Medium 
sizes. 

Camel Hair Quill Brushes, Pointed 

Shader each; .Medium and Large 



Red Sable Liner. China slab for Mix- 
ing Colors, Glass Brush for Burn- 
ishing, Sheet French Tracing Paper, 
Steel Palette Knife. China Marking 
Pencil, Box Roman Gold, Sheet 
Graphite Paper, Bottle Mixing 
Medium. Price $3 75 



ARTISTS' MATERIALS 



BEST FRENCH PENCILS AND BRUSHES 

ESPECIALLY MANUFACTURED FOR PAINTING ON CHINA, jITC. 

' French Square Shaders "Regular" 

SUPERFINE CAMEL HAIB IN QUILLS 



ll 



French Square Shaders "Extra Short" 

SUPEBFINE CAMEL HAIR IN QUILLS 



Nos. 


1 


2 


3 


4 


5 


6 


7 


8 


Each, 


.05 


.05 


.06 


.06 


.07 


.08 


.09 


.12 


Per Doz. 


.50 


.50 


.60 


.65 


.80 


.90 


1.08 


1 2.5 



Nos. 
Each, 
Per Doz. 



1 

.05 
.50 



.05 
. .50 



7 
.09 
1.00 



.12 
1 25 



ARTISTS' MATERIALS 






BEST FRENCH PENCILS AND BRUSHES— Continued 
French Square Shaders "Extra Large" 




No. 10 

K.ioh 

Superfine Camel Hair in Quilla, No. 9 su 14 

Superfine Camel Hair in Quills, No. 10 16 

Superfine Camel Hair In Quills, No. 11 18 

Superfine Camel Hair In Quills, No. 12 30 



Per Doz 

$1 45 
1 70 

1 95 

2 30 



French Grounding Brushes 



No. 10a. 
No. II. 




Superfine Camel Hair in Quills, pointed. 
Superfine Camel Hair in Quills, square. 



Per Do/,. 

$1 70 
1 95 



French Miniature Pencils 

SUPERFINE CAMEL HA1K IN QUILT.S 



Nos. 
Each, 
Per Doz. 



J 

h 

a a 

m 

000 
.04 
.85 











1 






















' 1 











00 
.04 
.40 




.05 
.50 



1 
.05 
.50 



2 
.05 

.55 



8 

.06 
.65 



4 

.06 
.70 



ARTISTS' MATERIALS 



BEST FRENCH PENCILS AND BRUSHES— Continued 
French Pointed Shaders 

SUPERFINE CAMEL HAIR IN QUILLS 




Each 


1 
.05 
.50 




2 

.05 
.50 


3 

.06 

.70 

SUPEI 


4 5 6 7 
.06 .07 .08 .09 
.70 .80 .90 1X0 




French Tracers 

FINE CAMEL HAIR IN QUIIXS 



8 

.12 
1.25 



Nos. Trenton x 

Tracer x 

Each 05 .05 

Ferdoz.. .50 .50 




2 


3 


4 


5 


6 


~ 


8 


05 


.06 


.06 


.07 


.08 


.09 


12 


55 


.60 


.65 


.75 


.85 


1.00 


1.25 



ARTISTS' MATERIALS 



BEST FRENCH PENCILS AND BRUSHES— Continued 
French Short Painting Brushes 



I 

Nos 1 

Each 05 

Per doz . .50 



2 

05 
.50 



BUFEBFI1TC CAMKL II UK IN QUILLS 



1 



3 
06 
.60 



4 

.06 
.60 



5 

.07 
.70 



French Long Painting Brushes 



SUfEEFINE CAMEL HAIK IN QUILLS 



Mos 12 8 

Each 05 .05 .06 

Per doz.. .60 .50 .60 



4 


5 


06 


.07 


.en 


.70 



6 

.08 
.80 



7 

.09 
.90 



.18 

1.25 



n 



ARTISTS" MATERIALS 



BEST FRENCH PENCILS AND BRUSHES— Continued 
French Square Liners 

SUPERFINE CAMEL HAIR IN QUILLS 




Nos 


1 


2 


3 


4 


5 


6 


7 


6 


Each... 


.05 


.05 


.06 


.07 


.08 


.C9 


.10 


.12 


Per doz. 


.50 


.50 


.60 


.70 


.80 


.90 


1.10 


1.35 



French Scrollers 

SUPEBFINE CAMEL TTATB IN QUILLS 





Nob ... . 1 

Each 05 

Per doz.. .50 



.05 
.50 



8 

.06 
.80 



4 

.07 
.70 



J 

5 
.07 

.75 



6 


7 


8 


08 


.09 


.12 


90 


1.00 


1.85 



ARTISTS" MATERIALS 



LEST FRENCH PENCILS ANP RWTT8HT!8 -Confcnowl 
Best French Fitch Hair Stipplers 



IN WIKE-BOUND QUILLS 



fob blending 



27 



No» 1 

Each 06 

Per doz.. .60 



5 

.12 

1.20 



Best French Fitch Hair Stipplers 



7 

.18 

1.80 



!S8n 
1 


: 


' \ 


! 


i 


!■ 


i] 


; -1 


' 1 


i 



SQUARE 



Ilf WIRE-BOUND QUILLS 



FOR BLENDING 





1 


2 


Each 


.06 


.07 


Per doz 


.60 


.70 



1 



li J 

4 
.(9 
.90 



6 

.15 
1 .50 



I 



7 

.18 

1.80 



2a 



ARTISTS' MATERIALS 



BRUSHES FOR CHINA PAINTING— Continued 
Genuine Red Sable Liners 



For Fine Lines and Gold and Paste Work on China. 

Each 

Dresden Style, A (for Paste), 9/16 inch ' $0 10 ' 

Ex. Short, No. 00, % inch i 10 

Ex. Short, No. 0, y 2 inch 10 

No. 1, % inch 10 

No. 2 Id 

No. 3 12 

No. 4 s 14 

No. 5 16 

No. 6 18 

Imported Dresden Red Sable Liners 

For Gold, Paste Work and Fine Lines on. China. 

Each 

No. 00 r $0 20 

No. 25 

No. 1 30 

French. Flat Camel Hair Brushes 




Sizes, Nos. 
Each 



For Grounding. 
In Tin Ferrules with Wood Handles. 

2 '4 6 

15 20 30 



40 



10 
50 



12 

70 



Flat Camel Hair Brushes 

Extra Short and Thin 
For Grounding. 




In Tin Ferrules with Polished Wood Handles. 

Sizes, Nos 13 5 7 

Each 12 14 16 20 

Cedar Pencil Sticks 

Length, 6% inches. 
For Quill Pencils, assorted thickness. Per Doz. $0 15 



ARTISTS' MATERIALS 



29 



BRUSHES FOR CHINA PAINTING— Continued. 
Russia Sable Tinting and Elastic Tinting Brushes 




rolislied Handles. 

Each Each 

% inch $0 IS % inch .$() 22 

'_. Inch 19 % inch 25 

% inch 20 1 inch 30 



Elastic Tinting Brushes 



Each 

% inch .f0 18 

% inch 1!) 

% inch 20 



Each 

% inch $0 22 

7 s inch 25 

1 inch 30 



Each 

A, Conventional . ..$0 40 

B, Conventional ... 40 

C, Flowers 40 

D, Fruits 40 

E, Conventional ... 40 

F, Conventional ... 40 

G, Fruits 40 



CAMPANA STUDIES 

.Six Diagrams in Color, o'^kS 1 /-!- 

Each 

H, Flowers $0 40 

I, Conventional ... 40 

J, Conventional ... 40 

K. Fruits 40 

Ei, Flowers 4"0 

M. Conventional ... 40 

N, Kim Design 40 







Each 


o, 


Conventional . 


..$0 40 


r. 


Flowers 


40 


Q, 


Conventional . 


40 


it. 


Naturalistic . . 


40 


s. 


Conventional . 


.. 40 


T, 




.. 40 



BOOKS ON CHINA PAINTING 



.China Painting. By August Klimke, Deco- 
rator and General Manager of the Royal 
Pottery Works at Berlin. Published by 
Miiller & Hennig, Dresden, Germany. 
Each $0 50 

Practical Lessons in Pointing on China, 
Etc. By Madame La Baronne Delamar- 
aelle and M. F. Goupil. Each $0 60 

China PalttKng. A Practical Manual for 
the Use of Amateurs in the Decoration 
of Porcelain. By Miss M. Louise Mc- 
Laughlin. Each $1 00 

How to Apply Matt. Bronze. Laeroix and 
Dresden Colors and Gold to China. By- 
Miss A. II. Osgood. Each $0 75 

A Manual for China Painters. Being a 
practical and comprehensive treatise on 
the art of painting china and glass with 
mineral colors. By Mrs. N. di R. Monn- 



chesi. With colored plates, showing 138 
mineral colors. Second Edition. Cloth. 
Each $1 25 

The Teacher of China Painting. The most 
practical manual for the Study of China 
Painting. By D. M. Campana. 

Each $0. 75 

Firing China Lessons on Everything are 
contained in this book: How to stack, 
how to fire, how to repair kilns, chiua. 
etc. By r>. M. Campana. Each.. $0 40 

100 Lustre Color Combination. Contains 
all the new colors and combinations, 
how to apply, how to correct, mistakes. 
etc. By D. M. Campana. Each..$0 50 

Monogram Pool;. Showing a large variety 
of monograms in all sizes, also separate 
letters. By D. M. Campana. Each. JO 50 



30 



ARTISTS' MATERIALS 



FINEST DRESDEN CHINA MEDALLIONS 

For Decorating — Pin-Back Claw Mountings to Fit 

Oval Medallions and Mounts Round Medallions and Mounts 




Medallion 


Med'l'n 


M'nt 


No. 


Size. 


Each. 


No. 


33 


1 3/16x1 


so 


03 


7% 


34 


15/16x1 


1/S 


04 


7 


53 


1 g xl 


1/4 


04 


6% 


33 


1 1/16x1 


3/8 


04 


6y 2 


OO 


1 1/S xl 


3/S 


04 


6 


.11 


1 1/4 xl 


9/16 


04 


5% 


30 


1 5/16x1 11/16 


05 


5 


29/11S 


1 3/8 xl 13/16 


06 


4% 


2S 


1 1/2 xl 15/16 


06 


4 


20 


1 5/8 x2 


1/16 


07 


3% 


23 


1 11/16x2 


1/10 


07 


3% 


53 


1 5/10x2 




07 


3% 


24 


'] 3/4 x2 


3/16 


OS 


3 


52 


1 11/10x2 


7/16 


00 


2-;i 


23 


1 T/S x2 


5/16 


09 


2% 


IS 


1 15/16x2 


1/2 


10 


o 


21 


2 1/16x2 


1/2 


11 


1% 


10 


1 7/8 x2 


5/8- 


11 


1 


17 


2 x2 


5/S 


15 






M'nt 
Each 

$0 09 
10 
10 
10 
11 
11 
12 
13 
13 
14 
14 
14 
14 
15 
15 
10 
16 
17 
IS 




Medallion 




Med'l'n 


M'nt 


M'nt 


Xo. 


Size. 


Each. 


Xo. 


Each 


5 


9/16 


SO 03 


AAA 


$0 OS 


6 


11/16 


03 


A A 


08 


S 


13/16 


03 


A 


09 


9 


15/16 


04 


B 


09 


10 


1 


04 


C 


10 


11 


1 1/16 


04 


D 


10 


111 


1 1/S 


04 


E 


11 


12 


1 1/4 


05 


EH 


11 


13 


1 7/10 


03 


(i 


12 


14 


1 1/2 


• 
06 


G% 


13 


15 


1 3/4 


00 


II 


13 


450 


1 7/8 


OS 


I 


15 


16 


o 


OS 


J 


15 



We can furnish Hat Tins for any of the numbers listed above. 



ARTISTS' MATERIALS 



31 



FINEST DRESDEN CHINA MEDALLIONS— Continued. 
For Decorating — Pin-Back Claw Mounting's to Fit 
Horseshoe Medallions and Mounts i Heart Medallions and Mounts 




edallion 


Medallion 


Mount Mount 










No. 


EtaCU. 


No. Each. 










562 


$0 15 


322 $0 10 


Medallion 


Medallion 


Mount 


Mount 


561 


12 


321 15 


No. 


Each. 


No. 


Each. 


560 


10 


320 14 


508 


$0 09 


506 


$0 13 


559 


(IS 


319 12 


509 


OS 


505 


12 


558 


iiT 


318 11 


510 


06 


504 


12 








521 
511 


04 
05 


502 
503 


11 








11 


Bar Medallions and Mounts 


513 


04 


501 


10 





Crescent Medallions and Mounts 



edallion 


Medallion 


Mount 


Mount 




j^H 






No. 


Each. 


No. 


Each. 




9P 






530 


$0 03 


210 


$0 00 




Krl 


tiH 


1 


529 


03 


20S 


09 










531 


05 


300 


09 


Medallion 


Medallion 


Mount 


Mount 


534 


05 


201 


'■10 


No. 


Each. 


No. 


Each. 


532 


05 


307 


00 


542 


$0 03 


21 S 


$0 on 


537 


05 


200 


09 


543 


03 


219 


on 


546 


03 


183 


09 


544 


03 


220 


09 


179 


03 


196 


09 


.vis 


06 ' 


•v>^ 


13 



3? 



ARTISTS' MATERIALS 



BRUSHES FOR CHINA PAINTING— Continued 
Russia Sable Tinting and Elastic Tinting Brushes 




POLISHED HANDLES 

Each 

% inch $0 IS % inch 

% inch 19 % inch 

% Vuch 20 1 inch 



Each 

$0 22 

25 

30 



Large French Grounding Brashes 

HANDLED 
SUPERFINE CAMEL HAIE 




" NO. .12 




NO. 13 



No. 12. Wire Dound Cuills, Wood Handles, Pointed. 
No. 13. Wire Bound Cuills, Wood Handles, Square.. 



.each, $0 30 
.each, 30 



Two-Quill Stipplers 




Two Quills, Square each, $0 30 

Two Quills, Deer Foot , , , each, 30 



ARTISTS' MATERIALS 



FAVOR, RUHL & CO.'S FINELY PREPARED ARTIST COLORS IN 
COLLAPSIBLE TUBE. 




Size or 3-1 neb Size of 4-inch 

TuLe Single Tube 



Size of 4-inch 
Double Tube 



!!g!magffliL&p 



Size of }i-lb. or Quadruple 
Tube 



34 



ARTISTS' MATERIALS 



Colors and Materials for Oil Color Painting 



FAVOR, RUHL & CO 
FINELY PREPARED ARTISTS' OIL COLORS 



CLASS A 



Am. Vermilion 

(Unfad'g). 
Antwerp Blue. 
Asphaltum. 
Bitumen. 
Blue Black. 
Bone Brown. 
Brown Ochre. 
Burnt Sienna. 
Burnt Umber. 
Caledonian Brown. 
Cappah Brown. 
Carmine Lake. 
Cassel Earth. 
Chrome Green, Lt. 
Chrome Green, M. 
Chrome Green, D. 
Chrome Yellow, Lm. 
Chrome Yellow, M. 
Chrome Yellow, D. 
Chrome Yellow, Or. 
Crimson Lake. 
Chinese Blue. 
Cologne Earth. 
Cool Roman Ochre. 



.each, single tubes, $0 07 
Cork Black. 
Cremnitz White. 
Emerald Green. 
Flake White. 
Geranium Lake. 
Gamboge. 
Grey Tint. 
Ivory Black. 
Indian Lake. 
Indian Red. 
Indigo. 
Italian Pink. 
Jaune Brilliant. 
King's Yellow. 
Light Red. 
Lamp Black. 
Magenta. 
Mauve. 
Megilp. 
Mummy. 

Naples Yellow, Lt. 
Naples Yellow, D. 
Neutral Tint. 
New Blue. 
Olive Lake. 



CLASS B ... 
Alizarin Crimson. 
Brown Madder. 
Cerulean Blue. 



.each, single tubes, $0 12 
Chinese Vermilion. 
Citron Yellow. 
English Vermilion. 



CLASS C 

Carmine No. 2. 
Cobalt Green. 
Cobalt Blue. 
Extract of Vermilion. 
Fr. Ultramarine Blue. 
Fr. Veronese Green. 
Indian Yellow. 



.each, single tubes, $0 
Lemon Yellow. 
Lemon Yellow, Pale. 
Madder Lake. 
Malachite Green. 
Mineral Grey. 
Orange Vermilion. 
Oxide of Chromium. 



20 



CLASS D each, single tubes, $0 25 

Cadmin Yellow, Pale. Cadmin Yellow, Medium. 

CLASS E each, single tubes, ?0 35 

Carmine French. Purple Madder. 



CLASS F each, single tubes, $0 40 

Aurora Yellow. Aureolln. 

Madder Carmine. 



.'S 

IN COLLAPSIBLE TUBES 

each, double tubes, $0 10 
Payne's Grey. 
Permanent Blue. 
Purple Lake. 
Prussian Blue. 
Raw Sienna. 
Raw Umber. 
Roman Ochre. 
Rose Pink. 
Sap Green. 
Scarlet Lake. 
Silver White. 
Sugar of Lead. 
Terre Verte. 
Trans. Golden Ochre. 
Vandyke Brown. 
Venetian Red. 
Verdegris. 
Verona Brown. 
Yellow Lake. 
Yellow Ochre. 
Zinnober Green, Lt. 
Zinnober Green, M. 
Zinnober Green, D. 
Zinc White. 



each, double tubes, $0 20 
Rose Carthame. 
Sepia. 



each, double tubes, 50 35 
Oxide of Chro. Trans. 
Pink Madder. 
Rose Madder. 
Strontian Yellow. 
Scarlet Vermilion. 
Viridian. „ 



each, double tubes, $0 40 
Cadmin Yellow, Orange. 

each, double tubes, $0 55 
Violet Carmine. 

each, double tubes, $0 60 
Burnt Carmine. 



QUADRUPLE TUBES WHITES 

Cremnitz each, $0 25 

Flake each, 25 

i-ilver each, 25 

Zinc each, 25 



ARTISTS' MATERIALS 



96 



WINSOR & NEWTON'S FINELY PREPARED ENGLISH OIL COLORS 

In Collapsible Tubes 



Antwerp Blue. 
AspbaKum (thick). 
Hit 11 men. 
Black Lead. 
Blue Black. 
Boue Brown. 
Brown Ochre. 
Brown Pink. 
Burnt Roman Ochre. 
Burnt Sienna. 
Burnt Umber. 
Caledonian Brown. 
Cappah Brown. 
Cassel Earth. 
Charcoal Grey. 
Chinese Blue. 
Chrome Green. Xo. 1. 
Chrome Green, No. 2. 
Chrome Green. Xo. 3. 
Chrome Lemon. 
Chrome Yellow. 
Chrome Deep. 
Chrome Orange. 
ChromeRed. 
Cinnabar Green. Pale. 
Cinnabar Green, Light. 
Cinnabar Green, Olive. 
Cinnabar Green, Middle. 
Cinnabar Green, Deep. 
Cologne Earth. 
Cool Roman Ochre. 
Copal Megilp. 
Cork Black. 
Cremnitz White. 



CLASS Xo. I each, 

Crimson Lake. 

Cyprus Umber 
Davy's Grey. 
Emerald Green. 
Flake White, No. 1. 

Flake White, Xo. 2 (Less 

stiff). 
Gamboge. 
Gold Ochre. 
Indian Lake. 
Indian Red. 
Indigo. 
Italian Pink. 
Ivory Black, 
.laune Brilliant. 
King's Yellow. 
Lemon Yellow, No. 2. 
Lamp Black. 
Light Red. 
Magenta. 
Mauve. 
Mauve, No. 2. 
Medium (Copal Megilp). 
Megilp. 

Monochrome Tint, Cool, 1. 
Monochrome Tint. Cool, 2. 
Monochrome Tint, Cool, 3. 
Monochro. Tint, Warm, 1. 
Monochro. Tint, Warm. 2. 
Monochro. Tint, Warm. ::. 
Mummy. 

Naples Yellow, French. 
Xaples Yellow. 
Neutral Tint. 
New Blue. 



$0 10 

Olive Green. 

Olive Lake. 

Orpiment. 

Oxford Ochre. 

Payne's Grey. 

Permanent Blue. 

Permanent While (Zinc). 

Permanent Yellow. 

Prussian Blue. 

Prussian Brown. 

Prussian Green. , 

Purple Lake. 

Pyne's Megilp. 

Raw Sienna. 

Raw Sienna, Pale. 

Raw Umber. 

Roman Ochre. 

Sap Green. 

Scarlet Lake. 

Silver White. 

Sky Blue. 

Sugar of Lead. 

Terra Rosa. 

Terre Verte. 

TerreVerte (Olive Shade). 

Transparent Gold Ochre. 

"'"an dyke Brown. 

Venetian Red. 

Verdigris. 

Verona Brown. 

Yellow Lake. 

Yellow Ochre. 

Yellow Ochre, Pale. 

Zinc White. 



Alizarin Carmine. 
Alizarin Crimson. 
Alizarin Green. 
Alizarin Orange. 
Alizarin Scarlet. 
Alizarin Yellow. 
Brown Madder. 
Carmine Lake. 



CLASS No. II 

Cerulean Blue. 
Chinese Orange. 
• Chinese Vermilion. 
French Vermilion. 
Geranium Lake. 
Green Lake, Light. 
Green Lake. Deep 
Malachite Green, No 2. 



.each, $0 15 

Rembrandt's Madder. 
Rose Madder, Alizarin. 
Rubens' Madder. 
Ruby Madder. Alizarin. 
Scarlet Madder, Alizarin. 
Sepia. 

Vermilion. Pale. 
Vermilion. 



Purple Madder Alizarin. 



36 



ARTISTS' MATERIALS 



WINSOR & NEWTON'S FINELY PREPARED ENGLISH OIL COLORS 

— Continued 

CLASS No. Ill each, $0 2S 



Brillant Ultramarine 
Burnt Lake 
Carmine. No. 2 
Citron Yellow 
Cobalt Blue 
Cobalt Green ; 
Cobalt Green. No. 2 
Cobalt Violet 
• Cyanine Blue 
EmeraldOxide ofC'hromium 
Emeraude Green 
Extract of Vermilion 
French Ultramarine 
French Veronese Green 
Indian Yellow 



Leitcb's Blue 
Lemon Yellow, pale 
Lemon Yellow 
Madder Lake 
Malachite Green 
Mars Brown 
Mars Orange 
Mars Red 
Mars Violet 
Mars Yellow 
Mineral Grey 
Mineral Volet 
Mineral Violet, No. 2 
Orange Vermilion 



Aureolin 
Burnt Carmine 
Cadmium Lemon 
Cadmium Yellow 
Cadmium Yellow, pale 
Cadmium Yellow, ex-pale 



CLASS No. IV ." 

Cadmium Yellow, middle 
Cadmium Yellow, deep 
Cadmium Orange 
Carmine, finest 
Cobalt Yellow 
Crimson Madder 



Oxide of Chromium 

Oxide of Chromium, transp. 

Permanent Mauve 

Permanent Violet 

Pink Madder 

Primrose Yellow 

Purple Madder 

Rose Dore 

Rose Madder 

Rose Madder (Pink Shade) 

Scarlet Madder 

Scarlet Vermilion 

Strontian Yellow 

V Indian 



each, $0 45 

Field's Orange Vermilion 
Indian Purple 
Madder Carmine 
Orient Yellow 
Violet Carmine 
Yellow Carmine 



Aurora Yellow 



CLASS No. V each, $0 TO 

Primrose Aureolin 



Ultramarine Ash 



CLASS No. VI each, $0 90 

Extra Madder Carmine Extra Purple Madder Ultramarine Ash (Genuine) 



CLASS No. VII each, $1 50 

Extra Ultramarine Ash 



Per Tube 

Genuine Ultramarine, medium strength $3 60 

full " ! 7 20 



Extra Sizes Whites 
Double 
Tubes 

Flake White, No. 1 each, $0 20 

Flake White, No. 2 each, 20 

Cremnitz White each, 20* 

Silver White each, 20 

Zinc White each, 25 



% lb. 
Tubes 
$0 45 
45 
45 
45 
50 



lib. 
Tubes 



2 1b. 
Tubes 



WINSOR & NEWTON'S "WINTON" WHITE 




This White has been introduced to meet the demand for a real 
good quality of White Lead at a moderate price. 

Each 

Double Tubes $0 15 One-pound Tubes 

Half-pound Tubes 25 Two-pound Tubes 



Each 
.$0 50 
. 90 



ARTISTS 1 MATERIALS 



37 



W1NS0E & NEWTON'S FINELY PREPAEED OIL COLORS 
FOE ARTISTS 




Antwerp Blue 
Bone Brown 
Burnt Sienna 
Burnt Umber 
Chrome Lemon 
Chrome Yellow 
Chrome Orange 
Emerald Green 



Crimson Lake 



STUDIO SIZE (LARGE TUBE) 
SERIES I per tube, $0.35 



Flake White, Xo. 1 

Flake White, IS'o. 2 
Gold Ochre 
Indian Red 
Ivory Black 
Light Red 
Naples Yellow 



Prussian Blue 
Raw Sienna 
Raw Umber 
Terre Yerte 
Vandyke Brown 
Yellow Lake 
Yellow Ochre 



SERIES II per tube, $0.70 

| Permanent Blue | Sap Green 



Alizarin Crimson 
Alizarin Green 
Brown Madder 



SERIES III per tube, $0.80 



Cerulean Blue 
Chinese Vermilion 
French Vermilion 



Geranium Lake 
Vermilion 



SERIES IV per tube, $1.60 



Cobalt Blue 
Cobalt Green 
Bmeraude Green 
Freneh Ultramarine 
Indian Yellow 



Lemon Yellow 
Madder Lake 
Mars Yellow 
Orange Vermilion 
Oxide of Chromium 



Rose Dore 
Rose Madder 
Scarlet Vermilion 
Vlrldian 



SERIES V per tube, $2.40 



Aureolin 

Cadmium Yellow, pale 



Cadmium Yellow, middle 
Cadmium Yellow, deep 



Cadmium OraBfe 
Carmine 



SERIES VI per tube, $3.75 

Aurora Yellow 



38 



ARTISTS' MATERIALS 



Windsor & Newton's 

Finely Prepared 

Permanent 

Oil Colors for Artists 

"Kensington" 

Brand — 

Studio Size 

Put Up 

Exclusively for 

Favor, Ruhl & Co. 

, *;«" er ' rom Winsor & Newton, Ltd., London, England — Dated J a „„„„ 1017 
MESSRS. FAVOR, RUHL & CO., 43 W. 23d St, New York Januar y- »« 

Dear Sirs :— In case any of your customers should ask the question we bee to 
inform you that you can assure them that our Kensington Studio Tubes contain 
colors winch arc manufactured from exactly the same pigments and materials 
as our general stock, and that precisely the same care and attention are eiven 
to their manufacture. 

c W i>™c rS A fa » h - fully i. WINS0 * & NEWTON, LTD., W. E. KILLICK, Director 
SERIES A — Price : $0.35 per tube. 




Blue Black 
Burnt Sienna 
Burnt Umber 
Flake White No. 1 

(Med. Stiff) 
Flake White No. 2 

(Stiff) 
Flake White No. 3 

(Thin) 
Foundation White 
Golden Ochre 
Indian Red 



Ivory Black 
Naples Yellow 
Old Terre Verte 
Permanent White 

(Zinc) 
Prussian Blue 
Raw Sienna Dark 
Raw Sienna Pale 
Raw Umber 
Roman Ochre 
Terre Verte 
Transparent Brown, 
Light 

SERIES B— Price: $0.65 per tube. 

Cypress Umber | Permanent Blue 

SERIES C — Price: $1.00 per tube. 



I 



Brown Madder 
SERIES D— Price: 
Cerulean Blue 
Cobalt Blue 
Cobalt Green, Dark 
Cobalt Violet 
Cyanine Blue 



Ruby "Madder Alizarin | 
1.65 per tube. 

French Ultramarine 
Lemon Yellow 
Mineral Violet No. 1 | 
Mineral Violet No. 2 
Oxide of Chromium 
(Opaque) 



SERIES E— Price: $2.00 per tube. 
Cadmium Yellow, Ex.J Cadmium Yellow 



Pale 

Cadmium Yellow, 
Pale 



Middle 
Cadmium Yellow, Deep 
Cadmium Orange 



Transparent Brown, 

Dark 
Transparent Golden 

Ochre 
Venetian Red No. 1 

(Light Red) 
Venetian Red No. 2 
Virgin Gold Ochre 
Winton White 
Yellow Ochre 
Light Yellow Ochre 

(Oxford) 



Permanent Crimson 



Purple Madder 
Rose Madder 
Scarlet Madder 
Viridian (Oxide of 
Chromium) 



Cobalt Yellow 
Vermillion Chinese 
Vermillion Scarlet 



Maratta Artists' Oil Colors 
in tubes % x 4 inches 

COLORS I Red | Orange Yellow 

Per Tube, $0.50 [ Red Orangel Yellow 

Orange | Yellow Green 

BI-COLORS I Red ' Orange Yellow 

Per Tube, $0.40 | Red Orange Yellow 

Orange | Yellow Green 

HUES I Red Orange Yellow 

Per Tube, $0.30 | Red Orange] Yellow 

5»; „f ,8 T-..K , Orange | Yellow Green , ,, ,,,.,, 

Set of 18 Tubes, 12 Colors, 6 Hues .' Per c£ t $7 . go 

Set of 36 Tubes, 12 Colors, 12 Bi-Color, 12 Hues Per Set $1440 

Pure Zinc, Tube 1 x 6 inches Per Tub( I $ 40 



Green 
Green Blue 
Blue 
Green 

Green Blue 
Blue 
Green 

Green Blue 
Blue 



Blue Purple 
Purple 
Purple Red 
Blue Purple 
Purple 
Purple Red 
Blue Purple 
Purple 
Purple Red 



ARTISTS' MATERIALS 



39 



FAVOR, RUHL & CO.'S DECORATIVE OIL COLORS 
FOR ARTISTS, STUDENTS AND DECORATORS 

QUADRUPLE TUBES 1x6 INCHES 




Burnt Sienna 
Burnt Umber 
Chrome Yellow, Lt. 
Chrome Yellow, Mdm. 
Chrome Yellow, Peep 
Chrome Yellow, Orang 
Chrome Green, Lt 
Chrome Green, Mdm. 

Alizarin Crimson 
Cobalt Blue 




CLASS A each, 

Chrome Green, Deep 

Cremnitz White 

Emerald Green 

Indian Red 

Ivory Black 
• Light Red 

Permanent Blue 

Prussian Blue 
CLASS B each, 

Cerulean Blue 

Emeraude Greeu 

Madder Lake 



SO 25 

Raw Sienna 
Raw I'mber 
Ultramarine Blue 
Vandyke Brown 
Yellow Ochre 
Zinc White 
Ziuc Yellow 

¥0 35 

Rose Madder 
Vermilion 



ARTISTS' 
GOWNS 

Well made, of ser- 
viceable, washable 
material 

Every Artist 
should have one 
of these good- 
looking and useful 
garments to wear 
in the studio. 

Easily slipped 
on and off. 

Two Color s— 
Tan and Dark 
Blue. 

Two Sizes — 3S 
inches and 42 
inches. 
Each $2 00 




40 



ARTISTS" MATERIALS 



KENSINGTON" SKETCH BOX 





.. ■-,-■" " -*-^-,- 



Made, of selected varnished white wood, fitted with two canvas panels and mahog- 
any palette. Handles are strongly made of finest grade leather. Hinge on side of box, 
which regulates cover to incline at any angle and hold It secure. 

Outside measurements, 10% x S% x 3% in. 
Size of panels, 8 x 10 in. 

Complete each $3 50 

Separate panels each, 15 



"KENSINGTON" ARTISTS' SKETCHING PANELS 

MOUNTED WITH SMOOTH SKETCHING CANVAS 

MADE IN THE FOLLOWING SIZES 

7x9 ln each, $0 15 

8 x 10 in each IS 

9 x 12 in each, 20 

10 x 14 in eacht L . 3 

12 x 16 in cac h 30 



ARTISTS' MATEUALS 



41 



FINELY PREPARED CANVAS FOR OIL PAINTING 

IN ROLLS OF SIX YARDS BEST ENGLISH LINEN 

Everv roll measures, for - mrposes, about 2 inches more in width than 

marked in the list, and contains 6 aids. 




WINSOR & NEWTON'S "BRITISH" CANVAS 
English Linen, Extra Quality 



Per IVr 

yard roll 

27 inches wide !f(l mi $4 50 

30 inches wide nil .", 2:1 

:«) inches wide 1 111 6 00 

42 inches wide 1 2."> 7 00 



Per Per 

yard roll 

-ir, inches wide $1 50 $8 00 

r.4 inches wide 1 SO 10 00 

82 inches wide 2 70 13 00 

74 inches wide 3 20 18 00 



WINSOR & NEWTON'S 

I'er Per 

yard roll 

27 incites wide $110 $11011 

30 inches wide 1 2S 7 00 

36 inches wide 1 .10 8 00 

42 inches wide 1 70 ."ill 



"WINTON" CANVAS 

Per Ter 

yard roll 

4.'! inches wide $2 00 $11 00 

54 inches wide 2 00 12 50 

62 inches wide 3 00 15 00 

74 inches wide 4 00 17 00 



FAVOR, RUHL & CO.'S "VANDYKE' 

Per roll 

30 inches $5 50 

34 inches 6 50 

40 inches S 00 



CANVAS 

Per yard 

?0 95 

1 20 

1 50 



FAVOR, RUHL & CO.'S SPECIAL CANVAS 

Per Pet- 
roll yarc. 

A— Grey Tint. Medium Rough Surface, 39 inches wide $3 40 $0 60 

A— Butt Tint, Medium Rough Surface, 39 inches wide 3 40 60 

B— Grey Tint, Rough Surface, 42 inches wide 3 60 G5 

B— Buff Tint. Rough Surface. 42 inches wide 3 60 60 

E — Grey Tint, Smooth Sketching, 40 inches wide 3 25 55 

F— Buff Tint. Smooth Sketching, 40 inches wide 3 25 55 

In ordering above "Special" Canvas, always state whether Grey or Buff is wanted. 



42 



ARTISTS - MATERIALS 



FINELY PREPARED CANVAS FOR OIL PAINTING— Continued 



No. 1 Smooth, English Linen 

Per Per 

roll yard 

27 Inches wide $5 85 $1 00 

30 Indies wide 6 30 1 10 

36 Inches wide 7 50 1 25 

42 Inches wide 8 SO 1 50 

54 inches wide. 14 30 2 50 

62 Inches wide 18 20 3 50 

74 Inches wide 26 00 4 50 

96 inches wide 39 00 7 00 

120 Inches wide 52 00 8 75 



No. 1 Absorbent, English Linen 

Per Per 

roll yard 

27 Inches wide. $5 85 $1 00 

30 Inches wide 6 30 1 10 

36 Inches wide 7 50 1 25 

42 Inches wide 8 80 1 50 



No. 1V 2 , English Linen 

Same quality of linen as No. 1, but of 
more open texture. 

Per Per 

roll yard 

27 inches wide S5 20 $0 90 

30 Inches wide 5 50 1 00 

36 Inches wide . . 6 50 1 10 

42 Inches wide 7 80 1 40 

54 inches wide 1170 2 00 



No. 4, White Back, Sketching 

SINGLE FBIHE 

Per Per 
roll yard 
39 Inches wide $3 25 $0 55 



No. 8, Coarse 

FOB CEILING AND WALL DECOBATIONS 

Per Per 

roll yard 

36 Inches wide $5 35 $1 05 

54 inches wide 960 190 

74 Inches wide 18 00 3 60 

96 Inches wide 28 80 -5 75 

120 Inches wide 38 40 7 70 



No. 10, Medium Rough, English 
Linen 

SINGLE FBI MED 

Per Per 

roll yard 

27 Inches wide $4 70 $0 90 

30 inches wide 5 00 1 00 

36 inches wide 5 40 1 10 

42 Inches wide 6 50 1 20 



No. 2, Roman, English Linen 

Per Per 

roll yard 

27 Inches wide $5 85 $1 00 

30 inches wide 6 30 1 10 ■ 

36 inches wide 7 50 1 25 

42 Inches wide 8 SO 1 50 



No. % Grey Back, Plain Sketching 



DOUBLE PBISIE 



Per Per 
roll yard 
39 inches wide $4 25 $0 75 



Pastel Canvas 

SAND SURFACE 



Per Per 
roll yard 
38 Inches wide $6 60 ?1 10 



VELVET SUBFAOE 



38 



_ Per Per 

a> roll yard 

Inches wide $7 SO $1 30 



AfcTISTV MATKKlALb 



43 



FINELY PREPARED CANVAS 



liul'.XTtli 021 STBETCHKRS 









Linen 


Canvas, Smootb or 


Kou . a 










Size 


Each 


Site 




Each 


Size 




Each 


Size 


Each 


6x6 Inches io 45 


12x20 


tithes 


.t0 63 


18x26 


aches. 


.$1 


u . 


22x36 iDches. 


. U 50 


Txlu 


45 


12x24 




70 


16x28 




1 


05 


-4X.JU 


1 50 


6x1:: 


4i 


14x15 






16x30 




1 


05 


24x36 


1 60 


8x10 


45 


14x20 




7U 


20x21 




1 


05 


18x46 


1 90 


5x12 




12x30 




... 


18x30 




1 


20 


10x30 


2 00 


9x12 


.... 


14x24 


" 


10 


20x26 




1 


20 


24x42 


2 10 


10x14 




16x20 




1 .) 


18x36 




1 


35 


30x36 


2 10 


10x1* 


GO 


1 1x26 


•' 


80 


211x30 




I 


33 


25x50 


2 40 


12xH 


BO 


16x22 




80 


22x28 




1 


35 


30x40 


2 60 


1 2x 1 5 


611 


16x24 


" 


80 


22x311 




1 


35 


30x46 


2 60 


]0xU 


60 


18x22 


" 


90 


18x40 




1 


50 


30x50 


3 00 


10x20 


63 


18x24 


" 


90 


20x36 


" 


1 


50 


40x50 


3 30 


12x18 


Go 





















FAVOR, RUHL & CO.'S "VAN DYKE" CANVAS PANELS 

Binders' Board, covered with a high-grade linen canvas, and made especially for 
sketching: can also be adapted for studio work. 

Each Each 

6xS inches $0 20 10x14 inches $0 45 

7x10 •• 22 12x18 " 5(1 

!>xl2 " 2.3 14x20 " 7,3 



FINELY PREPARED ACADEMY 
BOARDS 

SMOOTH OR ROUGH SURFACE 

Each 

6x H inches $0 0:3 

9x12 inches 10 

12xlS inches 15 

18x24 inches ', 25 

EXTRA SIZES 

Each 

20x25 inches $0 45 

22x27 inches 55 



SUPERIOR OIL SKETCHING 
PAPER 

22x30 Inches, smooth, per sheet $0 20 

22x30 inches, rough, per sheet 20 



CANVAS PLIERS 




Par Stretching Canvas Each. $1 so 



OIL SKETCHING BLOCKS 

SMOOTH OR ROUGH SURFACE 

These blocks are made of prepared Oil 
Sketching Paper pressed firmly together. 
Each sheet may be separated by passing 
a knife under its edge. 

Each 

5x 7 inches $0 00 

7x10 inches \ . . . 75 

Sxl2 inches 1 25 

0x12 inches 1 35 

10x14 inches 1 50 

1 2x10 inches 2 00 

12x18 inches 2 50 

14x20 inches 3 00 



CANVAS PINS 



Wooden center with steel pins 
projecting on each side, to place be- 
tween canvases for carrying wet 
sketches, per dozen $0 35 



WINSOR & NEWTON'S LONDON OIL SKETCHING BOARD 

Bough, smooth, Roman and Tlcken, making a good hard surface to work on. 
Size 22x30 Inches per board, $0 75 



u 



ARTISTS' MATERIALS 



THE "PFLEGER" STRETCHER PIECES 




These Stretchers art double mortised and tenoned, therefore very strong, and not 
liable to warp out of shape in straining. The joint is reversible and interchangeable; 
hence, It 'would be impossible to select two pieces of a width which would not go 
together readily and form a perfect joint. Both sides of the stretcher pieces are 
beveled inward from the outer edge, so that when put together either side -can be 
mounted with canvas. . 

1% inch wide. 
Per Doz. Per Doz. 

6 ta 19 inch -. $0 72 30 to 39 inch $1 29 

20 to 2» inch 84 40 to 48 inch 144 

Extra Heavy Stretchers Made to Order 

3-inch rail per lineal foot, $0 15 

4-inch rail per lineal foot, 28 

Additional Charge for Bars or Crossbars for Large Size Stretchers. 



OVAL STRETCHERS 

The following sizes' are regular and constantly on hand 

12x16 each, ?1 20 17x21 each, $135 22x27 each, ?1 65 

14x17 " 120 18x22 " 135 25x30 " 180 

16x20 " 120 20x24 " 150 

Odd sizes, or sizes not regular, especially when single Oval Stretchers are ordered, 

will be charged for at extra prices. Circular Stretchers with Arcs 

or any other shape made to order. 



SPRING CLIPS 




Maple, Unpolished per dozen, $0 60 



ARTISTS' MATERIALS 



45 



FAVOR, RUHL & CO.'S VANDYKE WOOD OIL COLOR SKETCH BOX 

MADE OF IMITATION WALNUT 




"Vandyke" Box 

Fitted with sketch board to hold wet sketches, partitions for brushes, paints, etc, 

and is without doubt the best box at the price in the market. 

This box can be had in the following sizes, viz.: 

9x12 ..each, $3 75 10x14. each, $4 50 12x16 each, $5 25 




The "Handy" Thumb Sketch Bflxes 

Each 
No. 1. Pocket Size 6%x4%xl% inches $0 70 

No. J. Size 6VJxo%x2& inches, with 

I'alette 100 

No. 3. Size S%x6%x2% inches, with 

I'alette 150 

Designed to carry a small assortment of 

colors, etc., and arranged to carry 

several spare panels. 



No. 2. 



46 



ARTISTS' MATERIALS 



The "Chicago" Wooden Oil Color Sketch Box 




The "Chicago" Sketch Box is very substantially made, has a shellacked mah- 
ogany finish^ and a strong leather handle. A Brass rod holds cover rigid at 
various angles for sketching. Partitions for brushes, paint, oils, etc., and space 
in» cover for four wet sketches. Neat in appearance and light in weight. A 
favorite with artists and students. 

Fitted with mahogany palette and two wooden panels prepared for painting. 

Four Sizes. 

r • 3 ■ r.ach 

Inside measurements 9 x 13 inches $625 

Inside measurements 10 x 14 inches 6 75 

Inside measurements 12 x 16 inches 8 75 

Inside measurements 14 x 20 inches n 2 j 

P. S.— The above Sketch Boxes are made of three-ply stock top and bottom. 



ARTISTS' MATERIALS 



47 



ALL IN ONE 

yketchiti! 
Outfit 




"All in One" Wooden Oil Color 

Sketch Box, Easel and Stool 

Combined 

The most compact sketching outfit on 
the market. It is very simple, yet ex- 
eedingly substantial. Hardwood box 
in mahogany finish. Brass 
trimmings with rack in 
cover for 6 wet sketches 
metal extension, which 
screws on box to hold 
large canvas and acts as 
easel. Legs are adjusta- 
ble for uneven ground, 
stool is attached to box. 
Fitted with a mahogany 
palette, one board for 
wet sketches, lock and 
key, a strong, durable 
leather handle. All fold- 
ing together, making it 
easy to carry and trans- 
port. 

Inside measurements I2x 
16 inches, complete 

Each, $22.50 



The "Reubens" 

Wooden Sketch Box 

Same construction as the 
"All in One" Outfit but 
without the Easel and 
Stool. 

Inside measurements I2x 
16 inches. ..Each $12.50 



"All in One" 

The "Favor" 
Wooden Sketch Box 

Beautiful dull polish of an- 
tique, green finish, is substan- 
tially made with nickeled brass 
metal parts. The cover has 
space for six wet sketches and 
is adjustable to any angle, be- 
ing held securely by brace on 
side of box. Fitted with mahog- 
any palette, one panel to hold 
wet sketches, lock and key with 
a strong black leather handle. 
Inside measurements 10x14 

inches Each $7.50 

P. S. — The above Sketch Box- 
es are made of three-ply stock, 
top and bottom. 

"Favor" 



ARTISTS' MATERIALS 




The "Complete" Wooden Oil 
Sketching; Box 

The "Complete" Sketching Box is 
made of maple with a shellac finish, it 
has an extension metal tripod leg 
which screws in the bottom of the box 
and two wooden extension legs which 
fasten on either side fo the box and an- 
swer the purpose of an easel. When not 
in use legs are carried inside of box, 
and make outfit very compact. The 
color tray can be tilted to a horizontal 
position when in use. 

Space in cover for two panels to hold 
wet sketches. Fitted with mahogany 
palette, lock and key, leather handle 
and metal trimmings. 

Inside measurements 12 x 16 inches. 
Each $17.50 



The "Ruhl" Wooden 

Sketch Box 

This is an exceptionally 
neat appearing box, fin- 
ished in a dull antiqu 
green. The cover can be 
held secure at any desired 
angle and has space for 
four wet sketches. Fitted 
with mahogany palette, two 
wooden panels and a strong 
leather handle. A god value 
at the price. 

Two Sizes 

Inside measurements 

10x14 inches,'. ..Each $5.40 

Inside measurements 

12x16 inches Each $6.65 

Ruhl 

P. S.— The above Sketch Boxes are made of three-ply stock, top and bottom. 



ARTISTS MATERIALS 



JAPANNED TIN OIL COLOR BOXES 

No. 0. Improved, empty, size 12%x6%x2% inches, fitted with patent re- 
ceptacle for tubes, also extra tray for tubes or I rushes, and lid with spring 
securely covering contents. Each $1 25 

No. 0. Improved, fitted, containing 14 Winsor & Newton's colors, 3 Russia 
sables, 3 flat bristles. 1 badger blender, paittte knife, 5-inch crayon holder, 1 
bottle poppy oil, pale drying oil and turpentine, charcoal, chalk, tin palette 
cup and mahogany palette. Each 5 00 

No. 0. Improved, fitted, containing same assortment as above, with Favor. 
Ruhl & Co.'s oil colors. Each i 50 

No. 5. Improved. Size Il%x8%x2 inches, fitted with ild and spring, secure- 
ly covering tubes, empty. Eaeh 1 25 

No. 1%. Size 13x9x3U 
inches, with raised cover, and 
new receptacle for tubes, with 
lid for holding the colors in 
their places, empty. Each.. 

No. 1%. Fitted, containing 
20 Winsor & Newton's oil col- 
ors, 1 bottle each pale drying 
oil, turpentine, and poppy oil, 
4 red sable brushes, 6 bristle 
brushes, 2 Bright's bristle 
brushes, 1 No. 4 badger blend- 
er, palette knife, crayon hold- 
er, charcoal, chalk, palette cup 
and mahogany palette. Each 

No. 1%, Fitted, containing 
same assortment as above, 
with Favor, Ruhl & Co.'s oil 
colors. Each 




No. 1% 

No. \%. Size 13x9x2% inches, with raised top. Having extra tray for 
tubes. tWe inside flaps cover the entire contents of the box, thus preventing 
the displacement of any article Empty, each, $1 50 

No. 1%. Fitted, containing 20 Wi,nsor & Newton's oil colors, 1 bottle eaeh 
pale drying oil, poppy oil, and turpentine, 4 red sable brushes. G bristle brushes, 
2 Bright's hristle brushes, 1 No, 4 badger blender, palette knife, crayon holder, 
charcoal, chalk, palette cup and mahogany palette Eaeh, $7 00 

No. 1%. Fitted, containing same assortment as above, with Favor, Ruhl 
& Co.'s oil colors Each. $6 50 



50 



ARTISTS' MATERIALS 



JAPANNED TIN OIL COLOR BOXES— Continued 

. No. 2%. Size 13^ x 9% x 3% inches, 
with flat top, and new receptacles for 
tubes, and inside lid securely holding 
tubes in their places. Double bottom, 
■with slides for carrying wet sketches. 

Each, $1 75 

No. 2 Vs. Fitted, containing 24 Win- 
" sor & Newton's oil colors, 1 bottle each 
pale drying oil, poppy oil, turpentine, 
4 red sable brushes, 6 bristle brushes, 
1 No. 4 badger blender, palette knife, 
crayon holder, charcoal, chalk, palette 
cup and mahogany palette Each, $S 00 

No. 2U. Fitted, containing same as- 
sortment as above, with Favor, Ruhl 
& Co.'s oil colors Each, $7,50 





No. 2%'. 

No. 2%. Size 13i/2 x 9% x 34-4 inches: flat top and double bottom for carry- 
ing wet sketcnes. The inside flaps cover the entire contents of ¥ the box. pre- 
venting the displacement of any article '. Each, $2 00 

No. 2%. Fitted, cintaining 24 Winsor & Newton's oil colors, 1 bottle each 
pale drying oil, poppy oil, turpentine, 4 red sable brushes, C bristle brushes, 
1 badger blender. No. 6; palette knife, crayon holder, charcoal, chalk, palette 
cup and mahogany palette Each. $8 40 

No. 2%. Fitted, containing same assortment as above, with Favor, Ruhl & 
Co.'s oil colors Each, $S 00 



ARTI5T5- MATERIALS 



..i 



JAPANNED TIN OIL COLOR BOXES— Continued 




<-* 5» 



No. 



Xo. 3. Size Hi 10 x 3% inches, fitted with covered tray for tuhes and four 
4-oz. tin oil bottles, double boffora, open end with three slides for holding wet 
sketches Each, $3 50 

No. 3. Fitted, containing 40 single and 2 double Winsor & Newton's oil 
colors, 9 bristle bri I bristle, 2 L.andsei r's bristle, 6 Russia sable, 
6 red sable, 1 Bright s iid sa ,1 bristle varnish brush, 
1 chiseled bristlt gi r blender, 1 bottle each poppy oil, 
pale drying oil, turpentine and mastic varnish in tin bottles, palette knife, 
improved palette cup, polished | on holder, two-joint 
mahl stick and 2 hand books on Ing Each, $17 50 

No. 3. Fitted, containing Favor, Ruhl & G'o.'s oil colors, assortment samo 
s above < Each, $16 00 



Eclipse No. 1. Size m-xSUx i, very 

complete and well finis nt movable tube 

tray and lid closing over same. Extra brush tray 
with clamps for holding wel 

Eclipse No. 1. Fitted, cm 
Winsor & Newton's colors, 1 bottle each p^.Ie dry- 
ing oil, spirits turpentine, genuine rnish, 
3 round red sable brushes, 1 red 
flat bristle, 1 Landseer's bristle, 1 Brfght's bristle, 
1 extra bristle brush. % inch; 1 varnish brush, 
badger blender. No. 6; 3-inch 
palette knife, crayon holder, 
"harcoal, chalk, double palette 
cup, mahogany palette. 

Each, $10 50 

Eclipse No. 1. Containing 
42 tubes, Favor, Ruhl & Co.'s 
oil colors; assortment same 
as above Each, $9 75 " Eclipse " No. 1 (Patented) 

Eclipse No. 2. Size 13V6x9%x3% inches, very complete and well finished, 
patent movable tube tray and lid olosinj over same, extra brush tray with 

clamps for holding wet brushes, double bottom slide for sketches Each. $2 50 

Fitted with Winsor & Newton's oil colors Each, 11 00 

Fitted with Favor, Ruhl & Co.'s oil colors Each. 10 00 




52 



ARTISTS' MATERIALS 



OUTFITS OF FAVOR, RUHL & CO.'S OIL COLORS 

"The Amateur's Box" 

No. 6. "The Amateur's 
Box," size 11x6x1%. inches, 
empty. Each $0 

No. 6. Fitted complete, 
containing 12 tubes of Win- 
sor & Newton's finely pre- 
pared oil colors, mahogany 
palette, palette knife, spir- 
its of turpentine and pale 
drying oil, tracing and 
transfer papers, 4 artists' 
sable and bristle brushes, 
badger blender. Japanned 
tin palette cup, 1 academy 
board and 4 colored studies. 
Each $4 




The "Compact" Oil 
Color Outfit 

FOE OUTDOOR SKETCHING, 
SCHOOL USE, ETC. 

Polished Wood bos, size 
6% inches Ions, " 5 's inch- 
es wide, 1% inches deep, 
containing 12 special size 
tubes Favor, Ruhl & Co.'s 
artist oil colors, 1 bottle 
pale drying oil, 1 bottle 
rectified turpentine, and 
'irushes. Each, $1 00 

Th<? special size tubes in 
this outfit are not sold sep- 
arately. 





The Favorite Outfit 

Handsome Japanned Tin Box. Contains 12 tu 
F., R. & Co.'s oil colors, mahogany palette, pale 
knife, spirits turpentine, pale drying oil, trac 
and transfer paper, 4 sable and bristle brusl 
palette cup, academy board, colored- studies. Ci 
Plete eaeh, $3 



SI!-: 
[Tact- 
Rls 
tor: 
Plct 



ARTISTS 1 MATERIALS 



68 



FAVOR, RUHL & CO.'S AMATEUR'S ART STENCIL OUTFIT 




CONTAINS 

Six tuhps Favor. Rubl & I'm'- Oil Colors, one bottle Permanent Mixture, two Art 
tern- is. two sti'ticil Brushes. Thumb Tacks. 
■Cked in a leatherette box each, $1 00 



"MIXING TINTS" 

To produce Orange, mix Red and Yellow. To make Green, mix Yellow and Blue, 
'or a Purple, mix Red and Blue. For a Brown, mix Red, Yellow and Blue. To 
roduee Flesh tint, mix a very light tint from Red and Yellow. • ' 

Different color effects can be produced by varying the amount of colors mixed. 
Hue makes what is called a cool color, and Red or Yellow a warm color. Always 
rash out. your brushes iu turpentine and put them away clean after using. 

See "Art of Mixing Tints" for further directions. 



FAVOR, RUHL & CO.'S "FAVORITE" STENCIL OUTFIT 




Contains one bottle Barclay Varnish, one bottle Permanent Mixture, one small 
size Stencil Brush, one large size Stencil Brush, one Stencil Knife, one dozen Thumb 
Tacks, one Improved Japanned Tin Palette, one double size Oil Tube each, Blue, 
fellow, Red, Brown, one White Wood Board for cutting stencils, one piece material 
or practice, two Cut Stencils, three sheets Stencil Board, and Book of Instructions. 

3 acked in a fine leatherette box each. $2 00 





FAVOR, RUHL & CO.'S STENCILING PAPER 

18 inches wide, 10 yard rolls per "roll, $3 60 



FAVOR, RUHL & CO.'S STENCILING BOARD 

Jize 20x24 inches per sheet. $0 20 



ARTISTS' MATERIALS 



OUTFITS OF FAVOR, RUHL & CO.'S OIL COLORS— Continued 




The Beginners' Outfit 



Polished "Wood Box, 10 inches 
long. 6 inches wide, 2 inches 
deejj. Contains 10 single tubes 
I"., r. i- Co.'s oil colors, pale 
drying oil and turpentine, palette 
i up, mahogany palette, badger 
H : ilev, palette knife, 1 sable 
and 2 artist bristle brushes. 
Complete. Each 



$1 75 



The Students' Outfit 

Polished Wood Box, 11 
inches long, 6 inches wide, 
2 inches deep. Contains 
13 single tubes F., R. & 
Co.'s oil colors, 1 palette 
knife, pale drying oil and 
turpentine, palette cup. 
mahogany palette, tracing 
and transfer paper, stu- ' 
dents' academy board, 3 
sable and bristle brushes, 
and badger blender. Com- 
plete Each, ■ $2 00 





The Advanced I B 

Outfit 

Polished Wood 
Box, 13% inches long, 
6y 2 inches wide, 5 
inches deep. Con' 
tains 13 double (oi 
large size) tubes P. 
R. & Co.'s oil colors 
pale drying oil and 
turpentine, paletti 
knife, palette aria 
palette cup, badge) 
blender, 1 sable ant 
2 bristle brushes 
academy board, trail 
in? and transfer pa 
pers and studies 
Complete, 

Each, $2 5i 






ARTISTS MATERIALS 



£ 



TIN PALETTE CUPS 



No.1 



No. 6 



I 1MB At 

No. 8 No. 3 No. 4 



No. 6 



No. 9 



No. 10 



Each 

No. 1. Single, without cover $0 05 

No. 2. Single, with cover 10 

No. 3. Double, without cover 10 

No. 4. Double, with cover 15 



No. 5. 
No. 6. 
No. 9. 
No. 10. 



Each 

Single, without cover JO 05 

Double, without cover.... 10 
Single, with screw cover.. 15 
Double, with screw cover. 30 



IMPROVED PALETTE CUP 



TIN BOTTLES WITH METAL 
SCREW TOPS 




Patented Sept. 8tb, 1885 



Each 



to 15 



2 Ounce Square. 2 Ounce Oblongr. 

Bach 

Two Ounce Square $0 25 

Two Ounce Oblong 25 

Four Ounce Oblong 35 



JAPANNED TIN BRUSH WASHERS JAPANNED TIN BRUSH CASES 




Each 

No. 1. Round ?0 35 

No. 2. Round 55j. 

No. 3. Round 60' 

Improved Squaru 70 



Each 
No. 1. Round, 8% inches long.... JO 55 

'No. 2. Oval, 10 inches long 70 

•No. 3. Oval. 12 inrlus long 80 

"Xo. 4. Oval, 14 inches long 90 

•Fitted with slide and elastic bauds for 
holding brushes. 



5-5 



ARTISTS* MATERIALS 



REST, OR MAHL STICKS 



&• 



Each 

Plain, Whitewood, 30 to 40 inches long $0 14 

Plain Walnut. 30 to 40 inches long IS 

Polished Rosewood, imitation 25 

Polished Rosewood, imitation, two joints 60 

Polished Rosewood, imitation, three joints SO 

Whitewood, two joints : 60 

Whitewood, three joints 80 



ARTISTS' STEEL PALETTE KNIVES 




Each 
2%-inch blade, Ebony Handles $0 25 

3 -inch blade, Ebony Handles '. 25 

314-inch blade, Ebony Handles : 25 

4 -inch blade, Ebony Handles 30 

4.%-inch blade, Ebony Handles 30 

5 -inch blade, Ebony Handles 35 

6 -inch blade, Ebony Handles 45 

Trowel shape, 3 -inch blade. Ebony Handles 35 

Trowel shape, 3%-inch blade, Ebony Handles 35~ 

Trowel shape, 4 -inch blade, Ebony Handles 40 

Trowel shape, 5 -inch blade, Ebony Handles ' 50 



ARTISTS' MATERIALS 



SUPERIOR WOODEN PALETTES 




-AX 




SQUARE. Each 

Oiled Polis'd 
Mahogany or Maple. SxlOins. $0 20 $0 50 
Mahogany or .Maple, 9x13 ins. 30 65 
Mahogany or Maple, 9^6x13% 

inches 30 70 

Mahogany or Maple, 10x14 

inches 35 75 

OVAL. 
Mahogany or Maple, 9 inches 

long 16 45 

Mahogany or Maple, 10 inches 

long 20 50 

Mahogany or Maple, 11 inches 

long 25 55 

Mahogany or Maple, 12 inches 

long 25 60 

Mahogany or Maple, 13 inches 

long 30 65 

Mahogany or Maple, 14 inches 

long 30 70 

Mahogany or Maple, 15 inches 

long 35 75 



STUDIO ARM PALETTES 




MAHOGANY OB BLACK WALNUT. 

Balanced, back cross veneered at thumb 
hole. 

Eacn. 
15x20 inches, oiled or shellac finish $1 80 
16x24 inches, oiled or shellac finish 2 25 
17x27 inches, oiled or shellac finish 2 75 



FOLDING PALETTES 

MADE IN MAHOGANY, MAI'l.K. BLACK 
WALNUT ami SYCAMORE 



Tfi 



Each 
Oiled Polis'd. 

9x13 inches $0 70 $1 50 

10x14 inches 90 170 



SKETCHING UMBRELLAS 




JOINTED STICK. 

Each 
American, buff linen, steel frame.. $9 00 
American, white cover, black inside, 

steel frame 9 00 

WITHOUT JOINTED STICK. 

American, buff linen, steel. frame. . 6 00 
American, white cover, black inside, 
steel frame 6 00 



58 



ARTISTS' MATERIALS 



ARTISTS' WORKING EASELS 





No. 1. 

No. 1. Pine, closing, board and 
pins. Each ?0 65 

No. 3. Pine Wood, six feet high, 
folding in center, with tray, pins 
and patent .hinge. Each $1 30 




"Vandyke" Easel 

Especially adapted for Academic Work, 
72 inches high. 

Made of select white-wood and 
neatly designed in view of meeting 
the requirements of students work- 
ing in a limited space where it is 
necessary to occasionally demand 
an easel capable of handling a fairly 
good sized canvas. • Each $3 30 





No. 
No. 



Sketching Easel, Ash Wood, three legs, tray and pins 

Sketching, Whitewood, folding with patent hinge and tray. 



Each 

$0 80 
1 15 



ARTISTS- MATERIALS 



EASELS— Continued 




fci 




No. 16. 

No. 16. Improved Cherry Wood, 
sliding legs, with double brass 
screws (patented*), 4 feet 6 inches 
high. Tray for holding canvas is 
adjustable and secured firmly to 
middle bar with brass thumb screw. • 
Our new attachment for inclining 
canvas at any desired angle is su- 
perior to all others. Easel when 
folded measures 32 inches and 
weighs 2% lbs. Including attach- 
ment. Each $4 80 

'Patent No. 455,844. 



No. 13. Folding Sketching, Cherry, 

legs to turn. 4 feet 4 inches high, 
folds to 2 feet 6 inches Each. $2 25 

No. 15. Sliding Sketching Easel. 
Cherry, 4 feet 4 inches high, tray ad- 
justable to middle bar and also to 
the side legs by two steel pins, the 
sliding legs having ;>ol'bli; brass 
screws* known as the best and most 
reliable fastener on sliding easels. 

Each, 3 50 

Studio Screw Winding Easel 




With attachment to lay ihc Teasel back or forward. 

Height, 54 inchen. Width, 3m incht*. 

Depth, 29 inches. Ce_tre liar, 88 inches. 

Each 

Ash Wi 50 

Black Walnut 54 00 

Mahogany 44 00 



6o 



ARTISTS' MATERIALS 




The "Ruhl" Sketching Easel 

The "Ruhl" Sketching Easel is without 
doubt the best sketching easel on the mar- 
ket, made of bass wood finished in natural 
color, with brass fittings, light in weight, 
will hold a canvas 80 inches high, to ex- 
treme small size. Tilting arrangements, a 
brass rod 20 inches long, permitting can- 
vas to be placed at desired angle. 

Very compact when folded and easy to 
carry. One big feature of this easel is that 
screws and fittings cannot come off and 
be lost. Height of easel, 66 inches when 
open, when folded 36 inches, weight 3 
pounds. Can be adjusted for use either sit- 
ting or standing. 

Each 
No. 1. With reinforcements at the 

head $6.50 

No. 2. With extra brass reinforce- 
ments at the head 7.75 



The "Chicago" Studio Easel 

The "Chicago" Studio Easel is strongly 
constructed .of finest seasoned pine, with 
dull walnut finish. Has sliding shelf for 
canvas, held by a metal catch and ratchet 
at any desired height, also sliding block 
to hold top of canvas. May be tilted to 
any desired angle either backward or for- 
ward. Can be knocked down and crated, 
very compact for shipping. 

Complete, with canvas ..each 13.75 

"Ruhl No. 2" 



ARTISTS' MATERIALS 



61 



The "Ruhr Extra Large Studio Easel 



The "Ruhl" Artist's Cabinet 




The "Ruhl" Extra Large Studio 
Easel — Heavy construction; seasoned 
oak in dull finish. Arranged for for- 
ward or backward tilting, base on 
casters, with attachment for leveling 
on uneven floor. Brush and color 
tray 36 inches wide. Ratchet for rais- 
ing and lowering, width of easel 30 
inches. Height when folded 54 inches 
Height, full extension, 96 inches. 
Each $43.75 




This is a practical and necessary 
piece of furniture for the studio. 

Hand made of thoroughly seasoned 
White Pine stained a rich Walnut. 
Has sliding shelf and two drawers, 
one four inches, one five inches deep, 
placed at bottom for papers, etc. Top 
has a ledge to hold materials from 
falling off. Height 26 inches. Top 
18 x 18 inches. 

Complete Each $1375 



The Neff Folding Stool 

(Patented) 

Fits the pocket when folded, constructed of spring 
steel 3/16 in. diameter, black enameled, with perfor- 
ated flexible Steel Seat. 

Open: Height, 16 inches; seat, 6 x i$l4 inches; 
folded, 1 iJ4 inches long, tapering from 6 to 454 inches 
wide and A inch thick, weight, 28 oz Each $o.8.<; 



62 



ARTISTS' MATERIALS 



EASELS— Continued 
Extra Large Studio Easels Studio Sliding Easels 

SCREW WINDING. 





front vtew Constructed same as Winding Easel, with 

With Spring Attachment for Inclining sliding instead of wind movement. 

Height. 61 inches; Width, 36 inches; Each 

Depth, 34 inches; Center Bar, 72 inches. Pine Stationary $12 00 

Each Ash, Stationary 15 00 

A f h '," ■ •• ** 5 00 With extra movement for tilting the Easel 

Black Walnut 51 00 back and f orwar a 53.00 additional. 

Mahogany 57 00 




Studio Rack Easels 

Each 

No. 7. Studio Rack Easel, with sliding frame and tray. 

Whitewo'od $6 60 

No. 8. Same as No. 7, ebonizetl 1 80 

No. 0. Black Walnut, same as Xo. 7 8 10 

No. 10. Mahogany, same as No. 7 9 25 



No. 7 



ARTISTS' MATERIALS 



03 



UMBRELLA STAFFS 
FOR USE IN OUTDOOR SKETCHING 



& 



No. 1. Jointed, slip joint, japanned trimmings, Iron shoe, 46 inches long.Each. $1 50 



ARTISTS' SKETCHING 
STOOLS 




No. 1. 



Camp Chairs 



No. 1. Canvas seat, with, back 

No. 2. Canvas seat, without back 

No. 3. Canvas seat, without back, extra quality. 



Each. 

?0 60 

■ 50 

75 



Half Cane Form 




Half cane, 
web seat. Each, $0 80 



Collapsible Metal Stools 





Open 



Folded 



Frame made of wrought steel, japanned, with canvas seat. Stool when 
open is 17 Inches high, and seat is 14%x7 inches. When folded, stool Is 11% 
inches long, 8% inches wide, and 1% inches thick. Weight only 38 ounces 
Will sustain 250 pounds Each, fo 75 



04 



ARTISTS' MATERIALS 



ARTISTS' OILS, VARNISHES AND MEDIUMS 





SIZE OF 2-OUNCE BOTTLE "ROUND" GLASS BOTTLES 

Winsor 
& Newton's 

2-oz. 1-oz. 2-oz. 

Bottles Bottles Bottles 

Pale Drying Oil Each. $0 20 $0 12 $0 29 

Strong Drying Oil Each. 15 10 20 

Linseed Oil. purified Each. 15 10 20 

Nut Oil. French Each. 20 12 29 

Poppy Oil, French Each. 20 12 28 

Spirits Turpentine, rectified .Each, 15 10 15 

Genuine Mastic Varnish Each, 45 25 SO 

Picture Mastic Varnish Each! 30 18 65 

Damar Varnish, extra Each! 25 15 

Picture Copal Varnish Each, 25 15 50 

White Spirit Varnish Each, 25 IS 

Retouching Varnish Each, 25 IS 

Fixatif (superior quality) Each, 25 

Fixatif (School of Art) Each, 15 

Alcohol Each, 20 12 

Gold Paint Liquid .Each, 15 10 

Japan Gold Size Each, 20 12 

Slccatif Courtray , Each, 25 15 

Adhesive Preparation, tor photograph painting on glass. 

Each, 20 10 
Preservative Liquid, tor photograph painting on glass. 

Each, 20 10 
Transparency Medium, for photograph painting on glass. 

Each, 20 10 

OPAQUE MIXER 

A Liquid for mixing with Oil Colors, to prevent the oil from spreading when 

painting on Silk, Satin, Paper, etc. 

Per bottle Each, $0 30 



ARTISTS' MATERIALS 



FRENCH VARNISHES AND MEDIUMS 






Each 

Skeatif de Harlem *° 52 

Siccatif Courtray, square bottles 

Soehneo's Retouching Varnish No. 2, for Watei Colors 

Soehnee's Retouching Varnish No. 3, for Oil Colors 

Viberfs Retouching Varnish 

Vibert's Picture (a tableau) Varnish 

Vibert's Repainting (a peindre) Varnish 

Ferragutti Fixatif— 2-ounce bottles • 

Vibert's Essence de Fetrole 

FRENCH LIQUID TAPESTRY COLORS 

PREPARED ESPECIALLY FOR CANVAS AND OTHER TEXTILES 



1 Chrome Yellow, L. 

2 Golden Yellow. 

3 Cadmium Yellow. 

4 Italian Earth. 

5 Raw Sienna. 

6 Burnt Sienna. 

7 Burnt Umber. 

8 Cassel Earth. 

9 Red Brown. 

10 Vandyke Brown. 

11 SaturuRed. 

12 Vermilion. 

13 Madder Rose. 

14 Blue Violet. 

15 Purple Lake. 

16 Turquoise Blue. 

17 Cobalt Blue. 

18 Ultramarine Blue. 

19 Prussian Blue. 

20 Indigo. 

21 Vegetable Green. 

22 Emeraude Green. 

23 Grass.Green. 




24 Olive Green. 

25 Prussian Green 

26 Carmine Lake. 

27 Sepia. 

28 Payne's Gray. 

29 Ivory Black. 

31 Yellow Ochre. 

32 Dark Green. 

' 33 Chinese Rose. 

34 Brown Madder. 

35 Bistre. 

36 Raw Umber. 

37 Orient Red. 

3S Indian Yellow. 

39 Green Lake. 

40 Bengal Rose. 

41 Scarlet Lake. 

42 Crimson Lake. 

43 Sepia. 

44 Neutral Tint. 

45 Mauve. 

46 Purple Lake. 

47 Flesh Tint. 



2 ounce Bottles. 



All Colors (except Carmine) 

30 Carmine 

Tapestry Outfits containing 6 Bottles Tapestry Colors 
Tapestry Outfits containing 12 bottles Tapestry Colors 
Tapestry Medium, per pint 



per bottle, $0 25 

per bottle, 50 

and Brushes Each 1 50 

and Brushes Each, 3 00 

Each, 40 



66 



ARTISTS' MATERIALS 



THE AIE PENCIL 

FOR MAKING RAISED LETTERS AND RELIEF WORK 




To be applied to Plaques, Vases, Fancy Boxes. Dance Cards, Menus, and Orna- 
ments of all kinds. By the use of the Air Pencil the most beautiful effects in Raised 
Lettering can be produced. 

Each 

Outfit complete, in neat box. comprising Air Pencil. Dry Medium and Liquid $0 80 

Medium No. 1 (Liquid), bottles 25 

Medium No. 2 ( Dry Powder ) , boxes 25 



CELLULOID 

In Sheets, 20x50 Inches. In the following colors: 

No. 658. Green Blue No. 403. Lavender 

No. 657. Blue Grey No. 404. Purple. 

No. 430. Pale Yellow No. 274. Tortoise 

No. 431. Deep Yellow. No. 43. Pale Ivory 

No. 361. Pale Pink No. 44. Deep Ivory 

No. 359: Deep Pink No. 10. White 

No. 470. Pale Green No. 300. Isinglass, transparent 

No. 472. Deep Green No. 300. Isinglass, semi-transparent 

No. 156. Black. No. 124. Bright Red, transparent 

White, Black and colors per sheet, $1 50 

Transparent and Semi-transparent per sheet, 2 00 

Transparent thin .'. per sheet, 1 50 



CONVEX GLASS 

FOR CHROMO-PHOTOGRAPHT 
VERY BEST QUALITY. 

Per Dozen 

Card Size, Oval, 2%x3% inches '. $0 45 

'Card Size, Square, 2%x3% inches , 45 

Half Cabinet Size, Oval, 4x5% inches 60 

Half Cabinet, Square, 4x5*4 inches 60 

Imperial Size, Oval, 4x6 inches , 65 

Imperial Size, Square. 4x6 inches 65 



ARTISTS" MATERIALS 



67 




c\_E.p\t>t - WN.w.rw.'e.ss, - Nx^rv&'e.vtvc. ^ 

%i «uaiv*\ *.%!•* m« rv*vi\t tw*\% 




THE ^'SUPERIOR BRAND" PLASTELINE 



f V \ up In fhit ^tcKiot )s of • MEDIUM CONSISTENCY And la IM SAME quALiTT a« uf M by 
PROfllNtNT 3CULPTOB5, INSTITUTIONS. SCHOOLS AND KINDER-GARTENS. 
COLO* Si 
tfnrv,Or««n, Innt* OM.OjTrrr* C<m»,Llfll>* 0™*^O^«rK^S,-«wn ,Cl*y C«lor,Or#«#f». oio#. »Vhir«. 



SUPERIOR BRAND MODELING CLAY 

THE PERFECT MODELING MATERIAL 

For Sculptors, Artists, Architects, Schools, Kindergartens, and Home Amusements 

IN THE FOLLOWING COLORS : 

CRAY GREEN. BRONZE GREEN, TERRA COTTA. LIGHT BROWN, DARK 
BROWN, CLAY COLOR, CREAM, BLUB, WHITE 

In Mb. packages per pound, $0 35 

In 5-lb. packages per pound, 35 

In 10-lh. packages per pound, 35 

MODELING OUTFITS 




Queen Modeling Box, contains Plasteline, four colors, modeling tool, board and 
circular giving full directions. Just the proper size for the kindergarten. Each, $0 25 

Beginner's Modeling Box contains Plasteline, five colors, tools, board, illustrated 
booklet and circular with full directions. Proper size for home amusement. Each, $0 50 

Complete Modeling Box, a large outfit containing Plasteline, five colors, tools, 
board, illustrated booklet and circular with full directions. Proper size for the 
modeler Each, $1 00 

MOLDOLITH 

MATERIAL FOR PERMANENT MODELING 
Becomes as hard as stone after modeling. Remains moist when kept away from 
the air. Supplied in air-tight tins. Gray, Antique Green. Terra Cotta, Blue, Bronze 
Brown, Cream, Yellow. 

1-lb. cans per pound, $0 35 

5-lb. cans per pound, 35 

1Mb. cans per pound, 35 



ARTISTS' MATERIALS 



COMPOSITE MODELING CLAY (PLASTELINE) 

THE IDEAL MODELING MATERIAL 

It remains soft and plastic forever, no dust, no dirt, no water. Used by 
prominent sculptors, all over the wor.d. Put up in 1-pound boxes and 10-pom 
packages in the following colors: Grey green, bronze green, light brown, dat 
brown, terra cotta. clay, and eream color. 






1-pound boxes per pound, 

10-pound packages per pound, 



35 
30 



MODELING CLAY, MOIST AND DRY (CLAY DUST) 

In 5 or 10-pound cans per pound, $0 

In kegs per pound, 0, 



STUDENTS' MODELING OUTFITS 




The above outfit contains an assortment of composite modeling clay, tools 
and instruction pamphlet each, $0 61 




WHITEWOOD MANIKINS OR LAY FIGURES 

WITH STANDS 

6 inches high each, $2 0( 

9 inches high each, 2 2E 

12 inches high each, 2 7E 

15 inches high each, 3 0( 

IS inches high each, 3 5( 

21 inches high... each, 5 0C 

24 inches high. each. 6 0( 

30 inches high , each, 12 0C 

36 inches high each, 18 0( 



ARTISTS' MATERIALS 



tw 



BOXWOOD MODELING TOOLS 
FOR WAX OR CLAY 




Nos. 1 to 36. 6-inch tools. Each.. $0 12 Nos. 1 to 36. 8-inch tools. Each.. $0 18 
(When ordering above tools, specify number of tool and length.) 



?0 ARTISTS* MATERIALS 

WIRE MODELING TOOLS 

FOR CLAY OR PLASTER 

^" j r-cr" » li [d ^- — r~~- --,..q _ZZ i 'ii i li nn "' / *| 

Each 

One «nded brass wire tools, Nos. 1 to 6, S inches long $0 30 

One ended ordinary wire tools, Nos. 1 to 6, S inches long 25 

Each 

Double ended brass wire tools, Nos. 1 to 6, 8 inches long $n 3"i 

Double ended ordinary wire tools, Nos. 1 to 6, 8 inches long Hit 

In ordering these tools state numbers; also whether brass wire or ordinary Wire 
and whether one ended or double ended tools are wanted. 

FRENCH TRANSPARENT GUMMED PAPER 

It 




Reels containing 6 yards each, $0 05 



ARTISTS' MATERIALS 



FAVOR, RUHL & CO. 






W^M 






FAVOR, RUHL & CO.'S 

EXTRA BRILLIANT INDIA 

GOLD PAINT 



READY MIXED 

For all kinds of Artistic and Decorative Gilding and 
Fainting. Frescoing and Ceiling Decoration, Household 
Ornaments, Church Fixtures, Picture Frames, Fancy Bas- 
kets and every variety of Wood Work, Ornamental Candles 
and Millinery Articles, Albums, Stationery and Paper 
Work, Gilded Dancing Shoes and Leather Work, Theatrical 
Properties, and for every possible kind of Gilding Work. 

This Gold Paint is prepared in a Liquid Form, and avail- 
able for immediate use. It is put up in a highly polished 
and attractive wooden box as shown in cut. 

It is applied with the greatest facility, and when dry- 
will be found to show the Real Gold Color, which is want- 
ing in other ready-mixed paints. 

The quality will not deteriorate; the color, in fact, gain- 
ing more richness and brilliancy in course of time. 

For the above reasons, and for its cheapness, our India 
Gold Paint commends itself, and in all respects will be 
found to be the superior of any article now m the market. 
Per Box, 25c. 



MARSCHING'S FRENCH GOLD 
PAINT 



FOR ALL ORNAMENTAL GILDING 
AND DECORATIVE PURPOSES 

Boxes contain one bottle of Gold Pow- 
der and a bottle of Liquid, with 
Brush and Mixing Saucer. 



Gold. Sil-'T or Copper. Per Box, $0 25 




FRENCH W$& 

1 n 

mm 

FOB'ALLORNAMENTALCILDING 



72 



ARTISTS' MATERIALS 



Brushes for Oil Painting 

"ARTISTS' " RED SABLE 
For Oil Painting- 

ROUND AND FLAT POLISHED HANDLES 

NICKEL PLATED FERRULES 




No. 1 

No. 2 

No. 3 

No. 4 

No. 5 

No. 6 1 25 



er Doz. 


Each 


$0 75- 


$0 07 


80 


08 


90 


09 


1 00 


10 


1 10 


11 



Per Doz. Each 



No. 7 U 75 

No. 8 1 85 

No. 9 2 00 

No. 10 2 25 

No. 11 2 75 

12 No. 12 3 50 



$0 16 
18 
20 
22 
25 
30 



EXTRA LARGE SIZES 



Each 

No. 13 $0 45 

No. 14 50 

No. 15 55 



Each 

No. 16 $0 65 

No. 18 75 

No. 20 -. 85 



ARTISTS' MATERIALS 



TS 



RED SABLE BRUSHES— "BRIGHT 'S" 
Flat For Oil Painting 



POLISHED HANDLES 



NICKEL PLATED FERRULES 




Per Doz. Each 

No. 1 $1 00 $0 10 

No. 2 1 10 11 

No. 3 1 40 14 

No. 4 1 75 17 

No. 5 2 00 20 

No. 6 2 50 25 



Per Doz. Each 

No. 7 *3 00 t0 3C 

No. 8 3 50 35 

No. 9 4 00 40 

No. 10 4 70 50 

No. 11 5 65 60 

No. 12 6 60 65 



EXTRA LARGE SIZES 



Each 

No. 14. y. inch ?0 75 No. 18. 

No. 16. % inch 1 10 No. 20. 



Each 

% inch *1 30 

% inch 1 80 



n 



ARTISTS* MATERIALS 



RED SABLE BRUSHES— "RIGGERS" 
Extra Long For Oil Painting Fine Lines 

ROUND POLISHED HANDLES NICKEL PLATED FERRULBf 




Each 

No. 1 $0 OS 

Xo. 2 10 

No. 3 12 

No. 4 14 

Xo. 5 . . . '. 15 

Xo. G ■ 18 



Each 

No. 7 TO 20 

No. S 23 

No. 9 25 

No. 10 30 

No. 11 35 

Xo. 12 40 



FAVOR, RUHL & CO.'S POONAH BRUSHES 

TIN FERRULES ROUND FOT; -—&\(--T."SG 



No. 1. 
No. 2. 
No. 3. 
No. 4. 
Xo. 5. 
Xo. C. 




Each 


Per Dozen 




$0 05 
C6 


JO ."" 


- 


CO 




07 


7 . 


j. 10 


OS 


SO 


Xo. 11 


09 


SO 


Xo. 12 



Each 


Per Dozen 




$1 20 


14 


1 4.i 


115 


1 G! 


IS 


1 SO 


90 


2 2." 


25 


2 50 



ARTISTS' MATERIALS 



WINSOR & NEWTON'S " ARTISTS' " BRUSHES 
For Painting in Oil Colors 

FINEST RED SADLES IX NICKEL FERRULES 

WITH 12-INCH RED POLISHED CEDAR HANDLES 

FLAT AND ROUND 

STA.MPKU IN SOLD, WIKSOB 4 NEWTON, LTD, 



I 



li 



! 



* 



li 



AMERICAN SIZES 

Each 
No. 1 $0 12 No. 7 ... 



No. 2 
No. 3 
No. 4 
No. 5 
No. 6 



12 No. S 

13 No. 9 

14 No. 10 

15 No. 11 

16 No. 12 



Each 
?0 IS 
20 
22 
25 
33 
35 



tr. 



ARTISTS' MATERIALS 



" ARTISTS' " RUSSIA SABLE BRUSHES 



For Oil Painting 

ROUND AND FLAT POLISHED HANDLES NICKEL PLATED FERRULES 



R: 



:' '; 



Per Doz. Each 



No. 1 $0 60 



No. 2 
No. 3 
No. 4 
No. 5 
No. 6 



65 
70 
SO 
85 
90 



$0 06 
07 
07 
08 
09 
10 



Per Doz. Eact 
. . ?1 00 $0 11 

. . 1 10 
. . 1 20 



No. 7 

No. 8 

No. 9 

No. 10 1 30 

No. 11 1 40 

No. 12 1 50 



EXTRA LARGE SIZES 



Each 

No. 13 $0 20 

No. 14 30 

No. 15 40 



Each 

No. 16 $0 50 

No. 18 60 

No. 20 70 



ARTISTS" MATERIALS 



77 



RUSSIA SABLE BRUSHES— "BRIGHT 'S" 
Flat For Oil Painting 

POLISHED HANDLES NICKEL PLATED FERRULES 




No. 1 

No. 2 

No. 3 

Xo. 4 

No. 5 

No. G 



Per Doz. Each Per Doz. Each 

..$0 75 $0 07 No. 7 $1 50 $0 14 

SO 08 No. 8 1 60 16 

90 09 No. 9 1 75 18 

. . 1 00 10 No. 10 2 40 20 

. . 1 10 11 No. 11 2 60 25 

. . 1 40 12 No. 12 2 80 2» 



EXTRA LARGE SIZES 

Each Eaeh 

No. 14. % inch $0 30 No. 18. % inch SO 40 

No. 16. % inch 35 No. 20. % inch 60 



78 



ARTISTS' MATERIALS 



"VANDYKE" BRISTLE BRUSHES ON CARDS 

Flat Finest Bristle Artists Brushes Brights 

SEAMED NICKEL FERRULES NATURAL GUM WOOD HANDLE 




PRICES 



No. i each $o 25 

No. 2 each 30 

No. 3 each 35 

No. 4 each 40 

No. 5 each 45 



No. 6 
No. 8 
No. 10 
No. 12 



each $0 50 
each - 65 
each 75 
each 95 



ARTISTS' MATERIALS 



"LYONS" BRISTLE BRUSHES 

For Oil Painting 

YELLOW POLISHED HANDLES NICKEL FERRULilio 

ROUND, FLAT AND DRIGHTS 






J 



2 4 




No. 1 



No. 10 1 10 

No. 11 IIS 

No. 12 



No. 


2 


No. 


3 


No. 


4 


No. 


n 


No. 


6 


No. 


7 


No. 


8 


No. 


9 



Per Doz. 


Each 


$0 65 


$0 06 


70 


07 


70 


07 


75 


08 


SO 


08 


85 


09 


90 


09 


95 


09 


1 00 


10 


1 10 


10 


1 15 


12 


1 25 


It 



80 



ARTISTS' MATERIALS 



if fill 1 " BRIGHT 'S" (THICK) ARTISTS' BRISTLE BRUSHE 

For Oil Painting 

BLACK POLISHED HANDLES TIN FERRULES 




No. 7. 
No. 8. 
No. 9. 



Per Doz. Eacl 



No. 1 
No. 2 
No. 3 
No. 4 
No. 5 
No. 6 



$0 75 

SO 


$0 0! 
1 


85 


OS 


90 


Of 


1 00 


1( 


1 10 


i: 



EXTRA WIDE ARTISTS' BRISTLE BRUSHES 



BLACK POLISHED HANDLES 

Each 

% inch wide ?0 14 No. 1 0. 

% inch wide 16 No. 11. 

1 inch wide 18 No. 12. 



TIN FERRULES 



1% inch wide. . 
1% inch wide. . 
iy> inch wide. 



LANDSEER'S ARTISTS' BRISTLE BRUSHES 
For Oil Painting 



FLAT 



POLISHED HANDLES 



TIN FERRULES 



Each 

No. 1 ?0 07 

No. 2 07 

No. 3 08 



Eacl 

?0 2( 



EacH 

No. 4 ?0 OS 

No. 5 , Of 

No. 6 If 



ARTISTS' BRISTLE BRUSHES 
Wide, Chiseled Edje For Oil Painting 

POLISHED HANDLES TIN FERRULES 



Each) 

*/• inch wide ?0 13 

% inch wide in 

%, inch wide 17 

% inch wide. ...... 20 

1 inch wide 25 

IVi inch wide 30 

1% inch wide 35) 




ARTISTS' MATERIALS 



GENUINE "FRENCH" BRISTLE BRUSHES 



For Oil Painting 



PLAIN WHITEWOOD HANDLES TIN FERRULES 

ROUND, FLAT OR BRIGHT'S 




Each 

No. 1 $0 05 No. 7 

No. 2 05 No. 8 

No. 3 06 No. 9 

Mo. 4 06 No. 10 

Mo. 5 07 No. 11 

No. 6 07 No. 12 



Each 
$0 08 
08 
09 
09 
10 
10 



EXTRA LARGE SIZES 



FLAT OR BRIGHT'S 



Mo. 13 
Mo. 14 
Mo. 15 
Mo. 16 
Mo. 17 
fto. 18 



Each Each 

$0 12 No. 19 $0 25 



14 No. 20 

16 No. 21 

18 No. 22 

20 No. 23 

22 No. 24 



28 
30 
33 
35 
40 



82 



ARTISTS' MATERIALS 



PLAT 



ARTISTS' BRISTLE BRUSHES 
For Tapestry Painting 

POLISHED HANDLES FLAT POLISHED HANDLES 

CHISELED EDGE SLANTING CHISELED EDGE 




Each 

No. 1 SO 09 \o ; 

No. 2 

No. 3 

No. 4 

No. 5 

No. 6 



10 


No. 8 


11 


No. 9 


13 


No. 10 


IS 


No. 11 


Xi 


No. 12 



Each 
SO 15 
16 
18 
20 
22 
26 



ARTISTS' MATERIALS 



WINSOR & NEWTON S LONDON-MADE HOG HAIR BRUSHES 
For Painting in Oil Colors 

EXTRA FINE HOG HAIR IN NICKEL FERRULES 
Made of the Softest Lyons Hair. With 12-Inch Polished Handles. 

ENGLISH SIZES 
"A" SERIES FLAT OR ROUND YELLOW HANDLES 



Each 

Jos. 1 to 6. any size $0 25 No. 10 

lo. 7 30 No. 11 

lo. 8 40 No. 12 

lo. 9 45 



Each 

*0 50 
60 
70 



WINSOR & NEWTON'S BRISTLE BRUSHES 



lo. 2 

Jo. 3 

Jo. 4 

Jo. 5 

Jo. 6 



'B" Series 



For Oil Painting 

ROUND OR FLAT 



Anier. size. Eng.Size 



Each 
lo. 1 SO 07 



Each 



08 


13 


09 


14 


10 


15 


11 


16 


12 


18 



Red Handles 



Amer. size Eng. size 

Each Each 

No. 7 $0 14 $0 20 

No. 8 15 22 

No. 9 16 25 

No. 10 18 28 

No. 11 20 30 

No. 12 22 40 



SUPERIOR ROUND "BADGER BLENDERS" 

POLISHED HANDLES WIRE BOUND QUILLS 




Jo. 1 

Jo. 2 

Jo. 3 

Jo. 4 

Jo. 5 

J«. t; 



Each Each 

$0 22 No. 7 $0 85 

32 No. 8 .105 

38 No. !t 1 20 

4S No. 10 1 45 

60 No. 11 1 80 

75 No. 12 2 00 



84 



ARTISTS" MATERIALS 



Materials for Water Color Painting 

WINSOR & NEWTON'S MOIST WATER COLORS 

IN WHOLE AND HALF PANS AND WHOLE AND HALF TUBES 



L'SUEWTON 

R.-ilhiT.nc FUlcd LTD,, 

XONDON, ENGLAND 

_ ,MOI ST_4 CO LOUR ^- .. 

^e SBAI LT- MiiBBE^ 

JUll-I-BE'iCOB/iET™ 





Size of Whole Tubes. 




Size of Half Pans. 



Antwerp Blue 
Bistre 
Blue Black 
> Brown Ochre 
Brown Pink 
Burnt Sienna 
Burnt Umber 
Charcoal Grey 
"Chinese White 
Chrome Lemon 
Chrome Yellow 
Chrome Deep 
Whole Pans or Tubes. 

Alizarin Crimson 
Alizarin Carmine 
♦Alizarin Green 
♦Alizarin Orange 
Alizarin Scarlet 
Alizarin Yellow 
Brown Madder 
Carmine Lake 
Cerulean Blue 
Whole Pans or Tubes. 



Chrome Orange 
Cologne Earth 
t Davy's Grey 
Dragon's Blood 
Emerald Green 
Flake White 
Gamboge 
Hooker's Green, 1 
Hooker's Green, 2 
Indian Red 
Indigo 
Italian Pink 



Ivory Black 
King's Yellow 
Lamp Black 
Light Red 
Mauve 

Naples Yellow 
Neutral Tint 
New Blue 
Olive Green 
Payne's Grey 
Permanent Blue 
Prussian Blue 



Prussian Green 
Raw Sienna 
tRaw Sienna, Pale 
Raw Umber 
Roman Ochre 
• Sap Green 
Terre Verte 
Vandyke Brown 
Venetian Red 
Vermilion 
Yellow Lake 
Yellow Ochre 



.Each, $0 25 Halt Pans or Half Tubes Each, $0 15 



Crimson Lake 
Indian Yellow 
Leitch's Blue 
Mars Yellow 
Neutral Orange 
Orange Vermilion 
Permanent Brown 
Purple Lake 
Roman Sepia 
.Each, $0 50 Half Pans 



Rose Madder, Alizarin 

Rubens Madder 

Ruby Madder, Alizarin 

Scarlet Lake 

Scarlet Madder, Alizarin 

Scarlet Vermilion 

Sepia 

Warm Sepia 

or Half Tubes Each, ?0 25 



Cadmium Yellow, Ex. Pale 

Cadmium Yellow, Pale 

Cadmium Yellow, Middle 

Cadmium Yellow 

Cadmium Orange 

Cobalt Blue 

Cobalt Green 

Cobalt Violet 

Whole Pans or Tubes 



Emerald Oxide Chromium 
French Blue 
Indian Purple 
♦Intense Blue 
Lemon Yellow 
Mars Orange 
Mineral Violet 
Orient Yellow 



Oxide of Chromium 
Ox. of Chromium (Trans.) 
Permanent Mauve 
Permanent Violet 
♦Pure Scarlet 
Ultramarine Ash (Grey) 
Violet Carmine 
Viridian 



.Each, 



65 Half Pans or Half Tubes Each. $0 35 



Aureolin Gallstone Purple Madder 

Aurora Yellow Madder Carmine Rose Dore 

Burnt Carmine Madder Lake Rose Madder 

Carmine New Olive Green - Scarlet Madder 

Cobalt Yellow Pink Madder Yellow Carmine 

Field's Orange Vermilion Primrose Aureolin 

Whole Pans or Tubes Each, $1 10 Half Pans or Half Tubes Each, $0 5C 

Smalt " Ultramarine Ash Blue 
Whole Pans or Tubes Each, $1 50 Half Pans or Half Tubes Each, $0 75 

* Chinese White Small Tubes, each, $0 20 Chinese White Ex. Large Tubes. 

Chinese White Large Tubes, each. 35 each JO 85 

♦ Not made in whole tube or half tubes, 
t Not made in whole pans or half tubes. 



ARTISTS- MATERIALS 



tsi 



WINSOR & NEWTON'S MOIST WATER COLORS 

TV STUDIO SIZE TUBES 




These tubes contain four times as much as the ordinary size at a reduction of 
25 per cent. In price. 

75 CENTS EACH 



•Antwerp Blue 
Bistre 
Blue Black 
Brown Ochre 
Brown Pink 
•Burnt Sienna 
•Burnt Ember 
•Charcoal Grey 
Chrome Lemon 
•Chrome Yellow 
•Chrome Deep 
•Chrome Orange 



Cologne Earth 

Davy's Grey 

Dragon's Blood 
•Emerald Green 

Flake White 
•Gamboge 
•Hooker's Green, 1 
•Hooker's Green, 2 
•Indian Red 
•Indigo 

Italian Pink 



•Ivory Black 
•Lamp Black 
•Light Red 

Mauve 
•Naples Yellow 

Neutral Tint 
•New Blue 
•Olive Green 
•Payne's Grey 

Permanent Blue 
•Prussian Blue 



Prussian Green 
•Haw sienna 
•Haw Ember 

Roman Ochre 
•Sap Green 

Terre Verte 
•Vandyke Brown 

Venetian Red 
•Vermilion 

Yellow Lake 
•Yellow Ochre 



11.50 EACH 



•Alizarin Crimson 
Alizarin Scarlet 
Alizarin Yellow 

•Brown Madder 
Carmine Lake 



Cerulean Blue 
•Crimson Lake 
•Indian Yellow 

Leitch's Blue 
(CyanineBlue) 



Mars Yellow 
Neutral Orange 
Orange Vermilion 
Purple Lake 
Roman Sepia 



Rubens Madder 
•Scarlet Lake 

Scarlet Vermilion 
•Sepia 

Warm Sepia 



$1.90 EACH 



•Cadmium Yellow. 

Pale 
Cadmium Yellow. 

Middle 
•Cadmium Yellow. 

or Deep 
•Cadmium Orange 



•Cobalt Blue 
Cobalt Green 
Emerald Oxide of 

Chromium 
•French Blue 
( French 

Ultramarine) 



Indian Purple 
•Lemon Yellow 

Mars Orange 
•Oxide of Chromium 
•Oxide of Chromium 
(Transparent) 



Permanent Yellow 
Ultramarine Ash- 
Grey 
•Viridian 

(Veronese Green) 



3.25 EACH 



Aureolln 
Aurora Yellow 
Burnt Carmine 
•Carmine 



Field's Orange 
Vermilion 
Gallstone 
Madder Carmine 



Madder Lake 
Pink Madder 
Primrose Aureolin 
Purple Madder 



Rose DorS 
•Rose Madder 
Scarlet Madder 
Violet Carmine 
Yellow Carmine 



•These tubes carried In stock. 



86 



ARTISTS' MATERIALS 



WINSOR & NEWTON'S LIQUID WATER COLORS AND MEDIUMS 




Albanine 
Asphaltum 
Carmine 
Gold Ink 
Indelible Brown 

Ink 
Indian Ink 
Lamp Black 
Ox Gall Colorless 

(liquid) 
Process Black 
Prout's Brown 
Prussian Blue 
Sepia 
Silver Ink 
Vermilion 
Gum Water 



Size of Large Bottle 



Winsor & Newton's Blanc d 'Argent 

IN TUBES 

Each 
Doume Tuoes Blanc d'Argent, No. 1 (Photo- 
graphs White) . . .'. $0 30 

Double Tubes, Lamp Black 30 

Whole Tubes, Sepia 30 

Winsor & Newton's Blanc d'Argent 

IN BOTTLES 

Each 
No. 1. Blanc dArgent. prepared expressly for 
use in drawings intended for Process Repro- 
duction $0 35 

No. 2. Blanc d'Argent. prepared expressly for 
Air Brush Work 35 

Winsor & Newton's Permanent Chinese 
White 

Each 

Small Bottles $0 2(1 

Large Bottles 30 

Extra Large Bottles 65 




ARTISTS' MATERIALS 



ST 



FAVOR, RUHL & CO.'S "ART STUDENTS' " MOIST WATER COLORS 
IN HALF FANS AND 3-INCH TUBES 





Alizarin Crimson 
Burnt Sienna 
Burnt Umber 
Carmine 
Chinese White 
Chrome Yellow 
Cobalt Blue 
Crimson Lake 
Charcoal Grey 
Emerald Green 
Gamboge 




Halt Pans 
Tubes 



Hooker's Green, No. 1 
Hooker's Green, No. 2 
Indian Red 
Indigo 

Indian Yellow 
Ivory Black 
Lamp Black 
Light Red 
Mauve 
Neutral Tint 
New Blue 
Olive Green 



Payne's Grey 
Prussian Blue 
Raw Sienna 
Raw Umber 
Rose Madder 
Sap Green 
Sepia 

Ultramarine 
Vandyke Brown 
Vermilion 
Yellow Ochre 



.each, $0 05 
.each, 10 



per dozen, $0 
per dozen, 1 



"ART STUDENTS' " WATER COLOR OUTFITS 



'JSptprp* Y^Mp^sT 






Art Students' Japanned Tin Box, fitted complete, with 12 assorted Half Pans, 

Sable and Camel Hair Brushes each, $1 f>u 

Art Students' Japanned Tin Box, containing 12 assorted Tubes, Moist Colors, 

Sable and Camel Hair Brushes each, $1 ?5 



METALLIC WATER COLORS 

IN ROUND PORCELAIN SAUCERS 




Deep Gold, Pale Gold, Silver and Assorted Colors. 10 saucers in a box. 

per box, $0 75 



each, $0 10 



8S 



ARTISTS' MATERIALS 



GUNTHER WAGNER "GEE WEE" STUDENTS* 
TEMPERA COLORS 

"Gee Wee" Tempera Colors combine the pleasant features of Water Colors with 
the advantages of Oil Colors. Dry with a dull surface and more rapidly than Oil 
Colors, yet sufficiently slow to permit painting in the wet. 

SERIES 160 per tube, $0 10 




No 


Color 


0704 


Permanent White 


0713 


Chrome Yellow, Deep 


0714 


Chrome Yellow, Pale 


0719 


Indian Yellow 


0729 


Light Ochre 


0732 


Raw Sienna 


0745 


Carmine 


0747 


English Red, Pale 


0751 


Crimson Madder, Deep 


0768 


Vermilion 


0793 


Burnt Sienna 



No. 


Color 




0795 


Raw Umber 




0797 


Vandyke Brown 




0S06 


Cobalt Blue 




0811 


Prussian Blue 




0812 


Ultramarine 




0822 


Viridian 




0832 


Permanent Green, Pale 


0839 


Cinnabar Green, 


Deep 


0840 


Cinnabar Green, 


Pale 


0S52 


Ivory Black 




0S54 


Neutral Tint 





"'GEE WEE" TEMPERA OUTFITS 

160/K 5. Japanned Tin Box containing the following "Gee Wee" Student Tem- 
pera Colors : Chrome Yellow Pale, Vermilion, Ultramarine, Carmine, 
Permanent White Each, ,$u 60 

160/K 12. Japanned Tin Box containing the following "Gee Wee" Student Tem- 
pera Colors : Chrome Yellow Pale, Vermilion, Ultramarine, Carmine. 
Prussian Blue, Permanent White, Neutral Tint, Yellow Ochre Light, 
Burnt Sienna, Cinnabar Green Deep, Indian Yellow, Ivory Black. Each, 1 50 



ARTISTS' MATERIALS 



89 






MARTINI 
TCMDCDA 



JVJWm* 



W.VA 



Sole United States Distributors 




Size I 

TUBE SIZES 
No. 1—9 16 x 4 in.; No. II— 7s x 4 in.; No. Ill— 1 x 6 in.. 

COLORS 

Price Per Tube 
Size Size Size 
WHITE I II III 

P Chremnitz White* —.18.40 

AP Zinc White —.15.35 

YELLOW 
AP Cadmium Yellow, Pale .55 — — 

AP Cadmium Yellow 55 — — 

AP Cadmium Yellow, Orge .55 — — 
.20 



KP— Absolutely Pure 
P — Fairly Permanent 
F — Fugitive 
'Use with Care 
e *Poison. 




Chrome Yellow, Orge* 
Chrome Yellow, Pale* .20 - 
.20 — 



P 
P 
P Chrome Yellow* 

AP Ochre, Light — .18 - 

AP Ochre, Golden —.18 — 

A Sienna, Raw — .18 — 

RED 

AP Alizarine Madder 60 — — 

F Geranoum Lake* 35 .70 — 

AP Sienna, Burnt — .18 — 

AP Pure Vermillion .45 — — 

AP Indian Red 25 — — 

P Poster Vermillion 25 — — 

BROWN 

AP Umber, Raw — .18 — 

AP Umber, Burnt — .18 — 

P Vandyke Brown .18 — — 

BLUE 

AP Cobolt 65 

AP Prussian — .25 — ■ 

AP Ultramarine, Ex. light .30 .60 — 
AP Ultramarine, Dark ... .30 .60 — 

P Pogany Blue 35 — — 

F Hutaf Lavender 35 — — 

GREEN 
AP Oxide of Chromium*.. .50 — — 
P Paris Green bright**.. .25" .50 — 
AP Permanent Green, Lt* .25 .50 — 
AP Permanent Green, Dp* .25 .50 — 
AP Terre Verte, Special.. .20 — — 
P Zinc Green, very light* .20 .40 — 
P Zinc Green, Medium* . . .20 .40 — 

P Sesser Green 30 — — 

BLACK 

— .30 .60 AP Ivory Black 

MEDIUM AND VARNISHES 
4 oz. Bot. 
Egg Tempera Medium. .. .$0.35 Alcohol Varnish ... 

Turpentine Varnish 60 Special Mat Varnish 



Size II 
AP Lamp Black 




.60 
.50 



90 



ARTISTS' MATERIALS 



FAVOR, RUHL & CO.'S 
DESIGNERS' WHITE 

This White can be used for 
wash or body color; it is free 
from grit and works smoothly. 
It does not blister, flake or peel 
after it is dry. 

By the use of "Designers' " 

White for drawings intended 

for Reproductions, the difficulty 

heretofore experienced in preserving the true value of the 

lights is entirely obviated. 

Each 

Jars with Metal Screw Tops $0 30 

Jars Extra Large 1 50 

Semples White Jars 30 





W, Ruhl & Of 

'WHITE! 

Designers and m 



Semples White V 2 -lb, 

Bonney White Jars 

Bonney White %-lb. Jars 




Thomson's White, Double Tubes, White Label. 
Thomson's White, Double Tubes, Blue Label.. 



1 ! 
Eac 

$0 i 




. each, 



RETOUCHING SET 

Handsome imitation Russian leather box 
with gold lettering, size 5%x8% inches, con- 
taining 6 tubes Albumen spotting colors 
with gloss, for retouching the positives, 1 
tube Opaque color, 2 cakes Water Colors 
(Carmine and Lamp Black), 1 bottle Matto- 
lein for retouching the negatives, 3 photog- 
rapher Sable Brushes, 3 retouching pencils 
and 1 China Palette for mixing the colors. 

^ Price complete $4 00 




GUNTHER WAGNER'S ALBUMEN SPOTTING OR RETOUCH COLOR 

DRYING WITH GLOSS 
These colors are made to dry with a gloss to suit the high surface of the pho 
graph. 

Made in three shades White and three dark shades. 

The Whites are used to produce pure white on the photo as required; a stroll 
with the brush across the photo with No. Ill White will produce white on dan 
parts. No. II on medium shades. White No. I shows more bluish on both lik 

watered milk. This is an optical illusio 
and the right white must be chosen to ge 
the desired white effect on the photo. 
Albumen White, I 
Albumen White, II 
Albumen White, III 
Retouch Red, I 
Retouch Brown, II 
Retouch Black, III 

No. 52E. Moist Opaque for backing negatives per tube, $0 i\ 

Moist Opaque is used to cover on the back of the negative parts not to be coloreci [ 



ARTISTS' MATERIALS 



91 




Small Jar 



Double Tube 



Y 2 lb. Jar 



INTENSE WHITE 

The most perfect White on the market for photo-retouching. It has been acknowl- 
edged and endorsed as such by the leading photo-engravers of the United States and 
Canada. 

Intense White is positively whiter than any other white suitaole for photo- 
retouching. 

Small jars per jar, $0 25 

Large jars per jar, 1 40 

Double tubes per tube, 25 

INTENSE BLACK 

A fine airbrush black. Its advantages will be appreciated by all retouchers. 
Double tubes per tube, SO 25 




SUPERIOR WHITE 



Mixes well with Colors. 



For Illustrators, Designers, Letters, Fashion Art- 
ists, Architects, Commercial Artists, Lithographers, 
and Air Brush Work. 



Small Jars only. 



Per Jar 



$0 30 



ARTISTS' MATERIALS 






BOURGEOIS' FRENCH WATER COLORS 

PUT UP IN WHOLE TUBES AND HEXAGONAL POTS 





Size of Tube. 



Size of Pot. 



Class One 



Oil!?' 

Crlms 
SwBl 
Purple 



Tl'Bl 
Bim 

toil 
ftp" 



TUBES Each, $0 25 POTS Each, $0 35 



Antwerp Blue 
Bistre 
Blue Black 
Brown Ochre 
Brown Pink 
Burnt Sienna 
Burnt Umber 
Chinese White 
Chrome Green, light 
Chrome Green, medium 
Chrome Green, deep 
Chrome Orange 
Chrome Yellow, Lemon 
Chrome Yellow, light 
Chrome Yellow, medium 
Chrome Yellow, deep 
Dragon's Blood 



Emerald Green 

Flake White 

Gamboge 

Green Lake 

Hooker's Green 

Indian Red 

Indigo 

Ivory Black 

Italian Pink 

Lamp Black 

Lemon Yellow 

Light Red 

Magenta 

Moss Green 

Naples Yellow 

Naples Yellow Greenish 

Neutral Tint 

yuve amm 



Payne's Grey 
Prussian Blue 
Prussian Green 
Raw Sienna 
Raw Umber 
Roman Ochre 
Sap Green 
Sepia 
Sky Blue 
Strontian Yellow 
Terre Verte 
Vandyke Brown 
Venetian Red 
Veronese Green 
Warm Sepia 
Yellow Lake 
Sellow Ochre 



Til 



ARTISTS' MATERIALS 



03 



BOURGEOIS' FRENCH WATER COLORS— Continued 
Class Two 



TUBES Each, JO 35 



POTS Each. $0 60 



Brilliant Yellow 
Crimson Lake, light 
Crimson Lake, deep 
New Blue 
Purple, light 



Purple, deep 
Scarlet Vermilion 
Transparent Green, Blue 
Transparent Green, deep 
Transparent Green, light 
Ultramarine Blue, light 



Ultramarine Blue, deep 
Vermilion, light 
Vermilion, deep 
Violet, light 
Violet, deep 



TUBES 

Brown Madder 
Carmine No. 2 
Cerulean Blue 
Cypress Green No. 1 



Class Three 

.Each, $0 45 POTS 

Cypress Green No. 2 
Emeraude Green 
Geranium Rose 
Madder Lake, deep 
Madder Lake, light 



Rose Carthame 
Rose Madder 
Scarlet Lake 
Turquoise Blue 



.Each, $0 80 



TUBES 

Cadmium Yellow, Lemon 
Cadmium Yellow, light 



Class Four 
.Each, $0 80 POTS .. 

Cadmium Yellow, medium 
Cadmium Yellow, deep 
Cadmium Yellow, Orange 



Cobalt Blue 
Indian Yellow 



.Each. $1 40 



TUBES 



Class Five 

Each, $1 10 

Carmine, finest. 



POTS 

Burnt Carmine. 



.Each, $1 65 



TUBES 



Class Six 

.Each, $1 65 POTS 



.Each, $2 50 



Aureolin. 



Madder Carmine. 



DOUBLE SIZES TUBES, Each, $0 35 

Chinese White 
Flake White 



BOURGEOIS' FRENCH WATER COLORS IN BOTTLES 

WITH WOODEN CORKS 

Flake White Each, $0 30 

Lamp Black Each. 30 



«H ARTISTS' MATERIALS 

BISSELL'S SATIN FINISH SHOW CARD COLORS 

FOR THE BRUSH— READY FOR USE 




Illustration of 2-ounce size reduced. 

Time and experience lias proven that water colors are the most practical and 
satisfactory for show card writing. 

Bissell's Colors have all the requirements to produce the most beautiful effects 
In show cards, containing all the adhesives for binder, etc., and ready for instant 
use, flowing from the brush with a smoothness that allows of very rapid work, 
but with "just the right pull." 

The great annoyance of the brush splitting or dividing on the end has been 
overcome. Bissell's Colors keep the end of the brush in perfect condition, which is 
very essential in making neat, graceful, and uniform letters. 

The Red cable brush is the most satisfactory for water color work. 

Bissell's Colors are ground to the utmost fineness in our modern factory with 
specially designed machinery for this purpose, and prepared in every detail by the 
most capable men in the country who are practical and appreciate all the requirements 
in show card colors to produce the best results. 

Bissell's Colors are put up in absolutely airtight glass receptacles — which is 
very important — in four convenient sizes. If you want a dependable color, Bissell's 
Brand is unquestionably the best preparation of this kind on the market. 

Made from bright, strong, clear attractive colors of the highest quality. 

Packed iu Fibre Boxes. 

SATIN FINISH 

BLACK, WHITE, LIGHT RED, DARK RED, LIGHT GREEN, DARK GREEX. 
TURQUOISE BLUE, ULTRAMARINE BLUE, YELLOW, ORANGE, BROWN, 

LAVENDER 

Per doz. Each 

2 Ounce Bottles $1 50 $0 15 

% Pint " 4 80 40 

Pint " 9 00 7"> 

Quart " 16 80 1 40 

GLOSS BLACK— EXTRA QUALITY 

Per Doz. 

2 Ounce Bottles $1 20 

y 2 Pint " 4 00 

Pint • 6 40 

Quart " 11 40 

ijend for Our Hand Painted Color Card Showing Actual Colors, 



ARTISTS' MATERIALS 



95 



BISSELL'S SPECIAL SHOW CARD WRITER'S OUTFIT 

This Is a practical and handy outfit for the beginner as well as the professional 
jhow card writer. It contains all of the material that Is required for ordinary show 
card work. The goods are backed up vrith a guarantee to be perfect in every respect. 
•nd are of the same Bissell Quality which has become so popular throughout the 
country aruoug the professional card writers. 

This outfit should be in the possession of everyone who is Interested in this 
fascinating art. Everything is ready for use. 




The Outfit Consists of 



One Pint Can Bissell (Black) Show Card Color. 
One 2-oz. Can Bissell' a (White) Show Card Color. 
One 2-oz. Can Bissell" » (Lt, Red) Show Card Color. 
One 2-oz. Can Bissell' s (Lt Green) Show Card Color. 
One 2-oz. Can Bissell' a (Ult Blue) Show Card Color. 
One 2-oz. Can Eissell's (Yellow) Show Card Color. 
One 2-oz. Can Bissell' a (Brown) Show Card Color. 



One genuine Red Sable Show Card Brush, Small. 

One genuine Red Sable Show Card Brush, Medium. 

One genuine Red Sable Show Card Brush. Large. 

One double end Penholder with patented Ink Retainers. 

Two Socnnecken Pens. 

One hand painted Color Card. 

Specimen of Alphabets with Instructions. 



Packed in a handsome polished wood-hinged covered box. Price, complete $3 50 



INSTRUCTIONS ON MODERN SHOW CARD WRITING— By J. G. Bissell 



■ — 


SSS5 


iS79 




nmm _- 


BTJSSPS 




1 




Covering all the practical methods for the use of brush and pen. With illustrations 
of Modern Show Card Alphabets, valuable suggestions on the care of brushes arid many 
hints for preliminary work. Size 8%xl2. 56 pages. 
Paper bound, 50c per copy. Postpaid, 55c. Cloth bound, 75c per copy. Postpaid, 85c 



96 



ARTISTS' MATERIALS 



BISSELL'S PERMANENT AIR BRUSH COLORS 

FULL STRENGTH, NON-ANILINE, IN GLASS JARS, PASTE FORM 



Lamp Black 
Chinese White 
Vermilion 
Crimson Lake 
Ultramarine Bine 
Sky Blue 

Hooker's Green, Light 
Hooker's Green, Dark 




Chrome Lemon 
Chrome Orange 
Raw Sienna 
Raw Umber 
Burnt Sienna 
Venetian Red 
Mauve (Bluish) 
Mauve (Reddish) 



Each 

Trial Size . ifO 50 

4-oz. Size : 1 50 

8-oz. Size 3 00 

16-oz. Size 6 00 

32-oz. Size 12 00 




LINE - O - GRAPH 

THE DRAWING ATTRACTION OF THE WORLD 

FOUR SIZES 

f^ Drawing Attraction 
SfiAe DrawindWorld 



Thefor/j jarly 



Patented Dec 



r Jyf\ Celluloid ff^\ 

-U-g/vanru 

ec.O-'Ot. O I 



You should have it* 

Anyeir^e-l^allellines-Any-Qrve-MeasuremerYts. 

'Your Need Indispensable 
]' /or Speed a/fer usind ' ' 



it 



Jr.^frt. 75<? 

Fits in pockai 



Draft! 

Long edge t 



man 

]] inches 



Sr. size l-8§ 

Fifieen inches. 



No. 1. Four- in- 



No. 2. 


J u n i or 


size, 


S-ineh. . 


No. 3. 


Drafts- 


man 


size. 11- 


inch 





No. 4. S e nior 
size, 15-inch. 



Each 
$0 6t 



1 00 
1 85 






ARTISTS' MATERIALS 



GOLD AND SILVER CUPS AND SHELLS 




Each 

Pure Gold in Cups. 9 lines. % inch diameter $0 08 

Pure Gold in Cups. 12 lines, 1 inch diameter. 
Pure Gold in Cups. 15 lines, IVi inch diameter. 
Pure Gold in Cups. IS lines, 1% inch diameter. 
Pure Gold in Cups. 21 lines. 1% inch diameter. 
Pure Gold in Cups, 24 lines. 2 inch diameter. 



12 

20 
40 
60 
80 

Pure Gold Tablets in Cuns. ., 1 80 

Pure Silver in Cups. 12 lines, 1 inch diameter 

Pure Silver in Cups, 15 lines. 1^4 inch diameter 

Pure Silver Tablets, in Cups 

Pure Gold, in Mussel Shells 

Pure Silver, in Mussel Shells 



07 
10 
25 
20 
07 



BEST SHEET IVORY 

PREPARED FOR MINIATURE PAINTING 

SELECTED PERFECT 



No. 00. 
" 0. 



xlH each, $0 35 

45 
55 



V 
l!Sx2 T v 

1^x2%.. 



No. 6. 2Jax35 8 ' each, $1 80 



2><x2%.. 
2(^x3 .. 
2S8x3rV. 



65 

90 
1 25 
1 50 



7. 3 T '„ x 3,5 

8. i)^x4j(... 
9 S%s4%... 

10. 4 x 5 .. 

11. 4 T ",x 5 ,"„... 
13. iH xO,',.. 



Prepared Ivories are subject to advance in price 



INDIA INK, IN STICKS 




2 20 

2 50 

3 00 

4 00 

6 00 

7 00 



No. 2 

Each 

No. 1. Super, Lion Head, plain Large. JO 12 

No. 2. Super, Lion Head, gilt Small, 08 

Each Each 

No. 3. Super Super, small ?0 35 India Ink. Red or nine, large 25 

No. 4. Super Super, large 65 India Ink, Red or Blue, small IE 

No. 5, Ordinary, small 05 



ARTISTS MATERIALS 



HIGGINS ' AMERICAN DRAWING INKS 




BLACK AND COLORS, WATERPROOF 



Carmine, Scarlet, Vermilion, Brick Red, Blue, Yellow, Green, Orange, Brown, 
Indigo, Violet. 



WATERPROOF BLACK AND BLACK GENERAL 

Eaca 

Small Bottles, Blacks and Colors ?0 25 

8-oz. Bottles, Blacks and Colors 2 00 

16-oz. Bottles, Blacks and Colors 3 75 

32-oz. Bottles, Blacks and Colors 7 00 

Higgins' Engrossing Ink, 2-oz. bottles 20 

Higgins' Eternal Ink, 2-oz. bottles 15 

Higgins' Photo Mounter, or Drawing Board Mucilage .. 3-oz. jars 15 

Higgins' Photo Mounter, or Drawing Board Mucilage. . 6-oz. jars 25 

Higgins' Photo Mounter, or Drawing Board Mucilage. 14-oz. jars 50 

Higgins' Photo Mounter, or. Drawing Board Mucilage, .%-gallon. 2 00 

Higgins' Photo Mounter, or Drawing Board Mucilage. .1-gallon 3 50 

Higgins' Taurine Mucilage, 2-oz. bottles 10 

Higgins' Taurine Mucilage, quart bottles 85 



ARTISTS' MATERIALS 



BO 



BOURGEOIS' FRENCH DRAWING 
INKS Each 

Large $0 40 

bis. Medium 30 

No. 3U3 Small 20 

"LARRABEE'S" WHITE INK 

For Writing on Dark Paper 

Each 

2-nz. bottles $0 25 

1-oz. bottles 15 



FAVOR, RUHL & CO.'S LIQUID 
GOLD INK 

For Card Writing, Illuminating, Shading, 
Correspondence, Etc. 

Each 

1-oz. bottles Bach, $0 25 

i ;.-oz. bottles • 15 




DUNNE'S TRANSPAR- 
ENT PASTEL COLOR 
OUTFIT 

The outfit contains twelve 
tubes Dunne's Transparent 
Water Colors of the neces- 
sary shades for general work, 
with complete instructions for 
coloring both pictures and 
lantern slides. Each, $1 25 

Dunne's Mediums, 
Old or New. .Per bottle $0 15 



"SECCOTINE" NEVER LETS GO 




An Intensely Strong Cement, which will 

.Stick Broken Articles of China, Glass, 

Wood, Marble, Leather, Paper, 

Bone, Ivory, and even Iron. 

Each 

Large Size Tubes ?0 25 

Medium Size Tubes 15 

Small Size Tubes 10 




Clover Ink Stand Each $0 50 



WEIS BRUSH TUBE MUCILAGE 

A PERFECT PHOTO PASTE THAT WILL NOT 
DISCOLOR 

Each 

Weis Brush Tube Mucilage, small $0 05 

Weis Brush Tube Mucilage, large 10 




ARTISTS* MATERIALS 



JAPANNED TIN BOXES 

FOR MOIST WATER COLORS 
(empty) 




FOR WHOLE PANS 

Each 

6 Divisions JO 80 

8 Divisions 90 

10 Divisions 95 

12 Divisions 1 05 

14 Divisions 1 15 

16 Divisions 1 20 

18 Divisions 1 30 



Each 

20 Divisions ?1 35 

24 Divisions 1 50 

FOE HALF PANS 

6 Divisions ?0 70 

8 Divisions .' 80 

10 Divisions 90 



Each 

12 Divisions $1 00 

14 Divisions 1 05 

16 Divisions 1 10 

18 Divisions 1 20 

20 Divisions 1 25 

24 Divisions 1 35 

30 Divisions 1 60 

36 Divisions 1 85 



JAPANNED WATER BOTTLES WITH CUPS 





No. 


1. 


Round, 


SM, 


No. 


2. 


Round, 


m 


No. 


3. 


Oval. 


3Vo 


No. 


4. 


Oval, 


5% 


No. 


5. 


Oval, 


6 



JAPANNED TIN BOXES 

■FOR MOIST WATER COLOR TUBES 

(empty) 

Each 

10 Divisions, containing folding palette : . . . $1 30 

12 Divisions, containing folding palette 1 50 

15 Divisions, containing folding palette 1 60 

20 Divisions, containing folding palette 1 75 

24 Divisions, containing folding palette 2 00 

30 Divisions, containing folding palette 2 15 

32 Divisions, containing folding palette 2 35 

36 Divisions, containing folding palette 2 50 

No. 1. Spaces for 9 pans and 12 tubes 1 80 

No. 2. Spaces for 11 pans and 15 tubes 2 25 , 



Each 

inches long, with two cups JfO 80 

inches long, with two cups 80 

inches long, with two cups 80 

inches long, with two cups , 90 

inches long, with two cups , . , 1 00 



ARTISTS' MATERIALS 



101 



MOIST WATER COLORS 



IN JAPANNED TIN BOXES 




Large Murillo 

Each 
"Murillo," large, 16 pans of superior moist colors, tubes of moist Chinese 

white, sepia, and camel hair brushes ?0" 85 

"Murillo," small, 12 pans, 2 tubes and brushes 60 

No. 476. Japanned Tin Box, enameled white inside, containing movable tray, 
with mixing spaces, holding 8 pans of best quality moist water 

colors, brushes, etc 65 

No. 477. Japanned Tin Box, enameled white inside, with palette flap, con- 
taining movable tray, holding 15 pans of best quality moist water 
colors, tube of Chinese white, brushes, etc , 1 15 

Each 

"Rembrandt," large, 12 moist colors and brushes ?u 35 

"Rembrandt," small, 6 moist colors and brushes 20 




"Vandyke" Water Color Box 

Japanned Tin Box, enameled v.hite Inside, 
containing 12 pans of moist color, 2 
tubes and brushes each, $0 35 



101 



ARTISTS' MATERIALS 



NEW ENGLISH MOIST WATER COLOR BOXES 

FOR ARTISTS, STUDENTS AND AMATEURS 

When the colors contained in these outfits are used they can be replaced withj 
regular half pans. 



No. 30. Japanned tin thumb-hole 
box, containing 16 moist colors in 
half pans, brushes, japanned tin 
water cup and sketch block, made 
of fine cartridge paper Each, ?2 50 

No. 31. Japanned tin box, con- 
taining 25 moist colors in half pans, 
large tubes, Chinese white, sepia 
and brushes Each, $3 00 




ymm3[uaar 



&aM&^SS/l 





No. 29 



No. 29. Japanned tin box with 
ring, containing 21 moist colors in 
half pans and brushes Each, ?2 00 \ 



No. 60 

No. 60. Japanned tin box, con- 
taining S moist colors in half pans, 
mixing saucers, brushes, etc. Each, 



fl 00 



No. 61. Japanned tin box, con- 
taining 14 moist colors in half 
pans, tube Chinese white, china 
mixing slab, japanned tin water 
cup, brushes, etc Each ; $2 50 



No. 62 





No. 61 

No. 61A. Japanned tin box, con- 
taining 20 moist colors in half 
pans, china mixing slab, japanned 
tin water cup, brushes, etc . . . Each, $b 7b 



No. 62. Japanned tin box, con- 
taining 27 moist colors in half 
pans, tube Chinese white, china 
mixing slab, japanned tin water 
cup, brushes, etc Each, |5 00 



ARTISTS' MATERIALS 



IOR 



THREE COLOR OUTFITS 

IN TIN BOXES 




School Outfit 

Each 
Containing 2 cakes yellow, 1 cake carmine, 1 cake ultramarine and 2 brushes $0 25 
Separate cakes for above box 03 



ILLUSTRATORS' OUTFIT 

FOR BLACK AND WHITE WORKERS 

Each 
Containing 2 cakes white, 1 cake black, 1 cake charcoal grey and 2 brushes.., $0 25 
Separate cakes for above box 03 



TIN "SCHOOL" WATER CUPS METAL "SCHOOL" PALETTE 

White Enameled Inside — Japanned Black For Water Colors 

Outside 




HWJBIW 

£u.,. ..].,.', mil !jl ,...., ..ii 



In nests of 1 dozen Each, $0 07 7 Divisions Each, $0 12 



'.04 



ARTISTS' MATERIALS 






ARTISTS' CHINAWARE 
China Palettes 




Each 

5 inch. Oval or Oblong $0 20 

6 inch. Oval or Oblong 25 

7 inch. Oval or Oblong 30 



o 



Each 

S inch. Oval or Oblong ?0 35 

9 inch. Oval or Oblong 45 

10 inch. Oval or Oblong 50 



Divided Slants 




3 Divisions 

4 Divisions 

5 Divisions 

6 Divisions 



Each 






$0 15 


S 


Divisions 


25 


10 


Divisions 


30 


12 


Divisions 


35 







Each 

50 50 

60 

75 



6x4 inches. 



Color Slab with Two Movable Wells 



?0 80 



Divided Tile, Eight Divisions 




1% x 6 inches $0 60 






ARTISTS' MATERIALS 



ARTISTS' CHIN A WARE— Continued 

Color Slab with Cover 

FIFTEEN MOVABLE WELLS 




<^r3 

jrgTj?) y*crj£> <^^> 
c jjgg ) <jteHg> (jfir^: 




7 x V/x inches. ., Each $1 25 

Five Box or Center Slant Wel1 sl &bs 





Each 

Each 3 Divisions, 2%x4 inches ■. . $0 20 

6Kx2% inches $0 25 5 Divisions, 4 x 7% inches 60 



India Ink Slabs 



Divided Tile, Four Divisions 




Each 

No. 1. I%x2% inches ?0 12 

No. 2. 2% x 4 inches 20 

No. 3. 2%x4% inches 30 

No. 4. 3% x 5 inches 35 4% x 3& inches 




Each 
$0 30 




Cabinet Nests 

Each 
No. 1. 2V4 inches diameter, ?0 45 
No. 2. 2% inches diameter. 55 
No. 3. 3V4 inches diameter. b5 



ll)(j 



ARTISTS' MATERIALS 



ARTISTS' CHINAW ARE— Continued 
Slate Ink Slab 




3% inches square, air-tight plate glass cover; hest cup for rubbing up or grind- 
ing India ink Each $0 S 



Plain Color Cups 



Each 

1 inch diameter $0 02 2% Inches diameter 

1% inch diameter 03 3 inches diameter 

2 inch diameter 05 3% inches diameter 



Eacl 
$0 0. 

2d 



Tinting' Saucers 



Each 

1 Inch diameter ?0 03 

1% inch diameter 03 

2 inch diameter 04 



Each 
2% inches diameter JO 04] 

3 Inches diameter Oil 

4 Inches diameter 061' 




Water Glasses 

WITH TWO LIPS 

Each 
2y 2 inches diameter $0 291 

3 inches diameter 25] 

3% inches diameter 39 

4 inches diameter 40 



ARTISTS' MATERIALS 



107 



RED SABLE BRUSHES FOR WATER COLOR PAINTING « 

ROUND AND FLAT POLISHED HANDLES NICKEL FERRULES 




13 14 15 1 



18 19 M 







ENGLISH SIZES 






French Size English Size 




" French Size 




Each 


Each 




Each 


No . . 


$0 10 

10 


$0 20 
20 


No 8 


$0 70 


No. 1 


No. 9 


85 


No. 2 


15 


25 


No. 10 


1 00 


No. 3 


20 


30 


No. 11 


1 20 


No. 4 


30 


45 


No. 12 


1 40 


No. 5 


40 


55 






No. 6 


55 


65 






No. 7 .... 


60 


75 







EXTRA LARGE SERIES. 

Each 

No. 13 *1 25 

No. 14 1 50 

No. 15 2 00 

NO. 16 2 50 



ENGLISH SIZE ONLY 

Each 

No. 17 ' $3 00 

No. 18 3 35 

No. 19 3 75 

No. 20 4 25 



io8 



ARTISTS' MATERIALS 




"RUBEN'S" RED SABLE WATER COLOR 
BRUSHES 

Six inch polished handles, nickel ferules. 
Mounted six brushes of a size on a card. 

Size Each 

oo $0.18 

20 

1 25 

2 30 

3 35 

4 45 

5 55 

6 ; 70 

7 go 

8 , 1.40 



Favor, Ruhl & Co.'s "Dragon 

Red Sable Water Color Brushes 



ft 



Long, thin, tapered points. Six inch polished Walnut Handles. Specially construct- 
ed for Water Color work, photo retouching and spotting. 



MOUNTED SIX BRUSHES 

ON A CARD 
Size Each 



00 


1 
2 
3 
4 
5 
6 



$0.18 
.20 
•25 
■30 
•35 
•45 
•55 
.70 
.00 
1.40 



I 



ARTISTS' MATERIALS 






WINSOR & NEWTON S BRUSHES FOR PAINTING IN WATER 

COLORS 

FINEST SABLE HAIR 
STAMTED IX GOLD, WIKSOB v REWTON, LTD. 



Albatas and British 



EBONY HANDLE 



I "■ iA HANDLE 




ENGLISH SIZES 

Albatas British Albatas British 

Each Each Each Each 

No. and 1, Flat or Round. $0 30 $0 20 No. 7, Flat or Round. .... $1 20 ?0 75 

No. 2, Flat or Round 45 25 No. 8, Flat or Round 100 

No. 3, Flat or Round 60 30 No. 9, Flat or Round 1 40 

No. 4, Flat or Round 70 40 No. 10, Flat or Round 1 80 

No. 5, Flat or Round 80 50 No. 11, Flat or Round 2 25 

No. 6, Flat or Round 95 60 No. 12, Flat or Round 2 75 

EXTRA LARGE SERIES 

British Albatas British Albatas 

Each Each Each Each 

No. 1, Flat or Round $1 50 $1 80 No. 4, Flat or Round $4 50 $4 80 

No. 2, Flat or Round 2 25 2 70 No. 5, Flat or Round 6 00 

No. S, Flat or Round 3 20 3 60 No. 6. Flat or Round 7 20 



110 



ARTISTS' MATERIALS 



SIBERIAN WASH BRUSHES FOR WATER COLOR PAINTING 

SKIES AND LARGE WASHES 
POLISHED HANDLES NICKEL PLATED FERRULES 






ROUND 




No. 0. 

No. 1. 

No. 2. 

No. 3. 

No. 4. 



No. 0. 

No. 1. 

No. 2. 

No. 3. 

No. 4. 



FLAT 


'SINGLE END' 


Each 

$0 20 

20 


No. 
No. 1. 


25 


No. 2. 


30 


No. 3. 


40 


No. 4. 






DOUBLE END' 


Each 
$0 30 
35 
45 
50 
60 


No. 
No. 1 
No. 2 
No. 3 
No. 4. 



Each 

?0 25 
25 
30 

40 

50 



Each 
?0 30 
40 
50 
60 
70 




SUPERIOR RUSSIA SABLE BRUSHES FOR 
WATER COLOR PAINTING. 

ROUND AND FLAT POLISHED HANDLES 
NICKEL PLATED FERRULES 

Each 

No. JO 10 

No. 1 10 

No. 2 12 

No. 3 14 

No. 4 16 

No. 5 18 

No. 6 20 

No. 7 25 

No. 8 30 

No. 9 33 

, No. 10 45 

No. 11 60 

No. 12 go 



ARTISTS' MATERIALS 



OAMEL HAIR BRUSHES FOR WATER COLOR PAINTING 

"Vandyke" Camel Hair Brushes 

Finest Quality Hair 

FOR WATER COLOR ' PAINTING 

ROUNB POLISHED CEDAR HANDLES AI.BATA FERRULES 



Each 
1 $0 07 



08 

119 
10 
12 
12 



Per Dozen 

$0 75 

85 

90 

95 

1 10 

1 20 



No. 
No. 
No. 
No. 
No. 
No. 



Each 


Per Dozen 


$0 14 


$1 30 


15 


1 50 


16 


1 60 


18 


1 75 


20 


2 00 


25 


2 40 



"Rembrandt" and "Murillo" Camel Hair Brushes 



FOR WATER COLOR PAINTING 
POLISHED HANDLES 



ROUND 

Each Per Dozen 

! $0 04 SO 40 

2 05 45 

3 05 50 

4 06 55 

5 06 60 

6 "" 07 70 



TIN FERRULES 



Each Per Dozen 

No 7 •. $0 08 $0 80 

No'. 8 10 100 

No. 9 12 110 

No. 10 12 1 20 

No. 11 I* J « 

No. 12 18 1 " 



CAMEL HAIR LACQUERING BRUSHES 

FOR WATER COLOR PAINTING LARGE WASHES, VARNISH, ETC. 
POLISHED CEDAR HANDLES TIN FERRULES 




Each 

No. 1 Round *° 08 

No. 2 Round "» 

No. 3 Round i" 

No. 4 Round *J 

No. 5 Round " 

No. 6 Round ls 



Each 

% in. wide, Flat *0 09 

V> in. wide, Flat H 

% in. wide, Flat 13 

% in. wide, Flat 16 

% in. wide, Flat 18 

1 in. wide, Flat 20 



11-' 



ARTISTS" MATERIALS 



"SCHOOL" WATER COLOR BRUSHES 

CAMEL HAIR BLACK POLISHED HANDLES 

Each 

No. 6 $0 06 

No. 7 07 

No. 8 09 

Plain Cedar Handles, No. 7 07 

Red Polished Handles, Special No. 3 (large size) 09 

Quill Brushes for Water Color, 5 cents each. Per dozen, assorted, 40. cents. 



JAPANESE WATER COLOR BRUSHES 




Regular quality . . .Each, $0 05 Extra quality Each, $0 10 



LIBRARY PASTE BRUSHES 

A Practical Brush for Mounting Prints 
WHITE BRISTLES CEDAR HANDLES NICKEL FERRULES 




No. 1. % inch wide Each, ?0 15 No. 2. 1% inches wide Each, ?0 25 



WINSOR & NEWTON'S FINEST RED SABLE HAIR IN QUILLS 

TIED WITH COLORED SILK AND GOLD WIRE 

Each 

Crow, color of silk tie, Blue JO 12 

Duck, color of silk tie, Magenta 25 

Goose, color of silk tie, Pink 45 

Small Goose, color of silk tie. Green 40 

Extra Goose, color of silk tie, Amber , 65 



— 



ARTISTS" MATERIALS 



US' 



RED SABLE DESIGNERS 



These Brushes are made of the finest 
led Sable Hair, tied with colored silk 
nd gold wire. The hair is selected and 
jnger than in ordinary quill brushes, 
rhich enables the artists to work to bet- 
9r advantage. They wear evenly and 
eep their point much longer than any 
tner brush on the market. 

Each 

to. ?1 30 

to. 1 1 10 

to. 2 1 00 

to. 3 90 

to. 4 70 

to. 5 60 

to. 6 40 

to. 7 35 



s 



s 



\ 



to. 1. 

to. 2. 

to. 8. 

to. 4. 



FRENCH RED SABLE PENCILS 

MINIATURE IN QUILLS FOR WATER COLOR PAINTING 



Each 




$0 07 


No, 5 


09 


No. 6 


14 


No. 7 


20 


No. 8 



Assorted, 1 to 8 per dozen, $2 GO 



Each 

$0 25 
30 
40 
50 



FRENCH CAMEL HAIR SWAN QUDLL PENCILS 

lIINIATURE FOR WATER COLOR PAINTING ' LARGE WASHERS, ETC. 



Each 

«o. 00 $0 60 

50 

1 45 

2 35 

3 30 



Each 

No. 4 $0 25 

No. 5 20 

Nb. 6 15 

No. 7 -10 



>Io. 1 

>Jo. 2 

■Jo. 3 

Mo. 4 



FRENCH CAMEL HAIR PENCILS 

MINIATURE, IN QUILLS FOR WATER COLOR PAINTING 

Each Each 

JO 03 No. 5 $0 07 

04 No. 6 OS 

05 No. 7 09 

06 No. 8 10 



ARTISTS' MATERIALS 



BISSELL'S "FLAT STROKE" SHOW CARD BRUSHES 

FINEST BED SABLE HAIE, IN NICKELED SEAMLESS FEBBULES WITH 

7-INCH POLISHED CEDAB HANDLES 

They require no "Breaking In." 




5/16 in. % in. % in. % in. 

Illustration exact size. 
The style of this brush is an improvement on all stroke brushes on the market; 
will appeal 'to the card writer who is partial to the flat brush. 

The elasticity of this brush is retajiied and not weakened as is the case with the 
average brush with the flattened ferrule. 

ihis brush is made with two grades of hair : Genuine Bed Sable and Ox Hair." 
GENUINE BED SABLE 

Each i 



Each 

% inch $0 35 

3/16 " ' 40 

% " 40 

5/16 " 65 

OX 

Each 

V- Inch :$0 22 

5/16 " 25 

% " 28 



% inch $0 85 

% " i is; 

% " 1 40| 



HAIB 



inch. 



Eachf 

$0 32]\ 

38 ! 



ARTISTS- MATERIALS 



11.-, 



BISSELL'S "SHOW CARD" LETTERING BRUSHES 

FINEST BED SABLE HAIR, IN NICKELED SEAMLESS FERRULES WITH 
7-INOH POLISHED CBDAB HANDLES 

They require no "Breaking iu." 



I 




5 6 7 8 9 

Illustration exact size of Imish. 



10 



11 



12 



These brushes are designed especially for one-stroke show card lettering, and are 
made of the finest Red Sable hair of full stock ; they are easy to keep in perfect cen- 
ittion. 

Each 

$0 23 

25 



<o. i : $o io 



eh 
in 


No. 


11 




12 




13 


" 


1« 


" 


20 


" 



8. 

0. 
10. 
11. 
12. 



30 
33 
35 
40 



116 



ARTISTS' MATERIALS 



BISSELL'S "SHOW CARD" LETTERING BRUSHES— Continued 

FINEST BED SABLE HAIR. IN NICKELED SEAMLESS FERRULES WITH 
7-INCH POLISHED CEDAR HANDLE'S 



They require no "Breaking In." 




14 16 18 20 

Illustration exact size of brush. 



24 






Owing to the scarcity of the length of Red Sable hair used in the construction of 
these brushes, the cost is more iu proportion than the smaller sizes. The cost shouldj 
not be considered by the artist who values the time-saving qualities of these high 
grade brushes. 



No. 14. 
•• 56. 
" 18. 



Each 
..?0 65 
. 80 
. 1 00 



Eactfl 

No. 20 $1 2a 

" 22 1 60 

'■ 24 2 OH 



ARTISTS MATERIALS 



BISSELL'S RED SABLE "SCRIPT" BRUSHES 

FINEST RED SABLE HAIR. IN NICKELED SEAMLESS FERRULES, MXCH 

BLACK HANDLES 

They require do "Breaking In." 









Illustration exact size. 



These brushes are specially made for script Utters, outlining, flue scrolls, or for 
any work requiring neat, graceful strokes. 

each, $0 12 

" 15 

. . .* " 20 

" 25 

" 30 

- 35 



N'o. 1— •Script". 



ilS ARTISTS' MATERIALS 

Unbleached Arnold Hand Made 
Drawing Paper 

FOR 

Water Color, Pen and Ink, or Wash Work for Reproduction. 

EXPLANATION OF SURFACES. — N. "Not," or ordinary surface having a slight 
grain. H. P., "Hot Pressed," or perfectly smooth surface. R., "Rough," or very coarse 
surface, of large open grain. 

Quire Per Sheet 

15 lb. Cap 13 xl7 inches. N. and H. P $0.75 5 cts. 

25 lb. Demy 15y,x20 " N. and H. P 1.00 6 " 

34 lb. Medium 17%x22 " N. and H. P 1.60 8 " 

44 lb. Royal 19 x24 " N., H. P., and R 2.00 10 " 

72 1b. Imperial 22y 3 x30y 2 " X., H. P., and R 3.00 15 " 

90 1b. Imperial 22%x30% " N., H. P., and R 5.00 20 " 

140 1b. Imperial 22y«,x30y 2 " N., H. P., and R 7.50 35 " 

280 1b. Imperial 22%x30y 2 " N. and R 20.00 90 " i 

130 lb. Dble Elephant 20%x40 " N., H. P., and R 5.75 30 " ] 

200 1b. Dble Elephant 26%x40 " N 12.00 60 " 

235 lb. Dble Elephant 26%x40 " N. and R 15.00 70 " j 

Note. — The above sizes and weights are standard and stock sizes. 

TESTIMONIALS. 

I find the Unbleached Arnold Water Color Paper excellent quality, free from spots, 
and takes the medium splendidly. Cullen Yates. 

The Tone and Texture of the Unbleached Arnold Paper impresses me very favorably. 
It takes the color pleasantly and shows good resistance to sponging and scrubbing 
process. William J. Whittemobe. 

I have given your Unbleached Arnold Water Color Paper a thorough trial, and am| 
convinced of the excellent qualities. W. Ritschel. 

I find your Unbleached Arnold Water Color Paper works admirably. It beans very 
well repeated washings, and its fine whiteness adds brilliancy to the picture. 

Edward Dufnek, A. N. A. 

I have tried your Unbleached Arnold Water Color Paper and like it immensely. 

C Warde Traver. 

39 West 67th St., New York City. 
Messrs. Favor, Ruhl & Co. : 

Dear Sirs : I have tried the sample of Unbleached Arnold Water Color Paper you 
kindly sent me; and find it a pleasant surface to work on, and stands reworking and I 
gives a good quality to the painting. 

Very truly yours, 
(Signed) Rhoda Holmes Nicholls. 

February 5th, 1914. 

253 W. 42nd St., New York City. 
Messrs. Favor. Ruhl & Co. : 

Dear Sirs: I have been testing the sample of paper left here by your representa- 
tive, and I find it very satisfactory, having a hard surface which will stand a great 
deal of work before it will give way in using the water and the bristle brush combined. 
It takes the wash well also. 

If the paper which is called the Unbleached Arnold is up to this sample, it should 
fill every requirement. Yours very truly, 

(Signed) Henry B. Snell. 

COMPLETE SAMPLE BOOK ON APPLICATION. 



ARTISTS' MATERIALS t1* 



Drawing' Papers 

WHATMAN '8 DRAWING PAP** 

FOR WATER COLORS 

Explanation of Surfaces — N., "Not," or ordinary surface having a Blight grain. 
H. P., "Hot Pressed," or perfectly smooth surface. R., "Rough," or very coarse tar- 
face, of large, open grain. 

Per Sheet 

Cap, 13 xl7 inches, N. and H. P $0 06 

Demy, 15%x20 Inches, N. and H. P 06 

Medium, 17%x22 inches, N. and H. P 08 

Royal, 19%x24 inches, N., H. P. and R 10 

Super Royal, 19 x27 inches, N. and H. P 12 

Imperial. 22 x30 inches, N., H. P. and R 15 

Double Elephant, 27 x40 inches, N., H. P. and R 30 

Antiquarian, 31 x52 inches, N. and H. P 1 86 

EXTRA HEAVY 

Imperial, N., H. P. and R., 90 lbs. to ream $0 20 

Imperial, N., H. P. and R., 140 lbs. to ream 36 

Imperial,- N. 200 lbs. to ream 60 

Imperial, N. 300 lbs. to ream 90 

Double Elephant, N. and R. 210 lbs. to ream 60 

Double Elephant, N. and R. 235 lbs. to ream TO 



ILLUSTRATION PAPER 

For water color, pencil, charcoal and pastel drawing; alBo for black and white 
work for reproduction. 

Per Sheet 

Imperial, size 22x30 inches *0 06 

Double Elephant, size 30x40 inches « 



JAPANESE WATER COLOR PAPER 

Per Sheet 

Size 11x16 Inches $0 08 

Size 22x30 inches 12 

Size 10x12 inches • 08 

Size 20x26 inchea W 



ARTISTS - MATERIALS 



GERMAN WHITE DRAWING PAPER 

IN SHEETS 

Per Sheet Per Sheel 

Cap 14 x 17 inches. . . fO 02 Super Royal 20 x 28 Inches. . . $0 (ft 

Demy 16 x 21 inches ... 03 Imperial 22 x 30 inches. . . 08 

Medium 18 x 23 inches. . . 04 Double Elephant, 26 x 40 inches. . . » 

Royal 19 x 24 inches. . . 05 



FRENCH CRAYON PAPERS 

WHITE AND ASSORTED TINTED 

Per Shee} 

Royal, 19x24 inches $0 07 

Imperial, 22x28 inches 1C 



'ELKO" DRAWING PAPER. 



IN SHEETS 



This paper is of good quality, with a fine grain. It is especially adapted for usl 
In colleges, schools and universities. It takes ink, pencil and color nicely, and standi 



a great amount of erasing. 

Per Sheet 

Cap 14 x 17 inches. . . $0 03 

' Demy 15 x 20 inches. . . 05 

Medium 17x22 inches. . . 06 

Royal 19 x 24 inches. . . 08 



Per Sheel 

Super Royal 19x27 inches... $0 10 

Imperial 22 x 30 inches. . . 3 

Double Elephant, 26x42 inches... l| 



Royal, 
Imperial, 
Double Elephant, 



"PERFECTION" EGGSHELL PAPER 

IN SHEETS 

Per She( 

19x24 inches $0 1( 

22x30 inches li 

27x40 inches ". . 2] 



"PREMIUM" DRAWING PAPER 

This paper is a very superior quality, with a smooth surface for drawing with in] 
or pencil. It stands erasing perfectly, and is very strong. 

Per Shee 

' Imperial, V 22x30 inches $0 1! 

Double Elephant, 27x40 inches II 



ARTISTS 1 MATERIALS 



l-l 



"BUFFINE" DETAIL DRAWING PAPER 
IX SHEETS 

A Cream Buff Detail Paper, possessing remarkable working and erasing qualities. 

Per Sheet 

Royal. 19x24 inches $0 08 

Imperial, 22x30 inches 12 

Doubli' Elephant, 27x40 inches 14 



HARDING'S DRAWING PAPERS 



FOR WATER COLORS 



Imperial, 22x30 inches. Thin... 
Imperial. 22x30 inches. Thick.. 



Per Sheet 

. ... $0 15 

30 



"Acaderny" White Drawing Paper 

FOR PENCIL OR WATER COLOR 

Per Sheet 

6x9 inches $0 01 

9 x 12 inches 02 

12x18 inches 03 

19 x 24 inches 04 

22 x 30 inches 05 



"School" W. C. Paper 

In White, Bute or Grey. 

Per Sheet 

6x9 inches $0 01 

9 x 12 inches 02 

12xlS inches 03 

18 x 24 inches 04 



ENGLISH TINTED CRAYON PAPERS 

Imperial, 22x30 inches, White and Assorted, 20 tints 



Per Sheet 
$0 15 



FRENCH CHARCOAL PAPERS 

Per Sheet 

Royal. 19x25 inches, in White and in Assorted Tints $0 03 

Royal, 19x25 inches, Lalanne Thin, White 06 

Royal, 19x25 inches, Lalanne Thick, White 07 

Royal, 19x25 inches, Lalanne Michallet, White 05 

Royal, 19x25 inches, Lalanne, Allonge, White 08 



STRATHMORE CHARCOAL PAPERS 

Per Sheet 

Royal, 19x25 inches. White $0 03 

Double Elephant, 27x40 inches, White 07 



ARTISTS' MATERIALS 



FRISKET OR AIR BRUSH TRACING PAPER 

VERT TRANSPARENT 

Per Doz. Per Sheel 
In sheets, 17x23 inches $2 00 $0 21 



TRACING PAPER IN SHEETS 

FRENCH VEGETABLE EXTRA FINE 

Per Per 

Sheet Shee 

Telliere, 13 x 17 inches $0 05 Raisin, 19 x 25 inches $0 l] 

Ecu, 15x20 inches 08 Jesus, 22 x 28 inches 1 



GELATINE, FOR LITHOGRAPHERS 

IN TRANSPARENT WHITE 

Per Per Per Per I 

Dozen Sheet Dozen Sheen 

Thin, 17x21 inches ?2 25 $0 25 Thick, 17x21 inches $4 20 ?0 401 

Medium, 17x21 inches 3 00 30 Colored thin only, 17 x 21. . 3 00 2? 



FRENCH PASTEL PAPER, SANDED SURFACE 

Per Sheet Per Sheet 

Royal, 19x25 inches 50 25 Colombier, ' 24 x 34 inches $0 50 

Super Royal, 22 x 28 inches 30 Grand Aigle, 26 x 40 inches : 6( 



,» 



FRENCH PASTEL PAPER IN ROLLS 

Per Yard Per Roll 
Grey Tint, in rolls of 11 yards, 58 inches wide ?0 33 J3 30 



FERRAGUTTI ROUGH FD3ER PASTEL PAPER 

Pastel Drawings on this paper, treated with Ferragutti Fixatif, will not change 
color. 

Per Sheet 

Royal, 19x24 inches $0 12 

Double Elephant, 30x40 inches 25 



ARTISTS' MATERIALS 12.3 



FRENCH PASTEL BOARDS, SANDED SURFACE 

Per Sheet Per Sheet 

Mo. 6. 12Vbxl6 inches $0 40 No. 12. 20 X 24 Inches $0 60 

Mo. S. 16 x 18 inches 45 No. is. 21 x 26 Inches 70 

so. 10. 18 x 22 inches 55 No. 20. 24 x 29 inches 80 



SPECIAL PASTEL BOARD 

For Crayon and Fastel raintins. Sanded Surface. 

Per Sheet 

;2x2S inches ( Barclay) $0 35 

6x28 " (Wabash) 25 



CARBON TRANSFER PAPER, EXTRA QUALITY 

Per Sheet 

LlxlS inches, Blue, Black. Green, Red, Yellow, Purple and White $0 04 

18x22 inches. Blue, Black, Green, Red. Yellow, Purple and White 08 



GRAPHITE TRANSFER PAPER FOR CHINA PAINTERS 

A fine transfer paper, produces faint lines 

Per Sheet 
In sheets. 15x20 inches $0 12 



DRESDEN TRACING PAPER 

Per poz. Per Sheet 
19x24, for China Painters 53 00 $0 30 



PARCHMENT TRACING PAPER 

IN SHEETS (25 SHEETS TO A ROLL) 

Per Roll of 

25 Sheets Vei Sheet 

Belgian, Imperial. 20x30 inches $1 00 $0 05 

Belgian, Double Elephant. 30x40 inches 2 00 10 



124 ARTISTS' MATERIALS 



DRAWING PAPERS IN ROLLS 
Steinbach Paper 

FOR WATER COLOR PAINTING, CRAYON WORK AND SOLAR PRINTING. 

Per Roll Per Yar( 

Steinbach, medium, 54 inches wide, 10 yards in roll $3 30 $0 31 

Steinbach, thick, 54 inches wide, 10 yards in roll 5 00 56 



German White Drawing Paper 



Per Roll Per Yan 

36 inches wide, 10 yards in roll $1 25 $0 l| 

42 inches wide, 10 yards in roll 1 50 2a 

54 inches wide, 10 yards in roll 2 75 30 



"Elko" Drawing Paper 

An almost Pure White Paper, with slightly grained surface, and suitable for an] 

work, either Ink, Color, Pencil or Crayon. Especially adapted for school and collegi 
work, and for all technical drawings. 

Per Roll Per Yan 

36 inches wide, 10 yards in roll $1 60 JO 21 

42 inches wide, 10 yards in roll 2 00 25 

56 inches wide, 10 yards in roll 3 00 35 



"Perfection" Draughting Paper 

EGGSHELL SURFACE 

A most perfect drawing paper, and especially designed for Engineers, Architects 
and Draughtsmen. This paper is made of pure linen and is the very best that can 
be produced. 

Per Roll Per Yard 

36 inches wide, in rolls of 10 yards $2 60 $0 30 

42 inches wide, in rolls of 10 yards 3 00 35 

58 inches wide, in rolls of 10 yards 4 00 40 



ARTISTS" MATERIALS 



DRAWING PAPER IN ROLLS— Continued 
"Bufflne" Detail Drawing Paper 

Tough, hard, uniform in grain and finish, stands erasing very well, and takes ink 
and water color perfectly. The buff or cream color is agreeable to the eye, and per- 
mits of handling without soiling. 

Per Roll Per Yard 

36 inches wide, 10 yards in roll $1 25 $0 16 

42 inches wide, 10 yards in roll t 75 20 

56 inches wide, 10 yards in roll 2 25 25 



Manila Detail Drawing Paper 

Made in smooth surface, BUFF COLOR, and ribbed surface, Buff color 

This paper has a good grain drawing surface, erases perfectly, will not get brittle; 
lays flat on the drawing board without buckling. 
In rolls of 100 to 150 lbs., 36, 42 and 48 inches, and in three thicknesses — 

Thin, Medium and Thick per lb. $0 15 

10-yard Rolls Per Yard 

36 inches width, Thin $0 60 $0 07 

42 inches width, Thin 65 08 

48 inches width, Thin. 80 10 

36 inches width, Medium 65 08 

42 inches width. Medium 85 10 

48 inches width, Medium 1 00 12 

36 inches width, Thick 90 10 

42 inches width, Thick 1 10 13 

48 inches width, Thict 1 35 16 



"Calendered" Manila Detail or Pattern Paper 

Buff, in original rolls only, in four thicknesses— X, XX, XXX, XXXX 

48 inches wide per lb. $0 15 

10-yard Rolls Per Yard 

X $0 90 JO 12 

XX 1 20 14 

XXX 1 40 16 

XXXX 165 18 



AMERICAN-MADE "WHATMAN" WATER COLOR BOARDS 

These boards are made in two surfaces, medium and rough, for general drawing 
and water color work. 

Per Sheet 

Imperial, size 22x30 inches, 72 lbs $0 50 

Imperial, size 22x30 inches, 140 lbs. . , 75 

J miiMc Elephant, size '-'7x40 inches 80 



126 ARTISTS' MATERIALS 

WTNSOR & NEWTON'S 
LONDON-MADE WATER COLOR SKETCHING BOARDS 

Mounting Boards Covered on One Side with Whatman's Drawing Paper 

These boards are made in five surfaces, smooth, medium and rough, for general 
drawing and water color work, and two special surfaces for black and white work. 

Per Sheet 
Imperial, size 21 1 ,4x29 inches $0 60 



ILLUSTRATION BOARDS 

Favor, Ruhl & Co.'s, or Winsor & Newton's 

This board can be used for water color work, pastel, pencil and charcoal drawing, 
as well as general black and white work for reproduction. 

Per Sheet 

Size 20x30 inches, thin or Monogram JO 30 

Size 22x30 inches, thick 40 

Size 30x40 inches, thin or Monogram 50 

Size 30x40 inches, thick 60 



Favor, Ruhl & Co.'s Pen and Ink Board No. 116 

Size 22x30 inches, especially adapted for caricature artists; cau lie used for wash 

or color drawing per. sheet, $0 50 



Strathmore Illustration Boards 

Per Sheet 

Size 20x30 inches $0 25 

Size 30x40 inches 50 



Steinbach's Boards 



This board is mounted on one side with the genuine Steinbach Paper on smooth 
pulp, and Is used for water color, crayon and black and white work for reproduction. 

- Per Sheet 

Size 20x30 inches $0 35 

Size 30x40 inches 65 



ARTISTS" MATERIALS 127 



KID FINISHED BOARD 

This board has a. fine surface and is used for miniature painting in water colors. 

Per Sheet 
Size 22x28 inches {0 25 



COQUILLE BOARD 



This board has a finely stippled surface, and is especially adapted for water color 
or free-hand charcoal work. 

Per Sheet 
Size 23x29 Inches $0 20 



MOUNTING BOARD 

Per Sheet 

6-ply White, 22x28 inches $0 08 

8-ply White, 22x28 inches - '. . . 09 

10-ply White, 22x28 inches 10 

10-ply Grey, 22x28 inches 14 

10-ply Scotch Grey, 22x28 inches 16 

10-ply Ivy Green, 22x28 inches ; 16 

10-ply Carbon Black, 22x28 inches. .». 16 

10-ply Royal Brown, 22x28 inches ." 16 

5-ply White Ripple Board, 22x28 inches 22 



VIKING WATER COLOR BOARD 

This board has an eggshell surface and is used for mats, mounts, book covers, 
and is very nice for water color work. It can be supplied in the following tints: 

Pink. 

Violet. 

Olive. 

Per Sheet 
In sheets, 22x34 inches i $0 15 

Colonial Water Board can be supplied in the same tints and size at above price. 



Blue. 


Dark Brown. 


Grey. 


Buff. 


Dark Red. 


Green. 


Golden Rod. 


Wine. 


White. 



128 ARTISTS' MATERIALS 



SCENIC MODEL BOARD 



This board is used by scenic artists lor making models 

Per Sheet 

In sheets, 22x28 inches,, White $0 20 

In sheets. 22x2S inches. Tinted ^ 20 



STRATHMORE WHITE DRAWING BOARD 

Per Sheet 

No. 7. Two sheet, medium surface, size 23 x29 $0 12 

Two sheet, medium surface, size 14%x23 06 

Two sheet, medium surface, size 11^5x14% 03 

No. S. Two sheet, high surface, size 23 x29 12 

Two sheet, high surface, size 14 '£x23 06 

Two sheet, high surface, size Il%xl4% 03 

No. 10. Three sheet, medium surface, size 23 x29 18 

Three sheet, medium surface, size 14 1 ,Ax23 09 

Three sheet, medium surface, size 11 V4xl4% 05 

No. 11. Three sheet, high surface, size 23 . x29 18 

Three sheet, "high surface, size 14^x23 09 

Three sheet, high surface, size Il%xl4% 05 

No. 12. Four sheet, medium surface, size 23 x29 24 

Four sheet, medium surface, size 14Vix23 12 

Four sheet, medium surface, size Il%xl4% 06 

No. 13. Four sheet, high surface, size 23 x29 24 

Four sheet, high surface, size 14%x23 12 

Four sheet, high surface, size Il%xl4% 06 

No. 14. Five sheet, high surface, size 23 x29 30 

Five sheet, high surface, size 14%x23 15 

Five sheet, high surface, size 11%x141/S> OS 

No. 15. Five sheet, medium surface, size 23 x29 30 

Five sheet, medium surface, size 14V2X23 .'.... 15 

Five sheet, medium surface, size ll'ixll 1 L . .. 08 



ARTISTS' MATERIALS 129 



TRACING CLOTHS 




Koh-i-noor 

In rolls of 24 yards. One side glazed, the other dull. 

Per Roll Per Yard 

30 inches wide $7 55 $0 35 

K Indies wide S 40 40 

4L' inches wide 11 30 60 

4s inches wide 14 95 73 

54 laches wide 15 96 SO 



Mephisto 

In rolls of 24 yards. One side glazed, the other dull. 

Per Roll Per Yard 

30 Inches wide $6 80 $0 30 

36 inches wide 7 55 35 

42 inches wide 10 20 50 



VELLUM TRACING PAPER 

Put up in rolls of 20 continuous yards, 36 and 42 inches wide. Rolled on a two- 
Inch core (to prevent curling), then placed in a substantial cardboard tube fitted 
with a cap. 

Per Roll Per Yard 

36 Inches wide, 20 yards to roll $4 00 $0 25 

42 inches wide. 20 yards to roll 5 00 30 

Write for special descriptive circular and sample. 



TRACING PAPER IN ROLLS 

Per Roll Per Yard 

English. Transparent. Xo. 1, 40 inches wide, 20 yards in roll $2 75 $0 20 

English. Transparent, No. 4, 40 inches wide, 20 yards in roll. ... 2 25 15 

Belgian Parchment, A., Thin, 40 inches wide, 20 yards in roll. 4 00 25 

Belgian rarchment. B.. Thick, 40 inches wide, 20 yards- in roll. 5 00 30 

Belgian rarchment. C. Thin. 40 inches wide, 20 yards in roll. 2 00 15 
Belgian Parchment. "Congo." iThin, 40 inches wide, 20 yards in 

roll 2 00 IS 

"f lituriun." 40 inches wide. 2(1 yards in roll 1 00 03 

^Venetian," Cncalendered. 56 inches wide. 44 yards in roll 4 50 36 

"Monogram" Tracing, very tough and transparent, 39 inches 

wide, 20 yards in roll 3 75 25 

"Sudbury," Transparent Tracing Paper, 36 inches wide, 50 yards 

in roll 2 00 

"Sudbury," Transparent Tracing Paper. 60 inches wide. 50 yards 

in roll 3 25 

■"Federal," Tracing Paper. 42 Inches wide. 20 yards in roll 1 50 

POUNCE OR TRACING CLOTH POWDER 

In boxes. For removing superfluous gloss on tracing cloth and other glazed 

surfaces each. ?0 20 



130 ARTISTS' MATERIALS 

TRENCH SATIN PEEP ABED BLUE PETNT PAPER 

PREPARED WITH "REGULAR" OR RAPID PRINTING SOLUTION 

This paper Is freshly coated when ordered, and will not spoil if properly kept in 
a dark and dry place. It is strong and will stand rough handling. 

,- WIDTH N 

30 Inches 36 inches 42 inches 

Medium Thick, 10-yard rolls per roll, $0 90 ?1 00 $1 20 

Thick, 10-yard rolls per roll, 110 125 140 

Thin, for mailing purposes, 10-yard rolls per roll, 70 80 90 

N. B. — Unless otherwise specified, Regular Prepared Paper will be «ent. 



AMERICAN-MADE "UNBLEACHED ARNOLD" WATER COLOR 

BOARD 

These boards are made in two surfaces, MEDIUM and ROUGH, from Unbleached 
Arnold W. C. paper, for general drawing and water color work. 

Per Sheet 

Imperial, size 22x30 inches, 72-pound Paper, C. P. or Rough $0 45 

Imperial, size 22x30 iDches, 110-pound Paper, C. P. or Rough 75 

Double "Elephant." size 27x40 inches, C. P. or Rough 80 



Congress Bristol Board 

Per Sheet 

8 Ply, 22x28 Inches $0 10 



Scratch Boards J 

• ' Per Sheet | 

"Monogram" Scratch Boards, 22x28 inches $0 25 

"Boss" Scratch Boards, 22x28 Inches 30 j 



White Ripple Board 

Per Sheet 
Size 22x28 inches ?0 25 



ARTISTS' MATERIALS 



181 



BRISTOL BOARDS 
Reynolds' White Bristol Boards 



Cap. 

Demy, 

Medium, 

Royal. 

Imperial, 



2 Ply 

12' .xl5>4 inches $0 06 

14%xlS' t Inches 08 

inches 12 

18Vix22 % Inches 15 

22 X28V4 inches 30 



Per Sheet - 
3 Ply 


4 Ply 


$n 08 


$0 10 


12 


15 


18 


20 


20 


30 


40 


50 



Aviator Bristol Board 

High grade Pasted Bristol Board for Pen and Ink Artists 

Ter Sheet 

2 riy, 22x:« indies. Plato Finished $0 25 

3 Ply. 22x33 inches, Plate Finished 30 

2 Ply, 22x33 Inches. Kid Finished 25 

3 Ply, 22x33 inches. Kid Finished 30 



Patent Office Bristol Boards 

Per Sheet 

Reynolds', 10x15 inches, 2 ply, not ruled $0 06 

Reynolds', 10x15 inches, 3 ply, not ruled 10 

Strathmore, 10x15 inches, not ruled 05 

Strathmore, 10x15 inches, ruled 06 



Columbia Bristol Board 

• A good quality of Bristol Board, used for large pen and ink sketches j, 

Per Sheet 

3 ply Size 22x2S inches $0 15 

4 ply Size 22x28 inches 20 

6 ply Size 22x28 inches 25 

Black Bristol Boards, Size 22x2S inches 20 



PORTFOLIOS 



School, Cloth Back and Corners, Paper 
SJdes 

Each 

10 x 14 inches 50 40 

11 x 16 inches 55 

17 x 22 inches 80 

20 x 26 inches 90 

23 x 31 inches 1 50 



Fine Leather Backs and Corners, Cloth 
Sides with Flaps 

Each 

11 x 16 inches $1 10 

17 x 22 inches 1 70 

20 x 26 inches 2 15 

22 x 31 inches 3 15 



132 ARTISTS' MATERIALS 

SKETCH BLOCKS OR DRAWING PADS 

These blocks are made of sheets of paper, pressed firmly together; each sheet 
may be separated by passing a knife under its edge. 



"Whatman's" Water Color Sketch Blocks 

In C. P., H. P., and R. Surfaces 

FOR WATER COLOR, PENCIL AND INK DRAWING 

Each Each 

6x7 inches $0 40 10 x 14 inches $1 40 

7 x 10 inches 70 12 x 18 inches 1 fi.'i 

9x12 inches 90 14 x 20 inches 2 60 

EXTRA HEAVY PAPER 

Each Each 

5x7 inches $0 55 10 x 14 inches $1 95 

7 x 10 inches 1 10 12 x IS inches • 3 20 

9x12 inches 1 60 14 x 20 inches 3 60 



"Nonpareil" Sketch Blocks 

FOR WATER COLOR, PENCIL, PEN AND CRAYON WORK 

Each Each 

.ixT inches $0 30 9x12 inches $0 50 

i x 10 inches 40 10 x 14 inches 60 



"Coquille" Sketch Blocks 

FOR WATER COLOR PAINTING 
The paper of which these blocks are made has a fine stipple surface 

Each Each J 

714 x11V" inches $0 70 14'A x 23 inches $2 25 

11% x UV- inches 1 20 



"School of Art" Solid Sketch Blocks 

FOR WATER COLOR, CRAYON OR PENCIL WORK 

Each Each 

6x7 inches $012 10x14 inches $0 40 

7 x 10 inches 20 12x18 inches 60 

9x12 inches 30 14x20 inches 70 



"Sudbury" Sketch Blocks 

FOR WATER COLOR, CRAYON AND PENCIL WORK 

Each 

6x 9 inches (44 sheets to a block) $015 

9x12 inches (22 sheets to a block) lr, 



ARTISTS' MATERIALS 



188 



SKETCH BLOCKS OR DRAWING PADS— Continued 



German White Sketch Blocks 

FOR PENCIL AND CRAYON WORK 



Each 

0x7 Inches $0 20 

7 i 10 inches "" 

0x12 Inches 4" \ 



Each 

10x14 inches $0 tiO 

12 x 18 Inches 75 

1 4 x U'i > inoht-s ] 00 



"Gibson's" Bristol Board Blocks 

Containing 12 sheets of 3-ply Wedding Bristol Boards 



Each I 

7 x 10 Inches $0 50 | 

0x12 Inches 7i> 



10x14 inches 



Each 

SO 80 



Favor, Ruhl & Co.'s Special "Barclay" Sketch Blocks 

Made of Favor, Ruhl & Co.'s "Barclay" Water Color Paper, for Water Color, Pen 
and Pencil Sketches. 

Each 



5x7 inches $0 35 

7 x 10 Inches 60 

9 x 12 Inches 1 00 



Each 

10 x 14 Inches $1 25 

12 x 18 inches 1 50 

14 x 20 Inches 2 00 



RAGGED EDGE CARDS 
For Water Color Painting 

IN BOXES CONTAINING 100 CARDS— ALL WHITE, OR 100 CARDS OF 
ASSORTED SHADES 



Per Dozen 

2y 4 x4% inches $0 10 

3% x 4% inches 10 

4 x 4 inches 10 

4 x 6 inches 12 

4% x 6 inches 15 



Per Dozen 

6x6 Inches $0 20 

5x8 Inches 25 

7x9 inches 30 

8 x 10 inches 35 

9x11 inches 40 



PASSEPARTOUT PAPER, GUMMED 

In continuous rolls of 36 feet, for binding pictures, linen frames, decorated mats 
and photographs of all kinds which require protection under glass. 

Each 

Black, White, Green, Slate, Ruby, Wine, Light Brown, Chocolate $0 10 

Gold and Silver 20. 

Per Doz. 

Brass Passepartout Rings $0 05 

Brass Passepartout Hangers 05 



Hall's Styk-um-Phast Gummed Cloth 

In rolls of 10 yards %-inch wide. 



Each 



Light Green, Dark Greon, White, Gray, Red, Blue, Black, Ecru, Roan, Maroon $010 



134 



ARTISTS' MATERIALS 



Universal Air Painting Tool — Model D— PATENTED 

A valuable feature embod- 
ied in this tool consists in 
the multiple fluid nozzles, 
offering a wide range of 
work and material. It ad-, 
apts itself well to the many- 
processes employed by art- 
ists involving the applica- 
tion of materials such as 
varnish, lacquer, alcoholic 
ink and stains, water color 
and Fixatif. 

Does away with the old 
method of the mouth atom- 
izer, saving time and energy. 
Each 
Completed with Pump $5.50 
Extra Glass Jars with 

Cover 25 




French Metal Atomizer 

No. 250. Indestructible 
White Metal $0.50 

Superior Black Crayon 
Sauce (American Made 

Exact imita- 
tion of the 
French 
Crayon 
Sauce, 
wrapped i n 
foil. 
■ Each. ..$0.05 

Kensington" Ring Bound Loose Leaf Sketch Books Fitted with 24 sheets of 
UNBLEACHED ARNOLD'S HAND MADE PAPER, COLD PRESSED 
SURFACE ONLY — For Pen, Pencil and Water Color Work 




SUPERIOR 
CRAYON 

SAUCE 

New York ' 





Closed 



Open 



Each 



Extra Fillers, Punched of 24 Sheets (In Package) 

H'A x 6 inches Per Package $0.15 I 6 x 9 inches Per Package $0.30 

S x 7 inches Per Package .25 | 7 x 10 inches Pw Package 45 



Size of Cover 


Size of Sheet 


Complete 


4Yi x 6% inches 


4'/' x 6 inches 


$0.50 


5J-jj x 7'/i inches 


5 x 7 inches 


.60 


6% x gH inches 


6 x 9 inches 


•75 


7% x ioHs inches 


7 x 10 inches 


.9o 



ARTISTS' MATERIALS 



L3B 



THE SKETCHERS POCKET ILLUSTRATION BOOKS 

MADE OF "ILLUSTRATION- PAPER AND CONTAINING 40 LEAVES 

Each Each 

No. 1. 3% I 5 Inches *0 25 No. 3. 5% x 9 inchee JO 45 

No. 2. 5 x 7 inches 35 No. 4.7 x 10 Inches 60 



"CANVAS-COVERED" SKETCH BOOKS 

HEAVY STIFF COVERS 




WHITE PAPER 

Each Each 

4x7 inches $0 25 8 x 10 inches $0 40 

5%x 8 inches 30 9x11 inches 5n 

6x9 inches 35 10x14 inches 65 



"FLEXIBLE" CANVAS-COVERED SKETCH BOOKS 

WHITE PAPER 

Each Each 

3%x5% inches, 28 leaves $0 12 6 x 8% inches, 28 leaves $0 30 

4%x6y 2 inches, 28 leaves 18 7 xlO inches, 28 leaves 35 

5V4x8 inches, 28 leaves 25 8y 2 xll inches, 28 leaves 40 



ART STUDENTS' WATER COLOR TABLET 

This Tablet is specially prepared for students and amateurs, and contains twenty 
leaves. Can be used for pencil, crayon or water color work. 

Each 
Size 9x12 inches $0 15 




PERFORATED CROSS SECTION TABLETS 

These Tablets are made in two sizes from a fine quality 
of white paper, carefully ruled 10 squares to the inch, and 
bound with printed bindings. 

Each 

No. 95. 6x 9%, 100 leaves $0 35 

No. 98. 8x10%, 80 leaves 50 



ARTISTS' MATERIALS 



FRENCH HARD PASTEL CRAYONS 



IN FANCY PAPER BOXES 




Superfine 



First Second 

Quality Quality 

Per Box Per Box 

doxes of 6 assorted colors .>0 15 $0 07 

Boxes of 12 assorted colors 30 12 

Boxes of IS assorted colors 40 15 

Boxes of 24 assorted colors .' 50 20 

Boxes of 39 assorted colors 60 25 

Boxes of 36 assorted colors 75 30 

Boxes of 48 assorted colors Q^-— 1 "0 40 



GIRAULT'S HALF HARD PASTEL CRAYONS 



IN FLAT WOOD BOXES 



Per Box 

12 Crayons, assorted shades $0 50 

25 Crayons, assorted shades 75 

50 Crayons, assorted shades 1 50 

75 Crayons, assorted shades 2 25 



Per Box 

100 Crayons, assorted shades $3 00 

150 Crayons, assorted shades 4 50 

200 Crayons, assorted shades 6 00 



ARTISTS" MATERIALS 



137 



GIRAULT'S EXTRA SOFT FRENCH PASTEL CRAYONS 



IN FLAT WOOD BOXES 



EACH CRAYON IN TISSUE PAPER 




No. 1 



No. 


0000. 




No. 


000. 




No. 


00. 




No. 


0. 




No. 


it 


or 


No. 


2 


or 


No. 


2Yi 


or 


No. 


3 


or 


No. 


4 


or 


No. 


5 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


nr 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 



Per box 

554 Crayons, assorted colors $16 08 

Treble size, 378 Crayons, assorted colors 12 00 

Double size, with tray, 300 Crayons, assorted colors 9 00 

Double size, with tray, 272 Crayons, assorted colors 8 00 

Double size, with tray, 164 Crayons, assorted Colors 6 00 

Full size, 134 Crayons, assorted colors 4 00 

% size, 88 Crayons, assorted colors 3 25 

% size, 66 Crayons, assorted colors 2 25 

% size, Fine, 56 Crayons, extra assorted colors, with Carmine. 1 50 

% size, 44 Crayons, assorted colors 1 00 

% size, 30 Crayons, ■ Carmine, assorted shades '. . . 3 00 

% size, 30 Crayons, Red, assorted shades 1 00 

% size, 30 Crayons, Vermilion, assorted shades 1 00 

% size, 30 Crayons, assorted colors 60 

% size, 30 Crayons, Black 60 

% size, 30 Crayons, White 60 

% size, 30 Crayons, Blue, assorted shades 60 

% size, 30 Crayons, Brown, assorted shades 60 

% size, 30 Crayons, Flesh Tint, assorted shades 60 

% Size, 30 Crayons, Green, assorted shades 60 

% size, 30 Crayons, Grey, assorted shades 60 

% size, 30 Crayons, Lake, assorted shades 60 

% size, 30 Crayons, Ochre, assortea shades 60 

% size, 30 Crayons, Purple, assorted shades 60 

% size, 30 Crayons, Rose, assorted shades 60 

% size, 30 Crayons, Yellow, assorted shades 60 

% size, 30 Crayons, Pink, assorted shades 60 

% size, 30 Crayons, Emerald Green, assorted shades 60 

% size, 30 Crayons, Violet, assorted shades 60 

% size, 30 Crayons, Warm Grey, assorted shades 60 



138 



ARTISTS' MATERIALS 



BOXES OF MATERIALS FOR PASTEL PAINTING 




Outfit No. 1. Polished Wood Box, containing 30 soft Pastels, assorted colors. 
Bottle of Fixatif, Folding Tin Atomizer, Leather Stomp, Grey Paper Stomps, 
Tortillons, Brass Crayon Holder. Pointed Rubber, Black ContS Crayons, 
Thumb Tacks, Pastel Paper and Chamois 

Outfit No. 2. Polished Wood Box, containing 64 soft Pastels, assorted fine colors, 
Bottle of Fixatif, Folding Tin Atomizer, Leather Stomps, Grey Paper 
Stomps, Tortillons, Pointed Rubber, Brass Crayon Holder, Black Conte' 
Crayons, . Thumb Tacks, Pastel Paper and Chamois , , . . 



Each 



$2 00 



50 



TORTILLON STOMPS 

THIN PAPER STOMPS, POINTED AT ONE END, FOR VERY DELICATE WORK 




Per Doz 

Blue, Pink, or White Paper, in dozen jackages $0 ns 

Grey Paper ., OS 

Extra Large, White or Grey 12 



ARTISTS' MATERIALS 



I3g 



OIRAULTS EXTRA SOFT FRENCH PASTEL CRAYONS 

LARGE DIAMETER 

Separate Shades 

IN" BOXES OF ONE DOZEN CRAYONS OF EACH SHADE 

Crayons Extra Size 




Per Box 

Per of 12 

fto. Stick Sticks 

1 Red Brown, dark $0 05 $0 50 

2 Red Brown, 05 50 

3 Red Brown, 05 50 

4 Red Brown, 05 50 

5 Red Brown, light 08 75 

6 Orange, dark 12 1 20 

7 Orange, 08 75 

8 Orange, 05 50 

9 Orange, 05 50 

10 Orange, 05 50 

11 Orange, 05 50 

12 Orange, light 05 50 

13 Deep Green, dark 05 50 

14 Deep Green, 05 50 

15 Deep Green, 05 50 

16 Deep Green, 05 50 

17 Deep Green, 05 50 



No. 

18 Deep Green, light... 

19 Violet Purple, dark. 

20 Violet Purple, 

21 Violet Purple. 

22 Violet Purple, 

23 Violet Purple, 

24 Violet Purple, light. 

25 Naples Yellow, dart; 
20 Naples Yellow, 

27 Naples Yellow, 

28 Naples Yellow, 

29 Naples Yellow, 

30 Naples Yellow, light 

31 Leaf Brown, dark.. 

32 Leaf Brown 

33 Leaf Brown, 

34 Leaf Brown, light . . 



Per Box 


Per 


of 12 


Stick 


Sticks 


$0 05 


SO 50 


20 


2 00 


05 


50 


05 


50 


05 


50 


05 


50 


05 


50 


OS 


75 


05 


50 


05 


50 


05 


50 


05 


50 


05 


50 


05 


50 


05 


50 


05 


50 


05 


50 



14(1 



ARTISTS* MATERIALS 





Per Box 




Per 


of 12 


NfO. 


Stick 


Sticks 


35 Leaf Brown (greenish) 


$0 05 


?0 50 


36 Leaf Brown (greenish) 


05 


50 


37 Purple Brown, dark... 


05 


50 


38 Purple Brown, 


05 


50 


39 Purple Brown, 


05 


50 


40 Purple Brown 


05 


50 


41 Purple Brown, 


05 


50 


42 Purple Brown, light... 


05 


50 


43 Grey Violet, dark 


12 


1 20 


44 Grey Violet, 


05 


50 


45 Grey Violet, 


05 


50 


46 Grey Violet 


05 


50 


47 Grey Violet, 


05 


50 


48 Grey Violet, light 


05 


50 


49 Brown Madder, dark... 


OS 


75 


50 Brown Madder, 


12 


1 20 


51 Brown Madder, light. . . 


15 


1 50 


52 Carmine, dark 


60 


6 00 


53 Carmine, 


35 


3 60 


54 Carmine, 


20 


2 00 


55 Carmine, 


08 


75 


56 Carmine. ........ 


05 


50 


57 Carmine. 


05 


50 


58 Carmine, light 


05 


50 


59 Warm Brown, dark.... 


05 


50 


60 Warm Brown. .... 


05 


50 


61 Warm Brown, .... 


05 


50 


62 Warm Brown. .... 


05 


50 


63 Warm Brown, light 


05 


50 


64 Vermilion, dark 


20 


2 00 


65 Vermilion, 


12 


1 20 


66 Vermilion, 


05 


50 


67 Vermilion, 


05 


50 


68 Vermilion. 


05 


50 


69 Vermilion : 


05 


50 


70 Vermilion, light 


05 


50 


71 Maroon Brown, dark... 


08 


75 


72 Maroon Brown, 


12 


1 20 


73 Maroon Brown, light.. 


15 


1 50 


74 Maroon Lake, dark.... 


30 


3 00 


75 Maroon Lake, 


20 


2 00 


76 Maroon Lake, 


05 


60 


77 Maroon Lake, .... 


05 


50 


78 Maroon Lake, .... 


05 


50 



GIRAULT'S EXTRA SOFT FRENCH PASTEL CRAYONS— Continued 



Per Box i 

Per of 12 ' 

No. Stick Sticks! 

79 Maroon Lake, $0 05 ?0 50 

80 Maroon Lake, light..... 05 50 

81 Ultramarine Blue, dark. 20 2 00 

82 Ultramarine Blue 05 50 

83 Ultramarine Blue 05 50 

84 Ultramarine Blue 05 50 

85 Ultramarine Blue 05 50 

86 Ultramarine Blue, light. 05 50 

87 Burnt Umber, light 05 50 

88 Burnt Umber, 05 50 

89 Burnt Umber, 05 50 

90 Burnt Umber, 05 50 

91 Burnt Umber 05 50 

92 Burnt Umber, 05 50 

93 Burnt Umber, dark 05 50 

94 Chrome Yellow, light... 05 50 

95 Chrome Yellow, ... 05 50 

96 Chrome Yellow, ... 05 50 

97 Chrome Yellow, ... 05 50 

98 Chrome Yellow, dark... 08 75 

99 Chrome Orange, light. . 08. 75 

100 Chrome Orange, dark.. 08 75 

101 Burnt Sienna, (dark 

shades) light 05 50 

102 Burnt Sijnna, (dark 

shades! 05 50 

103 Burnt Sienna, (dark 

shades) 05 50 

104 Burnt Sienna, (dark 

shades) 05 50 

105 Burnt Sienna, (dark 

shades) 05 50 

106 Burnt Sienna, (dark 

shades) 05 50 

107 Burnt Sienna, (dark 

shades) dark 05 50 

108 Prussian Blue, dark. . . 20 2 00 

109 Prussian Blue, ... 12 1 20 

110 Prussian Blue, ... 05 50 

111 Prussian Blue, ... 05 50 

112 Prussian Blue, ... 05 . 50 

113 Prussian Blue, ... 05 50 

114 Prussian Eluc, light... " 05 50 

115 Indigo, dark 12 ' 1 20 



AKTISTS- MATERIALS 



OIRAULTS EXTRA SOFT FRENCH PASTEL CRAYONS— Continued 







Per Box 




Per Box 






Per 


of 12 




Per 


of 12 


No. 




Stick 


Sticks 


No. 


Stick 


Sticks 


116 Indigo. 




(0 06 


$0 50 


167 Grey, 


:fii 05 


$0 50 


Hi Indigo, 




05 


50 


168 Grey, light 


06 


50 


118 Indigo, 




05 
05 


50 
60 


169 White 

170 Warm Grey, dark 


05 

05 


50 


119 Indigo. 




50 


120 Indigo, 




05 


50 


171 Warm Grey, 

172 Warm Grey, 


05 


50 


121 Indigo, light ... 




05 


50 


05 


50 


122 Gold Ochre, dark 


08 


75 


173 Warm Grey 


05 


50 


123 Gold Ochre. 




05 


50 


174 Warm Grey, 


05 


GO 


124 Gold Ochre. 




05 


50 


175 Warm Grey, 


05 


no 


125 Gold Ochre. 




05 


50 


176 Warm Grey, light 

177 Leaf Green, (light 


05 


50 


126 Gold Ochre, 




05 


50 






127 Gold Ochre, light 


05 


50 




05 


50 


128 Emerald Green, 


dark . . 


20 


2 00 


178 Leaf Green, (light 






129 Emerald Green, 

130 Emerald Green. 




05 
05 


50 
50 




05 


50 


179 Leaf Green, (light 




131 Emerald Green. 

132 Emerald Green, 




05 
05 


50 
50 




05 


50 


180 Leaf Green, (light 




133 Emerald Green, 


light. . 


05 


50 


shades) 


05 


50 


134 Italian Earth, dark 


05 


50 


181 Leaf Green, (light 






135 Italian Earth. 




OS 


50 




on 


50 


136 Italian Earth, 




05 


50 


182 Leaf Green, (light 






137 Italian Earth, 


Ibt..'.'. 


05 
05 


50 
50 




05 


;>o 


138 Italian Earth, li 


183 Leaf Green, (light 




139 Flesh Red, dark 




05 


50 


shades) light 


05 


50 


140 Flesh Red, 




05 


50 


184 Greenish Grey, dark... 


05 


50 


141 Flesh Red, 




05 


50 


185 Greenish Grey, 


05 


50 


142 Flesh Red. 




05 


50" 


186 Greenish Grey, 


05 


50 


143 Flesh Red, 




05 


50 


187 Greenish Grey, 


05 


50 


144 Flesh Red, 




05 


50 


188 Greenish Grey, 


05 


50 


145 Flesh Red, light 




05 


50 


189 Greenish Grey, 


OS 


50 


146 Leaf Green, 


(dark 






190 Greenish Grey, light. . . 


05 


50 


shades) dark 




05 


50 


191 Veronese Green. 






147 Leaf Green, 


(dark 






(Emeraude) dark... 


05 


50 


shades) 




05 


50 


192 Veronese Green 






148 Leaf Green, 


(dark 






(Emeraude) 


05 


50 


shades) 




05 


50 


193 Veronese Green 






149 Leaf Green, 


(dark 






(Emeraude) 


05 


50 


shades) 




05 


50 


194 Veronese Green 






150 Leaf Green, 


(dark 






(Emeraude) 


05 


50 


shades) 




05 


50 


195 Veronese Green 






151 Leaf Green, 


(dark 






(Emeraude) light... 


05 


50 


shades) light 




05 


50 


196 Cassel Earth, dark 


05 


50 


152 Yellow Ochre, dark.... 


05 


50 


197 Cassel Earth, 


05 


50 


153 Yellow Ochre, 




05 


50 


198 Cassel Earth, .- 


05 ■ 


50 


154 Yellow Ochre, 




05 


50 


199 Cassel Earth, 


05 


50 


155 Yellow Ochre 




05 


50 




05 


50 


156 Yellow Ochre, 




05 


50 




05 


50 


157 Yellow Ochre. 




05 


50 


202 Yellowish Grey Green, 






158 Yellow Ochre, 




05 


50 




05 


50 


159 Yellow Ochre, light 


05 


50 


203 Yellowish Grey Green. 


05 


50 


160 Black 




05 


50 


204 Yellowish Grey Green. 


05 


50 


161 Grey, dark 




05 


50 


205 Yellowish Grey Green. 


05 


50 


162 Grey, 




05 


50 


206 Yellowish Grey Green. 


05 


50 


163 Grey, 




05 
05 


50 
50 


207 Yellowish Grey Green. 

208 Yellowish Grey Green, 


05 


50 












05 


50 


light 


05 


50 






05 


50 




05 


60 



142 



ARTISTS' MATERIALS 



GIRAULT'S EXTRA SOFT FRENCH PASTEL CRAYONS— Continued 



Per Box 
Per of 12 
No. Stick Sticks 

210 Sap Green, $0 05 $0 50 

211 Sap Green, 05 50 

212 Sap Green, 05 50 

213 Sap Green, 05 50 

214 Sap Green, light 05 50 

215 Burnt Sienna, (light 

shades) dark 05 50 

216 Burnt Sienna, (light 

shades) 05 50 

217 Burnt Sienna, (light 

shades ) 05 50 

218 Burnt Sienna, (light 

shades) 05 50 

219 Burnt Sienna, (light 

shades) 05 50 

220 Burnt Sienna, (light 

shades) light 05 50 

221 Violet Grey, dark 05 50 

222 Violet Grey 05 50 

223 Violet Grey 05 50 

224 Violet Grey 05 50 

225 Violet Grey, 05 50 

226 Violet Grey, light 05 50 

227 Sky Blue, dark 05 50 



Per Box 
Per of 12 

No. Stick Sticks 

228 Sky Blue ?0 05 ?0 50 

229 Sky Blue 05 50 

230 Sky Blue, 05 50 

231 Skv Blue 05 50 

232 Sky Blue, light 05 50 

233 Vandyke Brown, dark. . 05 50 

234 Vandyke Brown, .. . 05 50 

235 Vandyke Brown, . . 05 50 

236 Vandyke Brown,' . . 05 50 . 

237 Vandyke Brown, . . 05 50 

238 Vandyke Brown, light. . 05 50 

239 Chrome Green, dark. . . 05 50 

240 Chrome Green, . . 05 50 

241 Chrome Green, ... 05 50 

242 Chrome Green; ... 05 50 

243 Chrome Green, light... 05 50 

244 Raw Umber, dark 05 50 

245 Raw Umber, 05 50 

246 Raw Umber, 05 50 

247 Raw Umber, 05 50 

248 Raw Umber, 05 50 

249 Raw Umber, 05 50 

250 Raw Umber, light 05 50 



No. X. Treble Tray Box, containing one Crayon of each of the ioregoing 250 

separate shades of Girault's Soft Pastels t Per box, $9 00 

Note. — Where the first numbers of a Color are dark and the last light, the inter- 
mediate tints range from dark to light, and where first marked light and last dark, 
the range is from light to dark. 



ATOMIZERS 

FOR SPRAYING FIXATIF ON CRAYON AND CHARCOAL DRAWINGS 




Each 

Japanned Tin. Folding JO 12 

Nickel Plated, Folding 25 

Glass, Folding 25 



ARTISTS' MATERIALS 



1 43 



MONOGRAM EXTRA SOFT PASTELS 



IN BOXES OF TEN STICKS OF EACH SHADE 



Extra Large Size. American Made 



No. 



S 

4 
5 
6 

7 
8 
9 
10 
11 
12 
13 
14 
15 
16 
17 
18 
19 
20 
21 
22 
23 
24 
25 
26 
27 
28 
29 
30 
31 

n-2 
33 
34 
35 
36 
37 
38 
39 
40 
41 
42 
43 
44 
45 
46 
47 
48 
49 
50 
51 
52 
53 
54 



Per Box No. 

Red Brown Dark .?<> 50 ."> 

Red Brown Dark 50 56 

Red Brown Dark 50 57 

Red Brown Dark 50 58 

Red Brown Dark 50 59 

Red Brown Dark 50 60 

Red Brown Dark 50 61 

Red Brown Light 50 62 

Orange Dark 100 63 

Orange Light 50 64 

Flesh Dark 50 65 

Flesh Dark 50 66 

Flesh Dark 50 67 

Flesh Dark 50 68 

Flesh Dark 50 69 

Flesh Dark 50 70 

Flesh Dark 50 71 

Flesh Light 50 Tl 

Prussian Blue Dark 1 00 73 

Prussian Blue Dark.. 50 74 

Prussian Blue Dark 50 75 

Prussian Blue Dark 50 76 

Prussian Blue Dark 50 77 

Prussian Blue Dark 50 78 

Prussian Blue Dark 50 79 

Prussian Blue Dark 50 80 

Prussian Blue Dark 50 81 

Prussian Blue Light 50 82 

Olive Green Dark 50 83 

Olive Green Dark 50 K4 

Olive Green Dark 50 85 

Olive Green Dark 50 86 

Olive Green Dark 50 87 

Olive Green Dark 50 88 

Olive Green Dark 50 89 

Olive Green Light 50 90 

Leaf Green Dark 50 91 

Leaf Green Dark 50 92 

Leaf Green Dark 50 93 

Leaf Green Dark 50 94 

Leaf Green Dark 50 95 

Leaf Green Light 50 96 

Flower Pink Dark 60 97 

Flower Pink Dark 50 9S 

Flower Pink Dark 50 99 

Flower Pink Dark 50 100 

Flower Pink Dark 50 101 

Flower Pink Dark 50 102 

Flower Pink Light 50 103 

Naples Yellow Dark 50 104 

Naples Yellow Dark 50 105 

Naples Yellow Dark 50 106 

Naples Yellow Dark 50 107 

Naples Yellow L*gnt 50 108 



Per Bos 

Greenish Gray Dark .f0 50 

Greenish Gray Dark 50 

Greenish Gray Dark 50 

Greenish Gray Dark 50 

Greenish Gray Dark 50 

Greenish Gray Dark 50 

Greenish Gray Dark 50 

Greenish Gray Dark 50 

Greenish Gray Light 50 

Umber Dark 50 

Umber Dark 50 

Umber Dark 50 

Umber Dark 50 

Umber Dark 50 

Umber Dark 50 

Umber Dark 50 

Umber Dark 50 

Umber Light 50 

Yellow Ochre Dark 50 

Yellow Ochre Dark 50 

Yellow Ochre Dark 50 

Yellow Ochre Dark 50 

Yellow Ochre Dark 50 

Yellow Ochre Dark 50 

Yellow Ochre Dark 50 

Yellow Ochre Light 50 

Chrome Orange Dark 50 

Chrome Orange Light 50 

Chrome Yellow Dark 50 

Chrome Yellow Dark 50 

Chrome Yellow Dark 50 

Chrome Yellow Dark 50 

Chrome Yellow Dark 50 

Chrome Yellow Dark 50 

Chrome Yellow Dark 50 

Chrome Yellow Light 50 

Permanent Green Dark 50 

Permanent Green Dark 50 

Permanent Green Dark 50 

Permanent Green Dark 50 

Permanent Green Dark 50 

Permanent Green Dark 50 

Permanent Green Light 50 

Black 50 

Gray Dark 50 

Gray Dark 50 

Gray Dark 50 

Gray Dark 50 

Gray Dark 50 

Gray Dark 50 

Gray Dark 50 

Gray Dark 50 

Gray Light 50 

White 50 



144 



ARTISTS' MATERIALS 



No. 
109 
110 
111 
112 
113 
114 
115 
116 
117 
118 
119 
120 
121 
122 
123 
124 
125 
126 
127 
128 
129 
130 
131 
132 
133 
134 
135 
136 
137 
138 
139 
140 
141 
142 
143 
144 
145 
146 
147 
148 
149 
150 
151 
152 
153 
154 
155 
156 
157 
158 
159 
160 
161 
162 



MONOGRAM EXTRA SOFT 

Per Bos No. 

Cardinal Red Dark $0 60 

Cardinal Red Dark 60 

Cardinal Red Dark 1 00 

Vermilion 1 00 



PASTELS— Continued. 



Per 



Warm Greenish Gray Dark 50 

Warm Greenish Gray Dark 50 

Warm Greenish Gray Dark 50 

Warm Greenish Gray Dark 50 

Warm Greenish Gray Dark 50 

Warm Greenish Gray Dark 50 

Warm Greenish Gray Light ... 50 

French Pink Dark 50 

French Pink Dark 50 

French Pink Dark 50 

French Pink Dark 50 

French Pink Dark 50 

French Pink Dark 50 

French Pink Light 50 

Violet Dark 1 50 

Violet Dark 1 00 

Violet Dark 50 

Violet Dark 50 

Violet Dark 50 

Violet Dark 50 

Violet Dark 50 

Violet Dark 50 

Violet Light 50 

Warm Brown Dark 50 

Warm Brown Dark 50 

Warm Brown Dark 50 

Warm Brown Dark 50 

Warm Brown Dark 50 

Warm Brown Dark 50 

Warm Brown Dark 50 

Warm Brown Dark 50 

Warm Brown Light 50 

Light Red Dark 50 

Light Red Dark 50 

Light Red Dark 50 

Light Red Dark... 50 

Light Red Dark -50 

Light Red Dark 50 

Light Red Light 50 

Warm Gray Dark 50 

Warm Gray D.ark 50 

Warm Gray Dark 50 

Warm Gray Dark 50 

Warm Gray Dark 50 

Warm Gray Dark 50 

Warm Gray Light 50 

Maroon Dark 80 

Maroon Dark 80 

Maroon Dark 1 00 

Maroon Light 1 00 



163 
164 
165 
166 
167 
168 
169 
170 
171 
172 
173 
174 
175 
176 
177 
178 
179 
180 
181 
182 
183 
184 
185 
186 
187 
188 
189 
190 
191 
192 
193 
194 
195 
196 
197 
198 
199 
200 
201 
202 
203 
204 
205 
206 
207 
208 
209 
210 
211 
212 
213 
214 
215 
216 



Sky 
Sky 

Sky 
Sky 



Cerulean Blue Dark 

Cerulean Blue Dark 

Cerulean Blue Dark 

Cerulean Blue Dark 

Cerulean Blue Light .... 
Zinnober Green Dark. . . . 

Zlnnober Green Dark 

Zinnober Green Dark. . . . 

Zinnober Green Dark 

Zinnober Green Dark 

Zinnober Green Light . . . 
Sky Blue Dark 

Blue Dark 

Blue Dark 

Blue Dark 

Blue Dark 

Sky Blue Dark 

Sky Blue Light 

Brown Green Dark 

Brown Green Dark 

Brown Green Dark 

Brown Green Dark 

Brown Green Dark 

Brown Green Light 

Ultramarine Blue Dark.. 
Ultramarine Blue Dark.. 
Ultramarine Blue Dark.. 
Ultramarine Blue Dark.. 
Ultramarine Blue Light . 

Navy Blue Dark 

Navy Blue Dark 

Navy Blue Light 

Nile Green Dark 

Nile Green Dark 

Nile Green Dark 

Nile Green Light 

Purple Dark 

Purple Dark 

Purple Dark 

Purple Dark 

Purple Dark 

Purple Light 

Brown Madder Dark.... 

Brown Madder Dark 

Brown Madder Dark 

Brown Madder Dark 

Brown Madder Dark 

Carmine 

Cobalt Blue Dark 

Cobalt Blue Dark 

Cobalt Blue Dark 

Cobalt Blue Dark 

Cobalt Blue Dark 

Cobalt Blue Light 



Bos 

50 
50 
50 
50 
50 
50 
50 
50 
50 

. 50 
50 
50 
50 
50 
50 
50 
50 
50 
50 
50 
50 
50 
50 
50 

' 00 
50 
50 
50 
50 
50 
50 
50 

1 00 
50 
50 
50 
50 
50 
50 
50 
50 
50 



80 
00 
00 
00 
00 
00 
50 
50 
50 
50 
50 



ASSORTMENTS OF MONOGRAM PASTELS 

Each 

No. 1. 10 Stick Pastels, assorted $0 50 

No. 2. 25 Stick Pastels (for Landscape work) 1 25 

No. 3. 25 Stick Pastels (for Portrait work) 1 25 

No. 4. 25 Stick Pastels (for Background work) 1 25 

No. 5. 100 Stick Pastels, assorted 5 00 



ARTISTS- MATERIALS 



145 



RAPHAEL •• COLORED DRAWING CRAYONS 
FRENCH 




Large Pastel Wax Crayons for School Use 



Each 

6 in box $0 06 

iZ in box 10 



IS in box. 
24 in box. 



Each 

$0 20 

25 



HARDTMUTH'S DIAGRAM CHALKS 

IN 6 COLORS 




\ L £ C Htrdimtith, Vl$nm. 
'/iDaitn 

Nlwly bprwci Co!o«rt4 

Black Board Chalk Sticks 

ttiita km t'W. liana 

*..ei» 



No. 61B. In paper, assorted Vermilion, Green. Brown, Orange, Blue ana Yellow, 

in box ' per box, $6 55 



SCHOOL CHALK 

Per Box 

Round, White, ordinary, for blackboard use, in boxes of 1 gross $0 20 

Round, assorted colors, for blackboard use, in boxes of 1 gross 1 25 



LECTURERS' CHALK CRAYONS 

SIZE OF STICK, 1x1x3 INCHES 

Soft Chalk prepared for Lecturers in the following colors: 

Ultramarine Blue. Medium Green. Purple. Crimson. 

Light Blue. Dark Green. Umber. Grey. 

Medium Blue. Light Yellow. Dark Red. Black. 

Dark Blue. Medium Yellow. Magenta. Flesh. 

Light Green. Dark Yellow. Scarlet. Dull Flesh. 

Each Per Doz. 

White - *° 05 5° 50 

Crimson and Scarlet !£ J 00 

All Other Colors 12 l 35 



ARTISTS' MATERIALS 



THUMB-HOLE PALETTE CHALK BOX 

FOR STUDENTS, SCHOOLS OF ART, ETC. 




_flg| PALETTE 



Size of Box, when open, 10%x6% inches; when closed, 6%x5% Inches. 

The lid of this Box is covered inside with Wash Leather, which forms a Stomping 
Palette, and the thumb-hole is arranged to allow of the Box being held on the hand as 
easily as an ordinary palette. 

The Box contains: Four each Nos. 1, 2 and 3 Square Black Conte Crayons, two 
each Nos. 1 and 2 Lemoine's Round White Crayons; a Bottle of Stomping Chalk 
(Velours a Sauce); two White Paper Stomps; one No. 2 White Leather Stomp; four 
each White and Grey Tortillon Stomps, and a 1 Portecrayon. The Box, complete, weighs 
under eight ounces, or about the weight of an ordinary 12-inch Mahogany palette. 
Complete Each, $1 25 



FRENCH STOMPS FOR CRAYON SHADING 

IN PACKAGES CONTAINING ONE-QUARTER GROSS 




YELLOW LEATHER 

Each 

No. 1 50 05 

No. 2 06 

No. 3 07 

No. 4 * 08 

No. 5 10 

No. 6 12 

No. 7 15 

No. 8 18 



GREY PAPER 

Each 

No. 1 »0 02 

No. 2 02 

No. 3 03 

No. i 03 

No. 5 04 

No. 6 04 

No. 7 05 

No. 8 05 



ARTISTS' MATERIALS 



117 



RUBBER STOMPS 

« 

Nigrivorine 

ALL RUBBER BOTH ENDS POINTED 

Each 

French, small, on cards of 1 dozen $0 05 

French, medium, on cards of 1 dozen 07 

French, large, on cards of 1 dozen 10 

Favor, Until & Co.'s small. 1 dozen In box 05 

Favor, Ruhl & Co.'s medium, 1 dozen in box 06 

Favor, Ruhl & Co.'s large, 1 dozen in box 08 



CRAYON HOLDERS 

(Porte Crayons) 

— — . .- .. ' — T 



Each 

Brass, 4 inch JO 05 

Brass, 5 inch 05 

Brass, 6 inch 07 

Brass, 8 inch 10 

Brasg, 10 inch 12 



Each 

German Silver, 5 inch $0 06 

German Silver, 6 inch 07 

Conte, with hollow wooden center 

and movable brass ends 25 

Crayon Holders with handle 10 



IMPROVED PANTAGRAPHS 






No. 1. 

No. 2. 



No. 3. 
No. 4. 



No. 5. 
No. 6. 




Each 
Heavily mounted, with nickel-plated elbow-joint wheel, pencil-holder and 

exchangeable point. Finely polished, black figures %2 50 

Brass mounted, with brass elbow-joint wheel, pencil-holder and movable 

point. Polished, black figures 2 00 

Brass mounted, same as No. 2 in every respect, except it is hot polished 1 50 
BrasB mounted, same as No. 3, except with movable point instead of 

wheel 1 00 

Has very neat and substantial trimmings, a very satisfactory instrument 50 
A smaller Instrument. Is recommended by teachers as an excellent 
means of familiarizing children with form and proportion, and 
greatly assisting them in acquiring a knowledge of the rudiments of 

drawing by sight from original objects ". 25 

Instructions furnished with each Fantagraph 



MS 



ARTISTS' MATERIALS 



Crayon and Pastel Drawing flaterial. 



FRENCH CHARCOAL 




Per Box 

F. B. A. — "Julio" — Ordinary, 6 inches long, in boxes of 50 sticks $0 15 

No. 5 — Ordinary, 8 inches long, in boxes of 50 sticks, % inch thick. . 35 

No. 6 — Ordinary, S inches long, in boxes of 50 sticks, % inch thick.. '50 

Conte — Ordinary, 50 sticks in box 20 

Conte — Bush, 50 sticks in box 35 

ContS Venetian, 50 sticks in box 50 

P. A. Venetian, 50 sticks in box, extra hard 45 

Berville Venetian, 50 sticks in box, extra hard 50 

Super Venetian, 50 sticks in box, extra hard 30 

Rouget. Extra Fine, Nos. 1, 2, 3; 25 sticks in box'. 50 

Prepared Russian Charcoal (compressed). 12 sticks in box; 7 degrees, Nos. 00 

to 5. No. 00, the softer and darkest shades; 5, the hardest and lightest. ... 75 



CRAYONS 




Per Doz. 

Conte's square, Black, Nos. 1, 2, and 3 $0 1.5 

Conte's square, White, Nos. 1, 2, and 3 15 

Conte's round, Black, Nos. 1, 2. and 3 35 

Conte's round. Black, vacnished 45 

Conte's square, Red 15 

Conte's square, Blue . .• 25 

Conte's Sepia (Bistre), square 25 

Lomoine's (Palllard) square. White 15 

Lemoine's (Paillard) square, Black 15 

Lemercier's Lithographic Crayons, Nos. 1, 2, and 3, in boxes of 12 crayons _ 30 

Rein's Lithographic Crayons, Nos. to 5, in boxes of 12 crayons *^ 30 






ARTISTS' MATERIALS 



Uf> 



CRAYON SAUCE 



Each 

Bonte's Sauce, Black, extra soft, rcpped in foil $0 07 

Conte's Sauce, Sepia, extra soft, •rapped in foil 07 

Conte's Sauce, Red, er.tra soft, wrapped in foil 07 

Contg's. Sauce, Blue, extra soft, wrapped in foil 07 

Conte's, Sauce, Black, extra soft, la glass vials 12 

Girault's Sauce, Black, extra soft, wrapped in foil 35 



CONTE'S CRAYON PENCILS 

IN POLISHED CEDAR 




Conte's 
Conte's 
Conte's 
Conte's 
Conte's 
Conte's 
Conte's 
Conte's 
Conte's 
Conte's 



Each 

Black Crayon Pencils, No. 1 (hard) $0 05 

Black Crayon Pencils, No. 2 ( medium ) 05 

Black Crayon Pencils. No. 0, extra fine (very hard) 10 

Black Crayon Pencils, No. 1, extra fine (hard) 10 

Black Crayon Pencils, No. 2, extra fine (medium) 10 

Black Crayon Pencils, No. 3, extra fine (soft) 10 

Black Crayon Pencils, Velvet (Velours) 12 

White Crayons, in polished cedar, 7 inches 05 

Crayon Pencils, Red, Blue, and Sepia 05 

Lithographic Crayon Pencils. Nos. 1, 2, and 3 10 



PEARL'S PERFECT CRAYON PENCILS 

THREE DISTINCT GRADES 

The invention of the celebrated Crayon Artist, Mr. Eugene Pearl, and favorably 
known and used by crayon artists everywhere for many years. 

Each 

No. 1. Hard $0 05 

No. 2. Medium 05 

No. 3. Soft 05 



WOLFF'S CARBON DRAWING PENCILS 

FOR DRAWING PURPOSES— IN FIVE- DEGREES 

Each 

HH. H, HB, B, 2B JO 12 

3B 20 






ARTISTS' MATERIALS 



SOENNECKEN'S ROUND WRITING PENS 





■ 1 I I 1 I I 



Per Per % 
Gross Gross 

Pens, Single Pointed, Nos. 1, 1%, 2. 2%. 3. 3%, 4, 4%, 5, 5%, 6 $10= $0 30 



BISSELL'S DOUBLE END PENHOLDER 

For Round Writing Pens 




Double End Holder with Ink Retainers, for use with Round Writing Pens. 
Fitted with Two Round Writing Pens each, SO 15 



N 
ft 

S 
X 

>' 

s 

Si 

N 
S 

5 
5 




BISSELL'S AUTOMATIC SHADING PENS 

Widths of Automatic Shading Pens. 

Nos 1 2 3 4 5 

Width, inches 1/16 . % 3/16 % % % 

Each 

Sets of Six Pens, assorted sizes Per set, $0 75 

Assorted Sizes, Nos. 0. 1, 2, 3. 4, 5 Per dozen, 1 50 15 



ARTISTS* MATERIALS 



151 



FINE STEEL PENS FOR PEN AND INK SKETCHING, ETC. 




3 



\ 



(About ?8 Actual Size.) 

Per Doz. 

No. 280 Glllott's Mapping, loose $0 15 

No. -i«i Glllott's Mapping, ou cards, with holder 55 

No. 201 Glllott's Mapping, loose 45 

No. '-'in Glllott's Mapping, on cards, with holder 55 

No. no Glllott's Mapping, loose 10 

No. 303 Glllott's Mapping, extra line, louse 14 

No. 404 Glllott's Mapping, with bead, line point 08 

No. 1000 Glllott's Drawing Pen, superfine, on cards 1 10 

No. 650 GiUott's Crow Quills, on cards, with holder 55 

No. 659 Glllott's Crow Quills 50 

No. 850 Glllott's Croiv Quills, on cards, long shoulder 75 

Blanzy, Poure & Co.'s Crow-Quill Pens, with holders, ou cards SO 



Each 
Glllott's No. 6C7. Rosewood, Crow-Quill Ten Holders $0 05 



Cillott's No. 100.1, Ebony, Crow-Quill Pen Holders 



15 



MOORE PUSH-PINS 





The Moore Push-Pin is superseding, to a great extent, the lack and hammer. 
You push it in with your fingers. Il can be easily inserted in wood or plaster without 
disfiguring, and when so placed is surprisingly strong and extremely r"'nn mental. 
Made in 2 sizes. No. 1, small ; No. 2. large. 

Some of its uses are: For hanging up small pictures, calendar- 1 , posters, un- 
mounted photographs, newspaper clippings, uick-nacks, and the like. . . .Per doz. $0 25 



152 



ARTISTS' MATERIALS 



VENUS" DRAWING AND OFFICE PENCILS 



-HB • VENUS - &uw>VYVq» AMERICAN PENCIL CO. NewYor 



IN IT DEGREES— 9H, 8H, 7H. 6H. 5H, 4H. 3H. 2H. H, F, HI!, B. 2B, 3B, 4B, 5B, 6E 

PACKED 1 DOZEN PENCILS IX A ItOX ; 12 KOXES IN AN OUTER CARTON 

9H to 6B Each, !?Q 10 Per Doz., $1 0C 



"VENUS" REFILLS FOR TUBULAR PENCILS 

IN 17 DEGREES, FROM 6B SOFTEST TO OH HARDEST 




Si; 
Si 

in 



In boxes of six leads Per Box, $0 



ANGLO-AMERICAN TRACING CLOTH 

Anglo-American is not one of the several "just as good" or "better than any other 
Tracing Cloths ; it is not an experiment or new product, but is of the best standan 
European make and quality that meets the exacting requirements of the discriminating 
draftsman, at the same time conforming in price to the demands of the economica 
and close buyer. 

In rolls of 24 yards. 

Per Pei 

Roll Yard] 

30 inches wide $6 80 $0 3| 

36 inches wide 7 55 41 

42 inches wide 10 20 



h 



ARTISTS' MATERIALS 



I S3 



Favor, Ruhl & Co.'s Grey Pliable Rubber 

nd will be found invaluable for cleaning Drawings, Engravings Crayons, etc. 




Each, $020 Size 40 Each, $005 

| ze I2 Each, 15 Size Oo Each, 01 

1ZC -I Each, 10 



Frvor. Ruhl & Co.** Artists' Beveled Edge Rubber, Red or Green 



3RHPS7SEVLT rubber; 

ravoR warn. & 




Size 12 Each, $020 

Size 24 Each, 10 



Size 48 Each, $0 05 



SPONGE RUBBER FOR 

Sxtra Quality, Solid "White" Back 

Each 

x 1 x 1 inch $0 IS 

x 2 x 1 inch 35 

x 2 x 1 inoh 50 

: x 2 x 1 inch 70 

1x4x1 inch 2 25 



CLEANING DRAWINGS 

Regular Quality, Solid Back 

* . Each 

2 x 1 x 1 inch ". . . . $0 15 

1% x 2 x 1 inch 25 

2 x 2 x 1 inch 30 

3 x 2 x 1 inch 45 

4 x 2 x 1 inch 60 

4 x 3 x 1 inch 90 

6 x 4 x 1 inch 1 80 



LEAD PENCIL OR CRAYON POINTERS 




Consists of a number of sheets of 
sandpaper made into blocks. 
Size. Each 

2%x2% inches, without handle:$0 12 
1% it 4 inches, without handle 08 
l : 'ixt inches, with handle. .. . IB 



'.54 



ARTISTS' MATERIALS 



"ABSORBENT" RUBBER 

FOR CLEANING AND ERASING PURPOSES 

CAN BE MOULDED TO ANY .SHAPE DESIRED ■ 

Each 

Large, tull size ?0 12 

Small, half size 06 






Per Doz. 

$1 20 
60 



ART GUM 

THE DRY CLEANER 

Removes pencil marks from books and papers, etc., without erasing anything 
that is written or printed in ink. 

Each 

Size 1% x 1% x 1% inches $0 06 

Size 2% x 1% x 1% inches 12 

Size 3 x 2 x 1 inches _ IS 

Size 3 x3 x2 Inches ' 35 



E. FABER'S RUBBER ERASERS 



No. 


111. 


No. 


211. 


No. 


112. 


No. 


212. 


No. 


1222. 


No. 


1224. 


No. 


102. 


No. 


104. 





_ , , . . 

ENTERAL 
EBERHARQ 



No. Ill 

* Per Doz. Each 

Emerald Eraser, double beveled, small size $0 55 ?0 05 

Emerald Eraser, double beveled, large size 1 10 10 

Ruby Eraser, double beveled, small size 55 05 

Ruby Eraser, double beveled, large size 110 10 

Kneaded Rubber, small size 55 05 

Kneaded Rubber, large size 1 00 . 10 

Typewriter Eraser, double beveled, small size 50 05 

Typewriter Eraser, double beveled, large size 1 00 10 



/ 

A. W. FABER'S ERASERS 

A. W. Faber's Ink Eraser, small $0 50 

A. W. Faber's Ink Eraser, large 1 00 

A. W. Faber's Ink Eraser, extra large 2 00 



$0 05 
10 
2P 



ARTISTS' MATERIALS 



• 55 



DIMINISHING OR REDUCING GLASSES 

UNMOUNTED 

l& inches diameter Each, $o 30 



'THE PERFECTION" 




No. 21 
No. 22 
No. i% 



German Silver." Rounded Heads 
1 dozen on cork 

Per Doz. 

% inch diameter $0 15 

M> inch diameter 17 

% inch diameter 20 



No. 24. 
No. 25. 
No. 26. 



"Brass" Rounded Heads 
1 dozen on cork 

Per Dos. 
inch diameter $0 10 



% 

''/a inch diameter. 

% inch diameter. 



12 
14 



Extra Fine German Silver, "Screwed In" and Patent Riveted, Rounded or 

Beveled Head 

Per Doz. 

% inch $0 60 

% inch I 70 

% inch s 90 



BAYONET THUMB TACKS 




No. 1 No. 2 No. 3 

Made in Finest Hardened Steel, in One Piece 
In Boxee of 100. with Extractor In Boxes of 100, with Covered Nickel Top 

Per Dor.. Per Doz. 

No 1 $0 06 No. 1 $0 09 

No 2 07 No. 2 12 

No. 3 09 No. 3 15 

Thumb Tack Lifter and Paper Knife, nickel plated Each, $0 30 



156 



ARTISTS' MATERIALS 



DRAWING BOARDS 




12x17.. 
16x21.. 
18x24. . 



NO. 1 
Pinewood, with 2 drawing surfaces and end cleats 
Each 

; $1 00 20x26 

1 25 23x31 

1 50 31x42 



Each 
.$2 00 
. 3 00 
. 5 00 




Pinewood. with hardwood cleats dovetailed into the board to allow contraction and 

expansion 

Each 

20x26 $2 25 

23x31 3 25 

31x42 5 25 

No. 3 

Pinewood, with hardwood battens screwed on. Screws run In slots, metal bushed, 

allowing (or expansion and contraction of board. 

Each 

20x26 v : i $3 20 

23x31 , 4 00 

31x42 6 50 



SCHOOL DRAWING BOARDS 

Drawing Board made of % inch seasoned whitewood with end battens 

Each Xach 

14x20 $0 75 20x27 $1 20 

16x22 _. 90 23x31 1 80 

18x24 1 00 31x42 4 00 



Three-ply Boards, double faced, will not warp 

Each 

16x22 JO 70 

20x25 95 



23x31 



16x22 
20x25 
23x31 



Three-ply Drawing Boards, single faced, with cleats 



1 25 



Each 



«0 90 
1 20 
1 50 






ARTISTS - MATKRIAl.S 






WOODEN TRIANGLES 
Cherry, Solid 





30° N KM 

30x60 degrees. 7 inches. 
30x60 degrees. 9 inches. 



45° x ir. 
Each 
$0 10 45x45 degrees. 6 inches. 

14 45x45 decrees, s inches. 



Kaon 

$u in 
14 



Cherry, Jointed 



OPEN CENTER 



WITH MORTISED CORNER JOINTS 




30x60 degrees. 

30x60 degrees. 

30x60 degrees. 

30x60 degrees. 

30x60 degrees. 

30x60 degrees. 

30x60 degrees. 

30x60 degrees. 



30°x60° 

Each 

5 inches $0 15 

6 inches 17 

7 inches 19 

8 inches 20 

9 inches 22 

10 inches 25 

12 inches 30 

14 inches 35 




45x45 degrees. 
45x45 degrees. 
45x45 degrees. 
45x45 degrees. 
45x45" degrees. 
45x45 degrees. 



Each 

5 inches $0 17 

6 inches 19 

8 inches 22 

9 inches 25 

10 inches 30 

12 inches 35 



Jointed Mahogany, Ebony Lined 

OPEN CENTER 




30° x 60° 

Each 

30x60 degrees. 6 inches $0 35 

30x60 degrees. 8 Inches 45 

30x60 degrees. 10 inches 60 

30x60 degrees. 12 inches 80 

3Sx60 degrees. 14 inches 1 00 




Each 

45x45 degrees. 6 inches $0 40 

45x45 degrees. 8 inches 50 

45x45 degrees. 10 inches 70 

45x45 degrees. 12 inches...., 90 

45x45 degrees. 14 inches 1 10 



InS 



ARTISTS' MATERIALS 



AMBER TRIANGLES 





30°x60° 



45°X,45° 



Each 

30x60 degrees, 4 inches $0 25 45x45 degrees. 

30x60 degrees. 5 inches 30 45x45 degrees. 

30x60 degrees. 6 inches 35 45x45 degrees. 

30x60 degrees. 7 inches 40 45x45 degrees. 

30x60 degrees. 8 inches 45 45x45 degrees. 

30x60 degrees. 9 inches 50 45x45 degrees. 

30x60 degrees. 10 inches 65 45x45 degrees. 

30x60 degrees. 11 inches SO 45x45 degrees. 

30x60 degrees. 12 inches 1 00 45x45 degrees. 

30x60 degrees. 14 inches 1 30 



Each 

4 inches $0 35 

5 inches > 40 

6 inches 45 

7 inches 55 

8 inches 70 

9 inches 80 

10 inches 90 

11 inches 1 15 

12 inches 1 45 



RUBBER TRIANGLES 




30°x60° 

Each 

30x60 degrees. 5 inches $0 20 

30x60 degrees. 7 inches 25 

30x60 degrees. 9 inches 35 

30x60 degrees. 11 inches 40 

30x60 degrees. 12 inches 50 

30x6C degrees. 14 inches 70 




45° x 45° 

Each 

45x45 degrees. 4 inches $0 22 

45x45 degrees. 6 inches 30 

45x45 degrees. 8 inches 40 

45x45 degrees. 10 inches 50 

45x45 degrees. 12 inches 70 

45x45 degrees. 14 inches I 00 



ARTISTS' MATERIALS 



lot) 



"T" SQUARES 
Cherry Wood 




Each 

Fixed Head. 15 inches $0 20 Shifting Head. 

Fixed Head. 18 inches 25 Shifting Head. 

Fixed Head. 21 inches 28 Shifting Head. 

Fixed Head. 24 inches 30 Shifting Head. 

Fixed Head. 30 inches 35 Shifting Head. 

Fixed Head. 36 inches 40 Shifting Head. 

Fixed Head. 42 inches 50 Shifting Head. 

Fixed Head. 48 inches 60 Shifting Head. 



Each 

15 inches $0 50 

18 inches 65 

21 inches 70 

24 inches 75 

30 inches 85 

36 inches 99 

42 inches 1 05 

48 inches 1 2d 



Ashwood Blade 

MAPLE LINED, WALNUT HEAD, SHELLAC FINISH 



IB 



Fixed Head. 
Fixed Head. 
Fixed Head. 
Fixed Head. 
Fixed Head. 
Fixed Head. 
Fixed Head. 
Fixed Head. 
Fixed Head. 
Fixed Head. 
Fixed Head. 



Each 

15 inches $0 30 Shifting Head. 

18 inches 35 Shifting Head. 

21 inches 45 Shifting Head. 

24 inches . . .' 55 Shifting Head. 

30 Inches 70 Shifting Head. 

36 Inches 80 Shifting Head. 

42 inches 105 Shifting Head. 

48 inches 125 Shifting Head. 

54 Inches 150 Shifting Head. 

60 Inches 1 75 Shifting Head. 

72 inches 2 00 Shifting Head. 




Each 

15 inches $0 90 

18 inches 1 00 

21 inches 1 10 

24 inches 1 45 

30 inches 1 50 

36 inches 1 65 

42 inches 1 80 

48 inches 2 00 

54 inches 2 25 

60 inches 2 76 

72 inches 3 36 



ICC 



ARTISTS' MATERIALS 



Fixed 
Fixed 
Fixed 
Fixed 
Fixed 
Fixed 
Fixed 
Fixed 
Fixed 
Fixed 
Fixed 



Head. 
Head. 
Head. 
Head. 
Head. 
Head. 
Head. 
Head. 
Head. 
Head. 
Head. 



"T" SQUARES— Continued 
Mahogany 

EBONY LINED, SHELLAC FINISH 




Each 

15 inches $0 35 

IS inches 45 

21 inches 55 

24 inches GO 

30 inches. 75 

36 inches 85 

42 inches 1 10 

48 inches 1 30 

54 inches 1 50 

60 inches 1 7." 

72 inches _ 25 



Shifting Head. 
Shifting Head. 
Shifting Head. 
Shifting Head. 
Shifting Head. 
Shifting Head. 
Shifting Head. 
Shifting head. 
Shifting Head. 
Shifting Head. 
Shifting Head. 



Eacl 

15 inch $0 70 

IS inches 85 

21 inches 1 00 

24 inches 1 25 

30 inches 1 50 

'36 inches 1 65 

42 inches 1 90 

48 inches 2 10 

54 inches 2 50 

60 inches 2 75 

72 inches 3 40 



Maple Blade 

AMBER LINED, CURVED EBONY HEADS 




Each 

Fixed Head. 15 inches $1 20 Shifting Head. 

Fixed Head. IS inches 1 35 Shifting Head. 

Fixed Head. 21 inches 150 Shifting Head. 

Fixed Head. 2 1 inches 1 75 Shifting Head. 

Fixed Head. 30 inches 2 40 Shifting Head. 

Fixed Head. 36 inches 3 00 Shifting Head. 

Fixed Head. 42 inches 3 50 Shifting Head. 

Fixed Head. 4S inches 4 40 Shifting Head. 



Each 

15 inches $1 80 

18 inches 2 25 

21 inches 2 50 

24 inches 2 80 

30 inches 3 50 

36 inches 4 00 

42 inches 4 75 

48 inches 5 50 



ARTISTS' MATERIALS 



mi 



IRREGULAR CURVES 
IN AMBER. RUBBER AND WOOD 



(BOtKK 




Nos. 12345C789 

In Wood each, 12 20 18 20 10 22 22 22 22 

In Rubber each, 22 2S 25 33 33 33 35 35 40 

In Amber each, 35 35 40 40 40 40 40 40 45 

Nos. 10 11 12 13 14 15 16 17 

In Wood each, 27 22 20 22 25 30 30 30 

In Rubber each, 45 40 28 40 50 50 50 55 

In Amber each, 50 45 40 55 65 65 55 90 

Nos. 18 19 20 21 22 23 24 25 

In Wood each, 33 33 30 33 33 40 40 50 

In Rubber ■ • ■ -each. 65 65 55 60 65 SO 95 1 10 

In Amber ean h. 90 90 90 85 95 100 100 150 




SPECIAL CURVE 

MADE IN' AMBER AND RUBBER 

Each 

In rtubbcr $0 65 

In Amber 1 25 



1H2 



ARTISTS' MATERIALS 



TRIANGULAR BOXWOOD SCALES 
U. S. Standard, Machine-Divided 

DIVIDED IN 10THS 



umuiihiimmiiiuiiiui^ 



'So.5" 
51 



Triangular Boxwood Chain Scales, graduated in 10, 20, 30, 40, 50 and 60 parts to 

the inch. 

Each Each 

No. 480. 6 inches long $0 50 No^ 482. 18 inches long $1 75 

No. 481. 12 inches long 65 No. 483. 24 inches long 2 75 i 

Triangular Boxwood Chain Scales, graduated in 20, 30, 40, 50, 60 and 80 parts to 

the inch. 

Each Each 

No. 484. 6 inches long ?0 65 No. 486. 18 inches long $1 75 

No. 485. 12 inches long 75 No. 487. 24 inched long 3 25 



So. ; 



So. 



TRIANGULAR BOXWOOD SCALES 

DIVIDED IN 12THS 

Triangular Boxwood Scales, graduated 3-32, 3-16, 1-8, 1-4, 3-8, 3-4, 1-2, 1, 1 1-2 and 3 
inches to the foot, one edge 16 to the inch. 



Each 

^8 inches long $1 75 

24 inches long 2 75 



Each 

No. 488. 6 inches long $0 50 No. 490. 

No. 489. 12 inches long 65 No. 491. 

Triangular Boxwood Scales, graduated %, %, %, 1, %, %, 1%, 3. 2 and 4 inches 

to the foot, one edge 16 to the inch. 

Each 

No. 492. 12 inches long $0 65 

No. 493. 18 inches long '. 1 75 

No. 494. 24 inches long 2 75 



TRIANGULAR BOXWOOD METRIC SCALES 

Each 

No. 492A. 20 cm. long; div. .01, .02, .03, .05, .025, .0125 $0 75 

■ No. 493A. 30 cm. long ; div. .01, .02, .03, .05, .025, .0125 . .: 85 

No. 494A. 50 cm. long; div. .01, .02, .03, .05, .025, .0125 :. . 1 85 



Scale Guards 
Triangular Scale Guard, Nickel Plated 



EacB 
?0 28 



ARTISTS' MATERIALS 



163 



TRIANGULAR WHITE EDGE SCALES 
U. S. Standard, Machine-Divided 



S - o. 



No. 
No. 
No. 



Division: 10. 80, 

Each 

570. 6 inches Jl 70 

571. 12 inches 2 25 

Division: 8-82, J-16, '.. ',. %, 
Each 

6 inches $1 70 

12 inches 2 25 



574. 
575. 



parte to the inch 

Each 

No. r.TIA. IS inches $4 75 

No. .".71B. 24 inches 5 60 

%, 1. 1%, 

No. 575A. 
No. 575B. 



. .'. 3 inches to the toot 

Each 

IS inches $4 7: 

24 inches 5 60 

Division: %. Yt, %, '■.•. %, 1, 1%, 2. 3, 4 inches to the foot 

Each 

576. Triangular White Edge Scale, 12 inches $2 25 

576A. Triangular White Edge Scale, 18 inches .■ 4 75 

576B. Triangular White Edge Scale, 24 inches 5 6C 



FLAT BOXWOOD SCALES 

U. S. Standard, Machine-Divided 



! 



CHAIN SCALES 



([""i"'! 


ll|"H|»ll|MI'|IIN|HHjU"|lUH«l'j"l'|'ll 


rip'i'»'j"»i"ii 


r'TH) 


10 

UJSTO 

50 


, HhTiiiIili" 


iin'.iiT.i.TihTiiihhTiiiTiiiTiiiTiiii.liTiiiTiir 


ii.TiiiTiiiTiiJiiiTiiiTiiiTiiiTiiiiliiiiiiliiifiiihiil.J 



No. 496. 
No. 498. 
No. 499. 
No. 502. 
No. 510. 
No. 512. 
No. 513. 
No. 516. 



Flat Boxwood Chain Scale, 6 in., 
Flat Boxwood Chain Scale, 6 in.. 
Flat Boxwood Chain Scale, 6 in. 
Flat Boxwood Chain Scale, 6 in.. 
Flat Boxwood Chain Scale, 12 in., div 
Flat Boxwood Chain Scale, 12 in. 
Flat Boxwood Chain Scale, 12 in 



Each 

div. lOx 50 parts to the inch $0 35 

div. 

div 
div. 



20x 40 parts to the inch. 

30x 60 parts. to the inch. 

80x100 parts to the inch. 

lOx 50 parts to the inch, 

div. 20x 40 parts to the inch, 

div. 30x 60 parts to the inch. 



Flat Boxwood Chain Scale, 12 in., div. 80x100 parts to the inch. 



SHIFTING PARALLEL RULE 

IN EBONY WOOD 




6 inches. 
9 inches. 



Each 

$0 40 12 inches. 
65 15 inches. 



Each 

$0 90 

1 15 



3<Vi 




ARTISTS' MATERIALS 




No. 
No. 


535. 
536. 


FLAT BOXWOOD SCALES 

Division: %, %, % and 1 inch to the foot 
Each 

12 inches 43 No. 538. 24 inches 

Division: %, : ;i, IV. and 3 inches to the foot 
Each 


Ea 

$1 : 

11 

Eacb 



No. 541. 
No. 542. 



6 inches. 
12 inches. 



$0 35 

45 



No. 543. 
No. 544. 



18 inches %1 

24 inches 1 



No. 

No. 
No. 
No. 



596. 
598. 
599. 
602. 



div. 

div. 
div. 
div. 



FLAT WHITE EDGE SCALES 

U. S. Standard, Machine-Divided 

Eai 

lOx 50 parts to inch $0 . j 

20x 40 parts to inch 



No. 603. 
1o. 605. 



Mo. 
No. 



606. 
609. 



No. 
No. 



580. 
581. 



30x 60 parts to inch. 

80x100 parts to inch. 
12 in., div. lOx 50 parts to inch. 
12 in., div. 20x 40 parts to inch. 
12 in., div. 30x 60 parts to inch. 
12 in., div. 80x100 parts to inch. 

Each 

6 inches $0 65 

12 inches 85 



! 

Eac 

No. 584. 18 inches $2 1 

No. 585. 24 inches 2 1 



No. 586. 
No. 587. 



Division: %, %, lVv and 3 inches to the foot 

Each 

6 inches $0 65 No. 588. 18 inches 

12 inches.. 85 No. 589. 24 inches 2 7 



Eac 

$2 1 



POLISHED FOLDING POCKET RULES 

EXTRA FINE QUALITY YELLOW OR WHITE ENAMELED FINISH 



! ^7^9JZo /' '' 7'"' (' '' ?''■'' /' 'tf?/( / ' '& 




Pocket Rule, 2 feet, 
Pocket Rule, 4 feet, 
Pocket Rule, 6 feet, 



Invisible rivets, with springs, brass tipped 

White 

Yellow Enamelei 

Each Ea I 

4 fold, div. inches $0 25 $0 30 

8 fold, div. inches 45 60 

12 fold, div. inches 65 S5 



Pocket Rule, 4 feet, 8 fold, inches and meters. 



45 



ARTISTS - MATERIALS 



Iftlt 



PROTRACTORS 




No. 288 No. 201 

Bach 

No. 2^7 Tin. l degree, 2-inch $0 08 

No. 288. Brass, l degree, 3%-inch 12 

No. 2so. Brass, better quality, ."."-.-incli 15 

No. 290. Brass, good Quality, 1 degree, 4-inch 30 

No. 291. Sue qua lily. ■ degri e, I -inch 40 

No. 292. Brass, One quality, % degree, .".-inch BO 

No. 203. Brass, fine quality, '■_. degree, 6-inch 75 

No. 204. German silver, line quality, Mi degree, 4-inch 65 

No. 296. German Silver. Hue quality, V4 degree. 5-inch 70 

No. 296. German Silver, fine quality. % degree. 6-inch 1 10 

Horn Protractors 

Each 

Horn Protractor, half circle. 4-inch din meter. 1 degree $0 20 

Horn Protractor, half circle. 5-inch diameter. V 2 degree 35 

Horn Protractor, half circle. 6-inch diameter, % degree 40 

Transparent Celluloid Protractors 

Each 

Celluloid Protractor, half circle, 4-ineh diameter, % degree JO 45 

Celluloid Protractor, half circle, 5-inch diameter, % degree 50 

Celluloid Protractor, half circle, 6-inch diameter, % degree 60 



EAGLE COMPASS AND DIVIDER 




Each 



No. 560. Tacked each in a box. together with a nickel box containing 6 refills. . . $0 25 
No. 576. Packed 1 dozen to a box. nickel finish 15 



BOXWOOD SCHOOL RULERS 

FLAT, BEVELED EDGE D. S. STANDARD 
12-lnoh, divided, 1-16. Vs. Vi. Vi- etc 



Each 
$0 10 



166 



ARTISTS' MATERIALS 




"Tesco" Drawing Table 

Polished Oalc Drawing Table, can be 
raised or lowered and set at any de- 
' sired incline, and can be folded when 
not in use. 

Tray on side for "Water Glass and 
Colors. 

Each $7 SO 




Adjustable 

Drawing 

Table 

This Table can be 
raised or lowered and 
set ait any desired in- 
clination for standing 
■ or sitting position, and 
folded when not in use. 
Top made of clear 
White Pine, and Stand 
of Oak with fine shellac 
finish. 

SIZE OF BOARD 

Each 
23x31% inch, 

Pine $10 00 

31x42 inch, 

Pine 11 25 




Drawing Table Bracket 

The most convenient, practical and eco- 
nomical device of Its kind, adapted for 
commercial, illustrating and newspaper 
artists. Can lie attached to any -style 
Drawing Board. 

fc-ach 

Japan Finish $3 50 

Oxidized " 5 00- 



ARTISTS' MATERIALS 



167 




The Hoffman Adjustable Drawing 
Bracket Stand 

The Stand is made of steel tubing, therefore is 
very light yet strong and unbreakable. Stands firm 
and rigid 'Can be Eolded in compact space, 5 in- 
ches by 5 indies by 24 inches for shipment or 

handling. . , . . 

1 , tray, 10 x 10 inches, for ink, paint and mater- 
ial can be arranged in any desired position. 

Krich 

id without board $8.00 

Tray with attachments *■« 



"Kensington" Improved Easel and Drawing Table 

IndUpensible in Studio. School, College, Drafting Room, Etc 



\, 



Table can he ad- 
justed for a stand- 

10 - 
ition'. The entire ta- 
ble is made ol met- s^aK 
al, except the to] 
It is enamelled in \ 

imitation mahogany 
and makes a splendid appearance. The t< ade 

of three-ply basswood. Supplied in two styles, 
with stationary drawing board or revolving 
drawing board. It is the only 
practical combination drawing 
board or easel with revolving top 
that can be tilted, raised or lower- 
ed without unscrewing or tight- 
ening of belts or^nuts Ea ^ Draw . ng Table 

"Kensington" Easel Drawing Table K-ens mg Revo l vi „g Top 

With Stationary Top in ... Each $0.50 

.„ „ a, inches Each $ 9 - 00 -" x 3 ° nC S" Each 1400 

» x 4° Eta. i I! : . Each 12.50 V*^^ — ■^^ eA , for either 

Attachment He swinging arm an^d material drawer ^ 

stationary top or revolving top '1 en smgton Ease l 





, --^ 




"Kensington" 

School DrawinglKit 

This outfit consists of a well- 
made board, T-square, and two 
triangles. The board is so con- 
structed that when the T-square 
and triangle are not in use they 
are held firmly to the under side 
of the board. The outfit is com- 
pact, inexpensive and durable 
and very practical for school or 
In. Ill ■ use. 

No 1 Size 10x12 in. ..Each $0.50 
No. 2 Size 13x10 in. ..Each 75 
No. 3 Size 17x22 in. ..Each 1.10 




16S 



ARTISTS' MATERIALS 



INSTRUCTION BOOKS ON ART 
Books on China Painting 



China Painting. By August Klimke, Dec- 
orator and General Manager of the 
Eoyal Pottery Works at Berlin. Pub- 
lished by Muller & Hennig. Dresden. 
Germany. Each $0 50 

Practical Lessons in Painting on Cliina. 
Etc. By Madaine La Baronne Dela- 
inardelle and M. F. Guopil. Each, $0 GO 

China Painting. A Practical Manual for 
the Use of Amateurs iu the Decoration 
of Porcelain. By Miss M. Louise Mc- 
Laughlin. Each $1 00 

How to Apply Matt, Bronze. Lacroix and 
Dresden Colors and Gold to China. By 
Miss A. H. Osgood. Each $0 75 

A Manual for China Puinters. Being a 
practical and comprehensive treatise ou 
the art of painting china aud glass with 
mineral colors. By Mrs. N. di R. Mon- 



achesi. With colored plates, showing 
13S mineral colors. Second Edition. 
Cloth. Each $1 25 

The Teacher of China Painting. The most 
practical manual for the .Study of China 
Painting. By D. M. Campana. Each, 

$0 75 

Firing China Lessons on Everything are 
contained in this book : How to stack, 
how to Are, how to repair kilns, china, 
etc. By D. M. Campana. Each..$0 40 

100 Lustre Color Combinations. Contains 
all the new colors and combinations, 
how to apply, how to correct mistakes, 
etc. By D. M. Campana. Each..$0 50 

Monogram Book. Showing a large variety 
of Monograms in all sizes, also separate 
letters. By D. M. Campana. Each, 

JO 50 



Books on Oil and Water Color Painting 1 



Water Jolor Painting. By Grace Barton 
Allen. With illustrations and cover de- 

•. sign by the author. 250 pages. Also 
plates showing washes of modern water 
colors.- The author, who has had ex- 
perience with both public classes and 
private pupils, aims to convey informa- 
tion in so clear, direct and minute a 
way that there can be no possibility of 
misconception, and has illustrated the 
b^ok with chapter headings and tail- 
pieces which serve as a commentary on 
the text. The washes of color given in 
the volume will prove to be of great 
value to the amateur as well as the 
artist. Each $1 25 

On Painting in Water Color. By Hume 
iNesbit. With illustrations in black and 



white and with four examples In color. 
Limp cardboard binding. Each. . .$0 60 

The Painter in Oil. By Burleigh Park- 
hurst. A practical treatise on the 
theory and process of oil painting. Fully 
illustrated and containing colored 
plates, showing specimens of oil colors. 
Contains 405 pages. Each $1 25 

A Plain Ouide to Oil Painting. By Huma 
Nesbit. Each $0 60 

Amateur Art. By Henri Clariser- The 
best and most concise book of instruc- 
tions for amateur artists ever published. 
Each $1 00 

The Art of Mixing Tints of Colors. By 
M. E. Prescott. In oil or water colors. 
Each $0 25 



Bell's Anatomy and Philosophy of Expres- 
sion. Each $2 50 



Books on Various Subjects 

Crane's The Bases of Design. Each, $3 00 
Crane's Line and Form. Each $3 00 



ChevreuVs Principles of Harmony and 
Contrast of Colors. Each $2 50 

ChevreuVs Principles of Harmony, with 
Color Plates. Each $3 50 

Church's Chemistry of Paints and Paint- 
ing. Each $4 00 



Dunlop's Anatomical Diagrams for the 

Uses of Art Students. Each $3 00 

Lelund's Drawing and Designing. Each, 

$1 00 
Spanton's Science and Art Drawing. Each, 

$5 25 



ARTISTS' MATERIALS 



180 



INSTRUCTION BOOKS ON ART— Continued 



Books on Various Subjects — Continued 



ttvr Course. 

Each $2 00 

Bpanloi Draicing and De- 
signing. Each $1 00 

Btrange't Alphab, r.« : A Handbook of Let- 
tering. Bach •_' 00 

ii Perspective. Each.. $0 00 

White's Practical Designing. Each.. $3 HO 

Lessons on Art. By J. D. Harding. 12c. 
lessons, with 48 lithographic plaites and 
other lllnstratloDS. Commencing with 
lines, objects, rural buildings, ruins, etc. 
Each $1 50 

Design in Theory ami Practice. Bv Bach- 
elder. Ea,ch $2 50 

Renaissance and Modern Art. By Good- 
year. Each $1 50 

Roman and Mediaeval Art. By Goodvear 
Each $1 50 

The Art of Making and Using Sketches. 
By G. Fraspont. Each $0 75 

Teacher of Drairina. By D. M. Campana. 
Each $1 00 

The Human Figure. By J. H. Vander- 
poel, Lecturer on Drawing and Con- 
struction of the Human Figure at the 
Art Institute of Chicago. Each.. $3 00 

Materials for Permanent Painting. By 
Maximilian Toeh. A manual for manu- 
facturers, art dealers, artists and col- 
lectors. Each $2 00 

Banford's Manual of Color. By J. I. San- 
ford. With complete chart of the pris- 
matic or rainbow colors. Each. . . .$0 75 

Bcene Painting and Painting in Distemper. 
Gives full instructions in the prepara- 
tion of the colors, drawing for scene 
painters, stage settings, and useful in- 
formation regarding stage appliances 
and effects. Numerous illustrative dia- 
grams and engravings. Octavo. Paper 



cover. Each $1 00 

I Hairing Lessons: The Human Head. By 
Frederick Koch. A simple practical sys- 
tem adapted for children. Its scien- 
tific correctness Is a guide and refer- 
ence to artists. It offers Interesting 
entertainment and Instructions for the 
family. These lessons are appropriate 
gifts for children, students and teach- 
ers. First vol. 4 books In one. 20 les- 
sons, 50 practicing sheets. Each, $0 25 

JTote to Draw and Paint. A complete 
handbook on the whole art of drawing 
and painting, containing concise instruc- 
tions in outline, light and shade, per- 
spective, sketching from nature, figure 
drawing, artistic anatomy, landscape, 
marine, and portrait painting; the prin- 
ciples of colors applied to paintings, 
etc.. etc.. with over 100 Illustrations. 
12mo. Board cover. Each $0 50 

Bote to Thoroughly Master Landscape 
Painting. By H. Leldel. Jr. Each, $0 75 

Tapestry Painting. By M. T. Wynne. 
Each $0 50 

Pyrography. Paper cover. By Maud 
Maude. Each $0 50 

Use of Colors. A valuable treatise on the 
character, use, and mixing of colors, 
their permanent or fugitive qualities, 
of the different pigments and their suit- 
ableness. Also a short treatise on the 
practice of painting in oil and water 
colors. 16mo. Paper cover. Each, 

$0 25 

Simplified Illustrating. By Charles Hope 
Prevost. A self-instructing art course. 
Each $2 00 

This and That About Caricature. By 
"Zim." A book calculated to ease the 
anxiety of the comic art student. Each 

$2 00 



Books on Alphabets and Sign Writing 



Standard American Lettering and Draw- 
ing Book. The Modern Art of Sign 
Writing. Each $2 00 

Standard Scroll Book. A collection of up- 
ward of two hundred designs for paint- 
ers, jewelers, designers, decorators, and 
every branch requiring ornamental 
scrollwork. Prominent features In this 
book are the shaded scrolls, and the de- 
signs for signs and wagons and omni- 
buses. Paper cover. EaCh. ..... .$1 00 



The Signist. A compilation of the most 
modern and artistic designs and alpha- 
bets. Each $1 50 

Henderson's Sign Designs. Paper cover. 
Each $0 75 

Painter's Manual. A complete practical 
guide to house and sign painting, grain- 
ing, varnishing, polishing, kalsomining, 
papering, lettering, staining, gilding, 
glazing, silvering, analysis of colors, 
harmony, contrast, philosophy, theory, 



lit) 



ARTISTS" MATERIALS 



INSTRUCTION BOOKS ON ART-^Continued 
Books on Alphabets and Sign Writing- — Continued 



and practice of color, principles of glass 
staining, etc. Including a new and val- 
uable treatise on "How to Mix Paints." 
16uio. Paper cover. Each $0 50 

Sign, Carriage and Decorative Painting. 
This book is the combined work of sev- 
eral prominent painters, and is full of 
valuable points upon the several 
branches of the trade : very complete. 
It includes fresco and car painting, and 
other useful matter. Ifimo. Cloth cover. 
Each $0 50 

Sign Writing and Glass Embossing. A 
complete practical illustrated manual of 
the art of sign writing and glass em- 
bossing, based upon the practical knowl- 
edge and experience of one of the lead- 
ing sign writers of the day. The sug- 
gestions and information given in this 
book will aid anyone to acquire a thor- 
ough knowledge of the art. 102 pages. 



12mo. Cloth cover. Each. 



.$0 



Gilder's Manual. A guide to gilding in 
all its branches -as used in the several 
trades, such as interior decoration, pic- 
ture and looking-glass frames, o'l and 
water gilding, re-gilding, gilding china, 
glass, pottery, etc., etc. 16mo. Paper 
cover. Each $0 50 

Book of Alphabets. For painters, sign 
writers, draftsmen, designers, etc. All 
standard styles and many new and popu- 
lar ones. French, German. Old English, 
and 112 other specimens Each. . .$0 50 

Album Of Fatten Alphabets. These alpha- 
bets have long been favorites with sign 
painters and others on account of their 
gracefulness of ornament, and sug- 
gestiveness to those who are called upon 
by their profession to produce the fash- 
ionable styles of the day. Paper cover. 
Each $o 75 



Hand Books of Reference 



Black, full leather with pocket and gilt ed 
No. 

1. The Advertiser's Pocketbook. Dealing 

with plans, copy, typography, illus- 
trations, mediums, management, and 
other details of advertising practice. 

2. The Bookkeeper s Pocketbook. A trea- 

tise on all styles of bookkeeping- is 
worthy of a place on the desk of 
every bookkeeper, banker, business 
man and office worker. 

3. The Building Trades Pocketbook. A 

handy manual of reference on build- 
ing construction, including structural 
design, masonry, bricklaying, car- 
pentry, joinery, roofing, plastering, 
painting, plumbing, etc. 

4. The Business Han's Pocketbook. A 
handy book of reference for business 

men. 

5. The Concrete Engineer's Pocketbook. 

A convenient reference book for en- 
gineers connected with this branch 
of work. 

6. The Electrical Engineer's Handbook. 

Treating on electricity and magne- 
tism, dynamos and motors, electric 
lighting, interior wiring and mainte- 
nance of electrical apparatus. 



, r e Each, $1 50 

No. 

7. The Mariner's Handbook. For naviga- 

tors, yachtsmen and seamen of all 
classes and nautical matters gener- 
ally. 

8. The Mechanics' Pocketbook. For all 

persons interested in mechanical en- 
gineering, steam engineering, elec- 
trical engineering, railroad engin- 
eering, hydraulic engineering, bridge 
engineering, etc. 

9. The Plumbers' and Fitters' Pocket- 

book. For persons interested In 
plumbing, steam heating, ventilation, 
drainage, etc. 

10. Telephone and Telegraph Engineer's 

Poclcetboolc. For persons interested 
in telephone and telegraph systems 
and their construction. 

11. Stenogra pliers and Correspondents' 

Handbook. A reference work on 
stenographic and typewriting meth- 
ods, correspondence, etc. 

Note. — We furnish gratis a counter dis- 
play case with initial order of twelve 
assorted pocketbooks. 



ARTISTS' MATERIALS 



VERE FOSTER'S DRAWING COPY BOOKS 
New Edition 



\:.\< >i n» Cents. 






.1 .: 



01 

H ; 



r.\ 

i.a 

i: : 
: i 
SI 



Freehand Series (20 Numbers) 



ral ' I": 
Fl 
F2 
(j 1 

1 111 i Q2 

tivpi. in 

s . Rial IU 

I i 

* from Nat it r Forms). 1 " 

trays. l :: 

Plants from V I 4 



v Floral Forms. 
' '1 >wers from Nature. 
Flowers and Fruit. 
i irnamental Leaves. 
Ornamental Foliage and Fruit. 
Ornamental Objects < simple). 

. i;il i ibjects i Advanced |. 

1 ita i'/ i trnament. 

! loral < >mament. Pateras. &c. 
Anthemion and Ornamental Forms. 
:ed ' tutline Ornament. 



Landscape Series (12 Numbers) 



, Fir, &c. k:; 

Beech. Elm, &< . K-I 

Ash, Cbestnut. &c. i.i 

Tr.-.-s — I.nrrh. Lime, Willi Ml 

Impie Skcti Ulng and Ml' 

Shai M3 

Landscape— Sketches Boldly Sfa 



Landscape Fully Shaded i drawings. 

Li scaue Highly Finished sketches. &c. 

Rustic Figures. By E. Duncan, H. W. 0. 

Marine i objects -Boats, &c. 

Fishing Boa I -, I toasters, &c. 

Yachts, Vessels, Studies of Water, &c. 



Animal and Human Figures (16 Numbers) 



upeds and Birds. 

l'oullrv, \;!li 

British Small I 

ah Wild Animals. 

Hunter, I tray, &c, I. 
Horses ( Racer, Pony. \1 tile 
Dogs i Seventeen Spe ■ 



1 IS Cattle, si p, Pigs, Goats, &c. 

09 Cattle, Lambs, Ass, Foal, &c. 

i "n Foreign Wild Animals. 

mi Cats and Kittens. 

Ql Human Figuri — Elementary. 

112 Human Figure In outline. 

Q3 Human Figure In Outline (Advanced). 

(14 Human Figure — Slightly Shaded. 



Gcojietrical Series (10 Numbers) 



cal Geometry — Simple Problems. 
Practical Geometry (Circle, Ellipse. 

&c). 
Applied Geometry. 
Solid Geometry. 
Drawing i" Scale — simple Lessons. 



S2 Drawing to Scale — More A.dvan 1. 

'I'l Mechanical (Initiatory Subjects). 

T2 Details of Tools, &c. 

T3 Working Drawings, Mechanics, &c. 

T4 Details of Machines. &c. 



Perspective, Model Drawing, Shading- (15 Numbers) 



i'l Perspective (Definitions, &c). 

12 Perspective il'ieture Plane, Ground 

Plane i . 

L'3 Perspective (Circles, Pyramids, Ob- 

14 Perspective (Squares, Cylinders, Ob- 
jects). 
\i Model and Object Draw Ing (Simple), 
vi' Model and Object Drawing (Advanced). 



V.'J Mode] and Object Drawing (Advanced). 

V4 Mode] and Object Drawing (Advanced). 

Wl Shading Mqdels. 

Yl Practical Architectural Drawing. 

Y2 Practical Architectural Drawing. 

XI Shaded Ornaments. 

X2 Shaded Ornaments. 

X3 Shaded Ornaments. 

Z Blank. 



Complete Edition, 18 Parts, each part complete in Mseif, 
i. — ELEMENTARY. Contains A 1, A-'. 

II 1. 



Part 1. — ELEMENTARY. 

B 1, B 2. 
Part 2. OBJECT . Ci (ins C 1, C 2. 

II 2. 

Part ::.— plan is. Contains El, E2, PI, 

V 2 

Part 4— ORNAMENTAL FOLIAGE. Con- 
tains Hi. D2, 1, G 2. 
Part 5.— ORNAMENT. Contains 11. 12. I :;. 

I 4 

Pari 8.— TREES. Contains .11, .1 2, .1 ::. .1 I 
Part 7.— I.AM'SC \ PP.. Contains K 1, K2, 

K 3. K 4. 
Part 8.— MARINE. Contains I.i. Ml M 2. 

M ;. 
Part 0. — CATS, DOGS, ETC. C air 

01, 07, O 11, 



Each, 40 Cents. 

Contains 8,0 9, 



Pail 10.— CATTLE, ETC 

14,0 10. 
Part 11.— HORSES. ETC. Contains 5, 06 

2, 3. 
Pari 12. ill ,\i v.N FIGURE. Contains Q 1 

'12. Q3, Q 1. 
Part 13.— GEOMETRY. Contains 111, It: 

i; ::. i; 4. 
Put 14— MECHANICAL. Contains T 1, T2 



T 
Pari 15.- PERSPECTIVE. Contains U 1 

[':] pi 
Pari 10. -MODEL. Contains VI. V 2, 

Y4. 
Pari 17. ~ ARCHITECTURE, 
Pail IS.— SHADING. 



172 



ARTISTS' MATERIALS 



PEARL'S STUDIES OF THE FACE 

HINTS ON EXPRESSION 



This series of Crayon Face Studies has met with unprecedented success. Over u ne thou- 
sand complimentary letters from artists, teachers, amateurs, and beginners have been received 
commending them. The engraving, reduced by photography, gives but a fair idea of the series. 




Full printed directions for self-instruction, which will enable anyone, without previous 
study, to make satisfactory progress, accompany each set. Sets complete Each, $0 25 



WINSOR & NEWTON'S HAND BOOKS 

WITH ILLUSTRATIONS 
Paper Covers. Each, 25 Cents. 



No. 

1. Kowbotham's Art of Sketching from 

Nature. 

2. Rowbotham's Art of Landscape Painting 

In Water Colors. 

3. Penley's System of Water Color Paint- 

ing. 

4. Carmichael's Art of Marine painting in 

Water Colors. 

5. Hatton's Hints for Sketching in Water 

Colors from Nature. 

G. Merrifleld's Art of Portrait Painting in 
Water Colors. 

7. Day's Art of Miniature Painting.' 

8. Dutbeld's Art of Flower Painting in 

Water Colors. 



0. Williams' Art of Landscape Painting in 
Oil Colors, with Instructions for the 
Mixing and Composition of Tints. 

10. Murray's Art of Portrait Painting in Oil 

Colors. 

11. Carmichaers Art of Marine Painting in 

Oil Colors. 

12. Penley's Elements of Perspective. 

13. Laing's Manual of Illumination. 

14. Laing's Manual Companion of Ilruminn- 

tiuu. 

15. Weigall's Art of Figure Drawing. 

16. Warren's Artistic Anatomy of the Human 

Figure. 
.17. Hawkins' Anatomy of the Horse. 
IS. Murray's Art nf Drawing in Colored 

Pastel Crayons. 



ARTISTS' MATERIALS 



WINSOR & NEWTON'S HAND BOOKS— Continued 



Martela Principles of Colorin* In r»lnt- 

Ifogford'a Instruction.* for Cleaning. Re- 
pairing. Lining. and Restoring Oil 
Paintings, with a Chapter on Varnish- 
ing. 

Robertsons Art of Etching on Copper. 

Robertson's .Art of Tainting on Cliina. 
with a Chapter on Terra Cotta Falnt- 
Ing In Oil and Water Colors. 

Wallis' Water Color Sketeher's Manual, 
containing Dictionary of Mixed Tints 
and Combinations of Water Colors for 
all subjects in Landscape Painting. 

Muckley's Flower Painting In Oil Colors 
(with Colored Illustrations). 

Muckley's Fruit and Still Life Painting 
in Oil and Water Colors I with Colored 
Illustrations i . 

Robertson'* 1'. n aud-lnk Drawing. 



No. 
41. 



43. 

44. 
45. 

46. 

47. 



Delamotte'e Trees and How to Draw 
Them. 

Davis on the Interior Decoration of 

Dwelling Houses (with Illustrations of 

Colors suitable for. Rooms). 
Taylor's Description of Modern Water 

Color Pigments, Illustrated with Washes 

of Seventy-two Colors, Graduated by 

hand on Whatman's Drawing Paper. 
Gulllck's Oil Painting on Glass, including 
■ Painting on Mirrors, Windows, etc. 
Cartlidge r s Oil Painting for Beginners. 

A Manual of Elementary Instruction 

(with Colored Illustrations). 
P. C. Bodlngtou's The Drawing Book or 

Free Hand Self Taught (with Practical 

Illustrations). 
Macbeth Kaeburn'a The Sketeher's Oil 

Colors Manual (Oil Color Technique). 



GEORGE ROWNEY & CO.'S HAND BOOKS 

WITH ILLUSTRATIONS 
Papih Covkbs. Each, 25 cents. 



Part 



Part 



Hlnta on Sketching from Nature. 

I. Bv N. E. Green. 
Hints on Sketching from Nature. 

II. Bv N. B. Green. 
Hints on Sketching front Nature. Part 

III Bv N. E. Green. 
Guide to Landscape Animal Drawing. By 

N. E. Green. 
Guide to Portrait Painting in till Color. 

By F. Haynes. 
Guide to Figure Painting In Water Colors. 

By Sidney T. Whiteford. 
Guide to Sketching front Nature. By 

Leonldas Clint Miles. 
Principles of Perspective. Py llcury 

Lewis, B. A. 
Guide to Water Color Painting. By R. 

P. Noble. 
Hints for Sketching Trees from Nature, 

in Water Colors. By Thomas Hatton. 
Guide to Oil Painting. Part I. By J. S. 

Templeton. 
Guide to Oil Painting. Part II. (Land- 
scape from Nature.) By A. Clint. 
Guide to Light and Shade Drawing. By 

Mrs. M. Merrifleld. 
fluide to Pencil and Chalk Drawing. By 

G. Ilarley. 
Guide to Pictorial Perspective. 

Green. 
Guide to Figure Drawing. 

Hicks. 
Guide to Flower Painting 

Colors. By G. RosenbPrg. 
Culde to Painting on Glass. 

Blefleld. 
Guide to Mloiature Painting and Coloring 

Photographs. Bv .1. S. Templeton. 
Guide to Animal Drawing. By C. H. 

Welgall. 
Theory of Coloring. By J. Bacon. 
Guide to Porcelain Painting. By Sidney 

T. Whiteford. 
Guide to Modeling and the Principles and 

Practice of Sculpture. With Illustra- 
tions. By George liaise. 
The Materials Used lu Painting, with Re- 
marks on Varnishing and Cleaning 

Pictures. By Charles Martel. 



By B. R. 

By G. E. 
in Water 
By H. 



No. 

27. Manual of Colors — Showing toe Compo- 

sition and Properties of Artists' Colors, 
with Experiments on Their Permanence. 
By H. Seward, F. C. S. 

28. Guide to Etching. By W. G. Sbrubsole. 

29. Guide to Pastel Painting. By J. L. 

Sprinck. 

30. Guide to Landscape Figure Drawing. By 

N. E. Green. 

31. Practical Manual of Painting In Oil 

Colors. Part I. Still Life, Flowers. 
Fruit, and Interior. By Ernest Hareux. 

.'12. Practical Manual of Painting in Oil 
Colors. Part II. Landscape and Ma- 
rine. By iunest Hareux. 

33 Practical Manual of Painting In Oil 
Colors. Part III. Figures and Ani- 
mals. By Ernest Hareux. 

34. Practical Manual of Painting in Oil 
Colors. Art of Making a Picture. Part 
II. By Ernest Hareux. 

36. The Sketeher's Color Manual (Water 

Color Technique). 

37. Flower Painting In Oil Colors (with Col- 

ored Illustrations). 
30. Fruit and Still Life Painting in Oil and 
Water Colors (with Colored Illustra- 
tions). 

40. The Art of Pen and Ink Drawing (with 

Illustrations). 

41. Trees, and How to Draw Them (with Illus- 

trations). 

42. Interior Decoration for Dwelling Houses 

(with Colored Illustrations). 

43. A Description of Modern Water Color Pig- 

ments, Illustrated with Washes of ninety 
six Colors, Graduated by Hand on What 
mau's Drawing Paper. 

44. Oil Painting on Glass, Including Mirrors, 

Windows, etc., with Remarks upon the 
Principles of Painting and Decorative Art 
Generally. 

45. Oil Painting for Beginners, a Manual of 

Elementary Instruction by S. J. Cart- 
Hdge, A. R. C. A. (London). 

46. The Drawing Book, or Freehand Self- 

Taught. 

47. The Sketeher's Oil Color Mannal (OH 

Color Technique). 



NDEX 



Page 

Absorbent Rubber 154 

Academy Boards 43 

Air Pencils r- 66 

Arnold's Drawing Papers 118 

Arnold's Water Color Board 130 

Art Gum 154 

Art Students' Water Colors 87 

Art Student's Water Outfits 87 

Atomizers 142 

Artists' Cabinets 61 

AulichV China Colors 10 

Asbestos Cord 14 

B 

Beveled Rubber 153 

Banding Wheels 18 

Bissell's Show Card Colors 94 

Bissell's Show Card Outfits 95 

Bissell's Show Card Books 9s 

Bissell's Show Card Brushes.. 114 to 116 

Bischoff's China Colors 9 

Black, Intense 91 

Black Crayon Sauce 134 

Blue Print Paper 130 

Bonney's White 9o 

Books on China Painting 29 

Bourgeois Water Colors 92 & 93 

Bristol Boards 131 

Brushes for China Painters 22 to 32 

Brushes for Oil Color Painting. 72 to 83 
Brushes for Water Color Painting 107-117 

Brush Washers (Tin) 55 

Brush Cases (Tin) 55 

Burnishing Sand 14 

Burnishers 16 

C 

Campana's Colors and Mediums 11 

Campana's Liquid Bright Gold 13 

Campana's Studies 29 

Canvas Prepared for Oil Painting 41-43 

Canvas Panels 43 

Canvas Pliers 43 

Canvas Pins 43 

Celluloid 66 

Cement for Mending China 14 

Charcoal 148 



China Color Cups 

China Marking Pencils $ 

China Painters' Palettes 18 & 

China Painters Outfit 

China Palettes 1 

China Slants, Slabs and Tiles.. 104 to * 

China Tiles 

Cloth, Tracing, Anglo-American... ) 

Clover Ink Stands 

Compasses * 

Convex Glasses 

Colors, Air Brush, Permanent, Bissell's 1 
Cooley's Gold for China Painting. 

Crayons and Chalks 145 & * 

Crayons, Conte Jf 

Crayon Holders $ 

Crayon Outfits § 

Crayon Pencils, Conte's 3 

Crayon Pencils, Pearls 1 

Crayon Pointers 1 

Crayon Sauce jj 

Curves '6* 

D 

Diminishing or Reducing Glasses.. 15.' 

Drawing Boards T S< 

Drawing Table, Bracket Stand 16J 

Dresden China Colors 

Dresden Tracing Paper i< 

Dunne's Pastel Outfits 9! 

Drawing Tables 166 & 16J 

Drawing Table Bracket 161 

E 

Easels 58 to 62. 

Erasers, Steel i6| 

Extra Fillers 134 

F 

Faber's Erasers 154* 

Folding Stools 61 

French Metal Atomizer 134 

Fry's China Colors 5 & 6 

Fry's Lustres and Mediums 9 

Fry's Outfits ifl 

Fry's Roman Gold and Liquid 

Bright Gold 13 

Fry's Tracing Wax ,y 14^ 



INDEX 



G Page 

Gauges 17 

Gelatine for Lithographer-. l-'j 

Gillott's Pens 151 

Glass Brushes 17 

>labs and Mullers 15 

Gold for China Painters u & 13 

Gold in Cups and Shells 

Gold Paint 

Gold in Powder Form 14 

Gowns, Artists' 39 

Graphite Paper 14 

Gummed Paper, Transparent 70 

H 

Hasburg's Gold for China Painting 13 
I 

Illustration Boards 125 & 126 

India Inks in Sticks 97 

Inks 97 to 99 

Inks. Bourgeois 99 

Inks, Favor, Ruhl & Co.'s Gold.... 99 

Inks. Higgins 98 

Inks, Larrabee's White 99 

Instruction Books 168 to 171 

Ivory in Sheets 97 

J 

Japanese Water Color Paper n9 

Japanned Tin Boxes for China 

Painters 20 

Japanned Tin Boxes for Oil Colors, 

Empty and Fitted 49 to 51 

Japanned Tin Boxes for Water 

Colors, Empty 100 

L 

Lacroix China Colors 2 & 3 

Lead Pencils 152 

Lecturer's Crayons 145 

Line-O-Graph 96 

Liquid Lustre Colors, Favor, Ruhl 

& Co.'s 3 

Loose Leaf Sketch Boks 134 

M 

Mahl Sticks 56 

Maratta's Artists' Oil Colors 30 

Martin's Tempera Colors 89 

Manikins .'. 68 

Marsching's Gold for China Painting 13 



Page 
Marsching's Liquid Bright Gold 

and Silver 13 

Mason's China Colors 7 & 8 

Mason's Lustres and Mediums 8 

• Mason's Roman Gold and I .. B, Gold 13 

Metallic Wati r ( 8j 

leling Clay and Outfits 67 & 58 

Modeling Tools 

Monogram Liquid Bright Gold and 

Silver 13 

Mounting Boards 127 

Mounts and Medallions 30 & 31 

N 

Nigrovorine Stomps 147 

O 
Oil Colors, Favor. Ruhl & Co.'s.. 33 & 34 
Oil Colors, Winsor & Newton's 35 to 38 

Oil Color Boxes, Wooden 45 to 48 

Oil Color Boxes, Japanned Tin, 

Empty and Fitted 49 to 51 

Oil Colors, Decorative, Favor, Ruhl 

& Co 39 

Oils and Medium for China 

Painters 21 

Oil Sketching Paper, Blocks, and 

Boards 43 

Oils and Varnishes 64 & 65 

Osgod's Specialties 10 

P 

Panels, Sketching, "Kensington" 40 

Palettes, Various 57 

Palettes, Metal 103 

Palette Cups 55 

Palette Knives, Steel and Horn 18 & 56 

Pantagraphs l H7 

Papers, Carbon * 2 3 

Papers, Charcoal 121 

Papers, Drawing. Rolls 124 

Papers, Drawing, Sheets 118 to 121 

Papers, Detail 125 

Papers, Blue Print .' 130 

Papers. Pastel 122 & 123 

Papers, Tracing 122 & 123 

Pastel Outfits 136 to 142 

Pastels, Ex. Softs Monogram. .143 & 144 

Passe Partout Paper 133 

Paste for Gold 14 

Pastel Crayons 136 to 142 



INDEX 



Page 

Pearl's Studies 172 

Pencils, "Venus" 152 

Pens, Gillott's 151 

Pens, Shading 150 

Pens, Soennecken's 150 

Pen Holder, Bissell's 150 

Pencils and Brushes, French.. 22 to 20 

Plate Spacers and Dividers 17 

Platten 15 

Pliable Rubber .153 

Portfolios 131 

Protractors 165 

Pointers, Lead Pencils or Crayons. 153 

Push Pins 151 

R 

Ragged Edge Cards 133 

Retouch Colors, Gunther Wagners 90 

Rowney Books on Art 173 

Rubbers, Various 154 

Rules 163 to 165 

S 

Scales 162 to 164 

School Drawing Kit 167 

Seccotine 99 

Semple's White 9o 

Sherratt's Gold for China Painting.. 13 

Silver in Cups and Shells 97 

Sketch Blocks 132 & 133 

Sketch Box, "Kensington" 40 

Sketch Books and Tablets 135 

Sketching Easels 58 to 62 

Sketching Stools 63 

Sleeper's Gold for China Painting.. 12 

Sponge Rubber 153 

Spring Clips 44 

Square Shaders 22 to 29 

Stencil Paper and Board 53 

Stencil Outfits 53 

Stilts 15 

Stomps 136 & 146 

Stomps .Rubber 147 

Strathmore Boards 126 to 128 

Stretcher Strips 44 



Page 

Styk-em-phast ■ 133 

Superior White 91 

T 

Tapestry Colors 65 

Tempera Colors and Outfits, Students', 

Gunther Wagner "Gee Wee".. 88 

Thumb Tacks 155 

Tin Oil Bottles 55 

Tin Water Bottles 100 

Tortillon Stomps 138 

Tracing Cloth 129 

Tracing Cloth Powder 129 

Tracing Paper, Sheets I2?| 

Tracing Paper, Rolls 129 

Triangles, Wood 157 

Triangles, Amber 158 

Triangles, Rubber 158 

"T" Squares 159 & 160 

U 

Umbrellas 57 

Umbrella Staffs 63 

Universal Air Painting Tool 134 

V 

_Varnishes, American 64 

Varnishes. French 65 

Varnishes, Winsor & Newton's.... 64 

W 

Water Color Boxes, Empty 100 

Water Color Boxes, Fitted 100 to 103 

Water Color Cups 103 

Water Glasses 106 

Weis Paste 99 

Whatman's Paper n9 

White, Intense 91 

White Wood Panels 45 

Winsor & Newton's Books on Art 

172 & 173 

Winsor & Newton's Canvas 41 

Winsor & Newton's Water Colors 84-86 

Wolff's Pencils 149 

Wood Oil Color Boxes, Empty 45 

Wood Oil Color Boxes, Fitted 54 

Wooden Palettes 57